Archive: August 2009 (121-130 of 139)

Aug 6 2009 06:03 PM ET

Harvey Danger's Sean Nelson: guest blogger!

Just as so many of their ’90s peers are clawing their way back to the scene, the men of Harvey Danger — you probably know them because of 1998′s “Flagpole Sitta” — have decided to call it quits.

“After 15 years, three albums, hundreds of shows, and far more twists and turns than we ever imagined possible, we’ve decided to put Harvey Danger to rest. The decision is totally mutual and utterly amicable. Everyone is very proud of the work we’ve done together, but we’ve also come to feel that our collaboration has–in a very positive way–run its course,” the band wrote on their website on May 28th of this year. They announced a string of farewell shows — the first of which is tomorrow night at Harper’s Ferry in Boston (careful, that link will start playing “Flagpole Sitta” at high volume) – and are presumably busy dismantling all sorts of business hoo-hah and studio space, or whatever happens when you break up a band.

Here at the Music Mix, however, we were not content to let this charming outfit go quite so quietly into that good night. Since frontman and Seattle man-about-town Sean Nelson is also an excellent writer — he most recently blew our minds with the liner notes for Death Cab’s Something About Airplanes reissue — we asked if he’d document the final tour here on EW.com. He very kindly agreed. Sean’s first post will run Monday, recapping the weekend’s events; he’ll write for three more Mondays after that, until the band is finally put to rest.

Anyway, so get excited. And watch the video for “Sad Sweetheart of the Rodeo,” below, one of my favorite Harvey Danger songs that does not involve flagpoles. Bonus: Ione Skye!

More from EW’s Music Mix:
What’s the greatest guilty pleasure act of all time?
Watch Modest Mouse’s new Heath Ledger-directed video
Radiohead surprise with new song
MTV’s Video Music Awards: Will it be Beyonce or Lady Gaga?

Aug 6 2009 02:28 PM ET

Jay-Z, Rihanna, and Kanye to be first musical guests on Jay Leno's new primetime show

A Tale of Two Jays: NBC announced today that hip-hop superstar Jay-Z will be the first official musical guest on Jay Leno’s new prime-time comedy series, The Jay Leno Show, on Monday, Sept. 14 — and that he’ll be bringing bold-faced friends Rihanna and Kanye West onstage with him.

The trio is slated to perform “Run This Town,” from the Hova’s hotly anticipated The Blueprint 3, due Sept. 11.

Listen below and tell us what you’ll be expecting from the power trio when they hit the stage next month: Total domination, or inevitable letdown?

More from EW’s Music Mix:
Justin Timberlake: Cobra Starship wants to work with you. Good idea?
What’s the greatest guilty pleasure act of all time?

Fabolous, outsold by Michael Jackson, tops the charts
MTV’s Video Music Awards: Will it be Beyonce or Lady Gaga?

Aug 6 2009 01:41 PM ET

Justin Timberlake: Cobra Starship wants to work with you. Good idea?

Cobra Starship has a knack for lining up high-profile collaborations. The emo-pop clowns’ debut single, “Snakes on a Plane (Bring It),” was a joint effort with Gym Class Heroes’ Travis McCoy and The Academy Is…’s William Beckett, among others; “Good Girls Go Bad,” their current chart-climbing single, features guest vocals from Gossip Girl star Leighton Meester. So who’s on the band’s dream list of artists to work with?

“Man, I would love to do something with Justin Timberlake,” Cobra Starship captain Gabe Saporta tells the Music Mix. “He’s kind of my inspiration for Cobras. When I started Cobras, I was like, ‘I wanna do a punk-rock version of Justin Timberlake.’” How’s that? “I don’t sing as good, I don’t dance as good, but I’m, like, 100 times a bigger a–hole,” Saporta jokes.

Would you like to see a Cobra x Justin song become a reality? What kind of music do you think this potential match-up would make?

More from EW’s Music Mix:
What’s the greatest guilty pleasure act of all time?
Fabolous, outsold by Michael Jackson, tops the charts
Radiohead surprise with new song
MTV’s Video Music Awards: Will it be Beyonce or Lady Gaga?

Photo credit: Starship: Matthew Salacuse; Timberlake: Rankin

Aug 5 2009 02:04 PM ET

Who's the greatest guilty pleasure act of all time? We intend to find out!

It’s a well-known fact that the appreciation of music is subjective: One man’s Beatles, for example, is another man’s dog playing the nose harp. Yet somehow over the course of human history, we’ve managed to agree on the general excellence of a number of artists — and the general wretchedness of others — thus establishing something of a musical pecking order. One wants to be closer to the Beatles on this order than, say, Eddie Murphy. Musically speaking, at least. This is just a fact.

But what about the folks in the middle? I don’t mean the workmanlike, well-regarded bands and singers who sustain long, profitable careers while never quite rising to the top of their genre or anyone’s Best Whatever list, because those lists are inevitably being bogarted by the same four acts, over and over — I mean the bands and singers that by all accounts are kinda cheesy/derivative/bombastic/limited/weird, but we love them anyway. The ones we find ourselves defending when someone makes fun of them at dinner parties, but wouldn’t exactly pump with our windows rolled down in the parking lot of Coachella. The ones whose concerts we attend semi-ironically, but still enjoy the hell out of. The ones we secretly want to be listening to when we are listening to Animal Collective. The karaoke staples. The workout-mix centerpieces. The ones who don’t get no respect.

I’m talking about the guilty pleasures. And with your help, I intend to find the greatest one of all time.

Of course, “guilty pleasure” carries with it a healthy amount of to-each-his-ownness, too: While I might blush with shame every time it’s revealed that I love Phil Collins, someone else out there no doubt runs a message board dedicated to the man’s genius. Still, I should hope we can find common ground. “Guilty pleasure” also does not necessarily imply suckiness — in fact, I’d argue that Journey, Britney Spears, and Garth Brooks (see above) have all made excellent genre- and even era-defining music. And yet, there is guilt. Why? Not sure. It’s just there. Happily, it is accompanied by equal amounts of pleasure. And that’s why we use both words.

For the next several weeks, we’re going to put our favorite guilty pleasures through scrutiny like never before. The contestants will be placed into an NCAA-style bracket, seeded according to their strengths (please enjoy that No. 1 seed, Nickelback), and then pitted head to head. Each face-off will feature a defense of the act — hopefully in part provided by you, Mixers — as well as a streamable example of their oeuvre. You will then have the chance to vote. Winner advances. Lobbying is encouraged. Commenters without a sense of humor, however, will not be tolerated. (Looking at you now, Celine Dion fans.)

I pooled my colleagues and they came up with suggestions ranging from Linkin Park to Lady GaGa, Hall & Oates to Hanson, Jordin Sparks to Stone Temple Pilots. But now I turn to you, Mixers: Who is your greatest guilty pleasure act of all time? Give us your nominees in the comments below, complete with a defense of your choice and the one (1) song that best exemplifies their guilt…and their pleasure. Nominate early, nominate often; we’ll meet back here next week to begin the tournament itself.

NOTE: Nominees must have a body of work significant enough for examination. This is not about one-hit wonders — they have plenty of lists of their own. Yes, yes, “Come On Eileen,” I know.

More from EW’s Music Mix:
Fabolous, outsold by Michael Jackson, tops the charts
Radiohead surprise with new song
Watch Modest Mouse’s new Heath Ledger-directed video

MTV’s Video Music Awards: Will it be Beyonce or Lady Gaga?

Photo Credit: Steve Perry: Robin Kaplan/Retna Ltd.; Garth Brooks: Molly Riley/Reuters/Landov

Aug 5 2009 12:30 PM ET

Fabolous, outsold by Michael Jackson, tops the albums chart

Categories: Charts, Fabolous

Fabulous-Losos-Way_lFabolous puts out pretty much the same exact album every couple of years. Hey, it’s a pretty good album — why tamper with success? The 99,000 fans who, according to Nielsen SoundScan, bought this year’s model, Loso’s Way, represent a bit of a decline from the 150,000-ish base that’s turned out for the Brooklyn punchline master’s four previous releases in their respective first weeks. I doubt Fab cares too much about that, though: This being a slow week, 99,000 was still enough to win him his first No. 1 debut on the Billboard 200.

Here’s where I note that, yet again, Michael Jackson’s Number Ones was the actual top-selling album in the country this past week, with another 114,000 units shifted, but it didn’t count for the flagship Billboard 200 chart because it’s too old. It’s getting to the point where it’s more surprising when MJ doesn’t outsell the Billboard 200′s No. 1 — which is funny, since up until the week of Jackson’s death a catalog album had never accomplished that feat in Billboard history. I hate to keep harping on this point every Wednesday, but the fact is that Michael Jackson’s greatest hits continue to show the kind of chart legs that precious few new releases can muster these days. In fact, Number Ones has now sold 1.37 million copies in 2009 — more than any other album this year save Taylor Swift’s Fearless, which stands at about 1.5 million. And so the asterisks march on.

Returning to the Billboard 200, the only other top-20 debut this week came from Ashley Tisdale, whose Guilty Pleasure sold only 25,000 copies, less than half of the 64,000 her debut notched two years ago. No one ever said life after High School would be easy, did they?

What do you think of this week’s chart numbers? The comments section awaits below.

More from EW’s Music Mix:
Demi Lovato tops albums chart, but Michael Jackson outsells her
MTV’s Video Music Awards: Will it be Beyonce or Lady Gaga?
Watch Modest Mouse’s new Heath Ledger-directed video
Biz Markie, “Just A Friend”: The literal video!

Aug 5 2009 12:02 PM ET

Radiohead surprises fans with new song, 'Harry Patch (In Memory Of)'

Whoa, whoa, whoa. I go to sleep for one night, and when I wake up I discover that Radiohead, my favorite band of all time, has just put a brand-new song for sale on their website while I was slumbering? They’ve gotta stop surprising me like this. If only I’d known, I would totally have stayed up all night just so I could hear this song that much earlier.

Radiohead’s first officially released song since 2007′s In Rainbows is called “Harry Patch (In Memory Of).” As the title suggests, it’s a tribute to Harry Patch, the last surviving British veteran of World War I, who died recently at age 111. You can probably guess that I love this song. Apparently recorded in the weeks before Patch’s death, it’s a gorgeous anti-war ballad, juxtaposing Thom Yorke’s Wilfred Owen-esque lyrics about the terrors of the trenches against a lush orchestral backdrop arranged by Jonny Greenwood. Radiohead is selling the song for £1, with all proceeds going to the Royal British Legion, a veterans’ charity. Needless to say, it’s very much worth any Radiohead fan’s pound, regardless of the exchange rate.

“Harry Patch” is only the latest Radiohead-related bit of news to creep out lately. We know the band has been working in the studio for some time on new material, and now we’ve heard the first finished product of those sessions. I’m thinking (okay, hoping) that it can only be a matter of time before they surprise us again with an announcement about their next album. Just to be safe, I’m considering not sleeping at all for the next few months, just in case that announcement comes at night. How about you? What do you think of “Harry Patch (In Memory Of)”? Are you as excited as I am by the growing trickle of information about Radiohead’s recent studio activity?

More from EW’s Music Mix:
New Thom Yorke hits the web: “All for the Best” (Miracle Legion cover)
Watch Modest Mouse’s new Heath Ledger-directed video
MTV’s Video Music Awards: Will it be Beyonce or Lady Gaga?
Ray LaMontagne is going on tour. And green!

Aug 5 2009 10:00 AM ET

Smokey Robinson speaks on his new album, 50 years in the music industry, and his friend Michael Jackson

Speaking only for myself, I first became aware of Smokey Robinson as the guest star in a memorable Sesame Street skit. It wasn’t long before I learned that the guy dancing with the letter-U puppet was one of the greatest singers and songwriters of all time — a talent whose influence on contemporary pop and soul music would be difficult to overestimate.

Today, 50 years after scoring his first national hit as leader of the Miracles, Robinson is still going strong. With his latest solo album, Time Flies When You’re Having Fun, due to arrive on Aug. 25, he called the Music Mix to chat last week. Read on after the jump for Robinson’s thoughts on his new music, the Motown legacy, his five decades of industry experience, and the loss of his dear friend Michael Jackson.

READ FULL STORY »

Aug 4 2009 05:21 PM ET

EW exclusive! Stream new Mason Jennings track 'The Field'

Several years ago at SXSW, I was minding my own business in the backyard of Stubb’s when a Mason Jennings set started, and I was damn near trampled to death as every other woman in the joint made a squealing beeline for the stage. Women ran, sloshing beers be damned, to be closer to the man with the acoustic guitar. I guess that makes him “dreamy folk singer-songwriter Mason Jennings.”

Time to get excited, ladies: For Blood of Man — due Sept. 15 from Jack Johnson’s dreamy folk label, Brushfire Records — Mason Jennings has plugged in. I rarely quote from bio copy, but Jennings wrote this himself about the decision to go electric, and it’s actually quite evocative:

“It all kinda started at Christmas when my sons and I were hanging ornaments on the tree.  We have an ornament that is a little electric guitar and my six-year-old son was looking at it and asked, “What’s this, Dad?”  I said, “What??? It’s an electric guitar.” To which he replied, “What’s that?” Well, I was kinda horrified so I ran downstairs and pulled out an old hollowbody electric (my wife’s) and an amp and I came upstairs, plugged it in and ripped into “My Generation” by The Who. My one son actually climbed me in point-2 seconds and leaped off my shoulders while the other one looked like I had plugged the lights on the tree into him. They flew around the room dancing for two straight wonderful hours. I got the point. I grew up playing only electric and it was like remembering how to be free. For many reasons, it was so needed. So I got free.”

We’re streaming “The Field,” a song about parenting in wartime. The electric guitar on this track reminds me a bit of early Liz Phair. It’s not that far from the acoustic sound Jennings made his name on, actually. Just… louder.


What do you think, Mixers? Still dreamy?

More from EW’s Music Mix:
Watch Modest Mouse’s new Heath Ledger-directed video
Ramona Falls: An exclusive stream

Ray LaMontagne is going on tour. And green!

Aug 4 2009 02:51 PM ET

Beyonce, Britney, Lady Gaga...Wisin y Yandel?!: Reggaeton duo lands Best Pop Video VMA nod

The list of nominees in the Best Pop Video category of this year’s MTV Video Music Awards starts off predictably enough: Beyonce’s “Single Ladies,” Britney Spears’ “Womanizer,” Lady Gaga’s “Poker Face,” Cobra Starship’s “Good Girls Go Bad.” And then there’s the fifth nominee, Wisin y Yandel’s “Abusadora.” Go ahead, fans of those first four artists. We’ll excuse you if you exclaim, “Wisin y who?!

I say this as a moderate-level Wisin y Yandel fan. The Puerto Rican duo has been one of the bigger names in the reggaeton scene for years now, even scoring a decent-sized crossover hit with 2005′s “Rakata,” which was my introduction to their music. “Abusadora” is another catchy reggaeton cut. But since when does MTV consider reggaeton as part of the pop genre?

I’ve reached out to MTV to see if they can explain how Wisin y Yandel made it into the Best Pop Video field — while hip-hop and rock acts remain separated out into their own distinct award categories. In the meantime, I’ll applaud this as a welcome (if unexpected) step toward breaking down genre barriers. As far as I’m concerned, labels like “pop” and “reggaeton” confuse more than they enlighten, anyway.

Check out the VMA-nominated video for Wisin y Yandel’s “Abusadora” below, then let us know: Are you surprised it got a Best Pop Video nod?

More from EW’s Music Mix:
MTV’s Video Music Awards: Will it be Beyonce or Lady Gaga?
Why rappers like Run-DMC belong in the Rock and Roll Hall of Fame
Watch Modest Mouse’s new Heath Ledger-directed video
Biz Markie, “Just A Friend”: The literal video!

Aug 4 2009 01:26 PM ET

MTV's Video Music Awards: Will it be Beyonce or Lady Gaga?

Categories: Beyonce, Lady Gaga, MTV

lady-gaga-beyonce_lMTV announced the nominees for the VMAs today and it looks to be a duel of the divas between Beyonce and Lady Gaga, with a whopping 9 nominations each. Beyonce is, of course, nominated for her now-iconic video for “Single Ladies (Put a Ring on It)” while Gaga’s nominations are split between “Poker Face” and “Paparazzi” (my personal favorite for many reasons, not the least of which is the cameo by True Blood‘s Alexander Skarsgard). I was lucky enough to vote for the VMAs this year and these ladies were definitely two of my faves in most of the categories. But the real question now is who will emerge victorious between the two enormously talented gals? It’s an incredibly hard decision as both made AH-MAZING contributions to the music video world this year. I sort of have to give the edge to Gaga since she’s the newest superstar on the block and has continued to outdo herself with each video, especially the epic “Paparazzi.”

Who do you think will walk away with the most moonmen, Music Mix-ers? Which star had the better music video?

More from EW’s Music Mix:
Watch Modest Mouse’s new Heath Ledger-directed video
Ramona Falls: An exclusive stream
Biz Markie, ‘Just A Friend: The literal video!
Dean & Britta pay tribute to Andy Warhol in Prospect Park

Photo Credit: Gaga: Solarpix/PR Photos; Beyonce: Janet Mayer/PR Photos

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