Archive: April 2009 (61-70 of 171)

Apr 21 2009 11:09 AM ET

Lollapalooza lineup announced: What year is it, again?

Categories: Lollapalooza

The long-running alt fest has just confirmed its 2009 lineup, and this year’s headliners include an awful lot of ’80s and ’90s favorites: The Beastie Boys, Jane’s Addiction, Tool, and Depeche Mode, along with more recent hit makers the Killers and Kings of Leon. A few other highlights of the three-day festival — held August 7-9 in Chicago’s Grant Park — are Animal Collective, Fleet Foxes, Bon Iver, TV on the Radio, Lou Reed, Andrew Bird, Neko Case, and Santigold.

So who’s heading to this year’s Lollapalooza? Is this a super-exciting lineup, or do some of these older headliners seem a little stale?

Apr 20 2009 10:20 PM ET

Sugarland covers Kings of Leon's 'Sex on Fire'

Sugarland is known for their genre-bending covers — "Life in a Northern Town," "Irreplaceable" — and on Friday in Minneapolis, they tried out this gorgeous take on one song I’m pretty sure no other mainstream country band would have touched. I think it’s kinda cool. But is it "country"? And does that "matter"? What do you think, Mixers?

Apr 20 2009 09:05 PM ET

What was the 1980s' best year for music?

Categories: Let's Argue!

U2_lAmong the many, many discussions currently running on the always entertaining I Love Music message board is a debate about whether Melody Maker or the NME had the better year-end critics poll in 1987 (I know, this stuff can get pretty arcane). But reading through both lists, it occurred to me that ’87 was an amazing year for music. Here are just a few of the albums that came out that year:

U2, The Joshua Tree
Prince, Sign ‘O’ the Times
The Smiths, Strangeways Here We Come
Sonic Youth, Sister
Public Enemy, Yo! Bum Rush the Show
Dinosaur Jr., You’re Living All Over Me
REM, Document
The Replacements, Pleased To Meet Me
The Go-Betweens, Tallulah
Eric B & Rakim, Paid in Full
The Cure, Kiss Me, Kiss Me, Kiss Me
The Pixies, Come on Pilgrim EP

Which raises two questions: 20 years from now, will best-of lists seem as impressive as this batch of classics? And what year was the ’80s’ very best for music? Have at it below!

Apr 20 2009 08:38 PM ET

How did a scary Mexican gangsta-rap group end up on one of TV's hottest shows?

Categories: Buzzworthy

Last night, on AMC’s cult-hit TV show Breaking Bad, audiences got more than their weekly fix of Bryan Cranston teaching high school chemistry by day and cooking crystal meth by night. They also got a taste of an underground music genre called narcocorridos, or "drug ballads." And it’s safe to say that if Ice Cube and Eazy-E grew up south of the border, N.W.A. probably would have sounded a lot like this.

Before the opening credits of last night’s episode, the real-life Mexican trio Los Cuates de Sinaloa (the Sinaloa Twins) appeared onscreen in a music video for a song called "The Ballad of Heisenberg" — a seemingly happy little tune peppered with harrowing inside jokes about this season’s twisty storyline, including the rise of Cranston’s drug-dealing alter-ego, Heisenberg. Watch the clip below, then read about how it all happened after the jump.


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Apr 20 2009 07:00 PM ET

The Clipse and Kanye West's 'Kinda Like a Big Deal': Hear it here

Back in February, I got an exclusive sneak listen of the Clipse’s hotly-hyped collaboration with Kanye West,"Kinda Like a Big Deal." I heard at the time that the track would beout March 9; that date wasn’t to be, but weeks of delays have only made anticipation for this pairing grow stronger. Today "Kinda Like a Big Deal" isfinally here. Rap’s smartest purists and its biggest pop superstar aretogether at last, and they sound every bit as unstoppable as I remembered. Give "Kinda Like a Big Deal" a listen below (or download it over at the Clipse’s own blog or Miss Info’s site), click over to see what I thought back in February after hearing an unmixed version, then let us know how you like this meeting of the minds.

More from EW’s Music Mix:
The Streets’ "I Love My Phone": Download the Brit wit’s ode to communication technology for free
Asher Roth talks SXSW, "I Love College," and his upcoming album
EW’s 50 Most Heartbreaking Songs of All Time

Apr 20 2009 06:04 PM ET

Kelly Clarkson, Mandy Moore, and Black Eyed Peas: New videos!

There must be something in the air today. First, we shared with you the latest video from Bob Dylan, in advance of his soon-to-be-released Together Through Time. Now, clips from Kelly Clarkson, Mandy Moore, and the Black Eyed Peas have all surfaced. Which to watch first? Around these parts, the answer is easy: Clarkson’s. I think it’s fair to say we like the gal. We really, really like her. Watch the clip for her tune "I Do Not Hook Up" and the Peas’ "Boom Boom Pow" below and hit up the comments when you’re done. (Moore fans should head to Perez Hilton, who seems to have the exclusive, for now, on the video for her "I Could Break Your Heart Any Day of the Week".)

Kelly Clarkson’s "I Do Not Hook Up":

Black Eyed Peas’ "Boom Boom Pow":

More from EW’s Music Mix:
Mandy Moore: The Music Mix Q&A
Green Day’s new song: Hear it here!
Moby’s new video with David Lynch: Wonderfully strange
Dave Matthews Band’s new single: Snap judgment
Eminem’s ‘We Made You’ video: Snap judgment

Apr 20 2009 05:44 PM ET

Green Day announces 2009 tour dates

Categories: Green Day

While American Idiot gets its theatrical makeover, Green Day will be on the road promoting their upcoming album 21st Century Breakdown. From July 3-August 25, the Grammy-winning pop-punk trio will be touring the U.S. (the band’s official website boasts a world tour soon) and while no venues have been announced, it’s safe to assume that amphitheaters and stadiums will be on their itinerary. While the album is due out May 21st, the band has already released the first single "Know Your Enemy" (embedded below.) So, Music Mixers, you be buying tickets for the Green Day show in your town? Or did your love affair with Billy Joe and gang stop after Dookie?

More from EW’s Music Mix:
Bob Dylan’s new video promotes gangs, art, photography
Susan Boyle: America, what’s your problem?
Coachella ’09 Sunday: Yeah Yeah Yeahs, Cure battle for supremacy

Apr 20 2009 04:53 PM ET

Bob Dylan's new video promotes gangs, art photography

Categories: Bob Dylan

Bobdylan_lA video for "Beyond Here Lies Nothin’," the first single from Together Through Life, is now streaming exclusively on Amazon (click here, then look for a small box on the right side of the screen), and it’s worth checking out if you’re into pompadours and/or cool old photographs. The entire video is made up of still photos taken from Bruce Davidson’s 1959 book Brooklyn Gang — shot after shot of greasy-haired, tatooed tough-guys, captured in moody black and white and set to Dylan’s punched-in-the-throat vocals. (Davidson also shot Together‘s cover.) Conceptually, it doesn’t quite fit the new album’s Southwestern vibe (mariachi accordion figures prominently throughout), but somehow it still works.

More from EW’s Music Mix:
Wilco’s new DVD: An exclusive full-song clip
Will you buy the new Beatles remasters?
Bob Dylan’s free single: Snap judgment
Neil Young Archives: They’re really coming this summer

Apr 20 2009 04:49 PM ET

Susan Boyle: America, what's your problem?

Categories: Susan Boyle

Bowieboyle_lThe phenomenal popularity of Britain’s Got Talent competitor Susan Boyle, and the furor over the disparity between her angelic voice and her "homely" appearance, has got me thinking, oddly, about David Bowie. I interviewed the Thin White Duke a few years back, asking him such questions as, "Is Mick Jagger a good kisser?" (Answer: "You’d have to ask someone else.") While Bowie was in highly entertaining form, all I could think during the encounter was, "That damn fool has gotten his teeth fixed!" Bowie, you see, was famous for having a set of "gnashers" that looked like an untended graveyard after a nuclear holocaust. Yet here he was, telling tales with a set of teeth that made me wish I had worn dark glasses.

As someone from the UK myself (and as someone whose own dental work appears to have been conducted by Mike Tyson’s fist) this came as a big disappointment. Britain is a country with a history of producing music stars more talented than toned, or even possessing of the right number of teeth. Look at Elton John, who even in his ’70s heyday didn’t exactly set female hearts a-flutter (of course, that actually worked out okay for him in the end). Or Van Morrison, who briefly toyed with early svelteness before becoming the shape and size of the moon (yes, Van the Man was raised in Northern Ireland, across the water from England, but you’re basically talking about the same diet and dental plan). More recently, the UK has given birth to such female singers as Amy Winehouse, Adele, and Lily Allen, all of whom have enjoyed global acclaim but none of whom spend too much time working on their six-packs (unless said six-packs have "beer" written on them).

Okay, so Susan Boyle is not going to be confused with Miley Cyrus or Christina Aguilera anytime soon. But to me, that’s not a source of hilarity (thank you, Jay Leno!) but of national pride. Well, maybe not pride, exactly. But you get my point…

So, what do you think Music Mixers? Are British music stars less conventionally attractive (but maybe a smidge more actually talented) than their American counterparts?

More on Susan Boyle:
Susan Boyle interview: ‘I’m happy the way I am’
Susan Boyle recording of ‘Cry Me a River’ surfaces on YouTube
Piers Morgan on Susan Boyle
Susan Boyle: How attractive does a pop star need to be?

More from EW’s Music Mix:
‘Hannah Montana’ holds six spots on the Billboard Hot 100
Flight of the Conchords get laughs, smash things at Radio City Music Hall
EW’s 50 Most Heartbreaking Songs of All-Time
Coachella ’09 Friday: Paul McCartney Burns Slow

Apr 20 2009 12:48 PM ET

Coachella '09 Sunday: Yeah Yeah Yeahs, Cure battle for supremacy

Categories: Coachella

There’s this old saying I once heard, something about how if you do something a couple times and it doesn’t work out, the third time will be really good. Mixers, I’ll be damned if Sunday at Coachella wasn’t a complete and utter charm. We were tired, we were dirty, we were wandering a field in 100 degree heat — but the gods smiled upon us, and we were rewarded for our persistence, handsomely.

My festival buddy Josh and I walked onto the grounds at 12:40 p.m., and exited at 12:20 a.m. In between, we witnessed a generation-spanning human mix tape of hip-hop and garage rock and newcomers and old-timers and one set so perfect I almost left when it was done because I assumed (kind of correctly) that it could not and would not get any better than that. Our night ended at the feet of Robert Smith and the Cure, who had been playing for nearly three hours and showed no signs of stopping. Were it not for this blog post and a pending hotel check-out time, I might still be lying in the grass of an emptying polo field right now, watching spotlights and flamethrowers slice the sky as one of the glummest bands of my lifetime made everything feel all right.

After the jump: Vivian Girls, The Knux, Okkervil River, F*cked Up, Lupe Fiasco, Lykke Li, Antony and the Johnsons, Yeah Yeah Yeahs, My Bloody Valentine, and the song that made me put my notebook down and do the Molly Ringwald like the twelve year old girl I still am at heart.

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