Archive: September 2009 (121-130 of 170)

Sep 9 2009 01:49 PM ET

Brad Paisley leads CMA nominees. Did your favorite get a nod?

The nominees for the 43rd Annual CMA Awards were announced this morning, and you should get excited! It’s country music’s biggest night! Except for that other one with rearranged letters that happens in April! (Will I ever stop making fun of that? No! It amuses me!)

There are more or less exactly zero surprises here: Brad Paisley leads with six SEVEN* noms surrounding his American Saturday Night, including “Then” for Song/Single of the Year — it’s only made me cry like six dozen times, I fail to see what is the big deal — and Entertainer of the Year, which he will probably lose to Chesney again, despite the fact that these people obviously find Brad entertaining enough to let him host the show. (Paisley and Carrie Underwood will resume their duties as emcees on the Nov. 11 telecast.)

Elsewhere, all kinds of men crawling all up in this here dancerie: Chesney, Urban, Strait, Randy Houser (really?), Jamey Johnson, Jake Owen, blah blah blah. It’s a good thing they gave Taylor Swift an Entertainer nod — yes, I do mean that in all sincerity, she’s earned it — just to break up the sausage party. (Did your current ACM EOY, Carrie Underwood, get snubbed here? I say no: ACM EOY was fan voted, so of course she won… but she hasn’t been touring, new album’s not out yet, etc. We’re between cycles for Ms. Underwood. Calm yourselves, psycho fans!)

I also enjoy the dueling frat parties of Darius Rucker and the Zac Brown Band vying for Best New Artist; both went (somewhat unexpectedly) platinum this year, and it should be interesting to see which way the votes swing. I say Zac — just cause Darius came in with a pre-existing fan condition — but I’m probably wrong. And you knew I’d bring this up eventually: Thank god someone finally nominated Sugarland’s Love on the Inside for Album of the Year.

Other questions: Will Lady Antebellum end Rascal Flatts’ reign of terror to win their first Vocal Group Award? Will Brooks & Dunn win their last award for Duo? How much do you think Letterman’s BEST SONG EVAR ZOMG endorsement of Billy Currington’s “People Are Crazy” helped that song get its Song/Single nods? How weird is it that they gave Randy Travis a Song of the Year nom for Carrie Underwood’s sledgehammery cover of his “I Told You So”? And, as always: Keith or Kenny, people, Keith or Kenny… or Taylor?

Check out the full list of nominees after the jump, and let us know your thoughts in the comments.

*UPDATE 9/10: Paisley scored another nod alongside Keith Urban today, when the CMA realized they’d left the pair’s “Start a Band” off the list of nominated Musical Events. Oopsy.

More from EW’s Music Mix:
The Beatles: Thanksgiving special coming to ABC?
‘New Moon’ soundtrack: Sneak peek at Death Cab for Cutie snippet
The Beatles: And their best song is…
Jason Schwartzman exclusive: Hear the theme song for his new HBO show here

READ FULL STORY »

Sep 9 2009 12:25 PM ET

And the Mercury Prize goes to ... Speech Debelle?

When we wrote recently about the nominees for England’s prestigious Mercury Prize (previous winners include Portishead, PJ Harvey and Franz Ferdinand), we put odds on art-school Ophelias Florence and the Machine or Bat for Lashes, with perhaps a sneaky steal by electro jam duo La Roux or old-school Brit-rockers Kasabian; maybe even newly-relevant noir-shoegazers The Horrors.

And … we lose! (Hi, bookies). The prize went to the short list’s most distant long shot, rapper Speech Debelle, a.k.a. 26-year-old Corynne Elliot — whose debut, Speech Therapy, landed Stateside in August with nary a peep, and made only a pebble-splash impact in her native U.K.

Frankly, it seems like a strange, if not overtly contrarian choice (though not on the level of, say, house muzak outfit M People beating out the likes of Blur and Pulp in 1994).

But watch the clip for “Better Days” featuring (the unnominated!) Micachu of Micachu and the Shapes, below, and judge for yourselves; would Debelle have been your pick?

More from EW’s Music Mix:
The Beatles: Thanksgiving special coming to ABC?
‘New Moon’ soundtrack: Sneak peek at Death Cab for Cutie snippet
The Beatles: And their best song is…
Jason Schwartzman exclusive: Hear the theme song for his new HBO show here

Sep 9 2009 11:46 AM ET

Whitney Houston tops the albums chart

Categories: Charts, Whitney Houston

The results are in, and those early projections were about on target: Whitney Houston’s I Look to You is the No. 1 album on this week’s Billboard 200 chart after selling 305,000 copies, according to Nielsen SoundScan. Like I said last night, that’s not a terrible performance by any means. It’s pretty good! In fact, it’s the best first-week number Whitney has put up since Nielsen SoundScan started tracking sales in 1991. But it’s still not a grand slam, even by 2009 standards. Consider all the fuss that’s been made over Whitney Houston’s comeback: She used to be the type of artist whose first album in seven years would be a major commercial event. Now, it seems, she’s just a respectably successful singer like any other — nothing to be ashamed of, but the numbers don’t lie.

Houston had plenty of company in the chart-debut field this week. Trey Songz’s Ready took No. 3 with 131,000 sold, no doubt occasioning many a pleased emoticon from his keyboard. A troop of 50,000 Juggalos put Insane Clown Posse’s Bang! Pow! Boom! at No. 4. Chevelle, a hard-rock combo whose name sounds more like a hair product to me, landed at No. 6 with 46,000 copies sold of Sci-Fi Crimes. Pitbull capitalized on the success of his single “I Know You Want Me (Calle Ocho)” by selling 41,000 copies of Rebelution for a No. 8 debut. Down at No. 10, The Used found 35,000 aesthetes to buy Artwork. The Black Crowes’ latest blues-rock jam session, Before the Frost…, made it to No. 12 with 32,000. And Chris Young, who won 2006′s Nashville Star, proved himself a moderate-size Nashville star on the charts by squeaking in at No. 19 with 26,000 sold.

What do you think of this week’s crop of new chart faces? And what do you make of Whitney Houston’s return to commercial earth?

More from EW’s Music Mix:
Whitney Houston: Will her sales disappoint?
Reba McEntire tops the albums chart
‘New Moon’ soundtrack: Sneak peek at Death Cab for Cutie snippet
The Beatles: And their best song is…

Sep 9 2009 11:21 AM ET

Beatles dictionary: What does 'goo goo g'joob' mean, anyway?

“I am the eggman! (Whoo!) They are the eggmen! (Whoo!) I AM THE WALRUS! GOO GOO G’JOOB!” The refrain from 1967′s “I Am the Walrus” is one that every Beatles fan knows by heart — perhaps even one that you yourself have shouted aloud at one point or another. Yet beneath the walrus’ mask lies a mystery. Don’t we all wonder sometimes what John Lennon meant by those strange words?

“It’s just psychedelic nonsense,” you might say. And you would probably be right. The fearless lexicographers at the Visual Thesaurus, however, have refused to settle for that answer, instead launching a formal investigation into the etymological origins of the phrase “goo goo g’joob” (which they spell “goo goo goo joob” for some reason). Some of the related phrases they’ve unearthed include “googoo goosth” (from James Joyce’s Finnegans Wake), “coo coo ca-choo” (from Simon and Garfunkel’s “Mrs. Robinson”), and “boop-oop-a-doop” (from Betty Boop).

While the Visual Thesaurus doesn’t come to any definitive conclusions, their piece makes for a fun 9/9/09 read. Click over to peruse the full report, or watch the Beatles’ “I Am the Walrus” below to re-acquaint yourself with the source of this puzzle. Then grab a semolina pilchard, let your face grow long, and tell us: What do you think “goo goo g’joob” means?

More from EW’s Music Mix:
The Beatles remasters: EW’s review
The Beatles: Thanksgiving special coming to ABC?
‘Rock Band: Radiohead’: If only this game were real!
The Beatles: And their best song is…

Sep 8 2009 08:39 PM ET

Whitney Houston: Will her sales disappoint?

Categories: Charts, Whitney Houston

Last Monday was a big day for Whitney Houston, whose first all-new album in seven years finally arrived in stores. An even more important day might be tomorrow, when first-week sales results will be announced, providing one answer to the question of just how much the public has missed her.

Right now, trade gossip site HitsDailyDouble.com — whose estimates are usually pretty reliable — is projecting that Houston’s I Look to You will top the albums chart with sales of about 301,000. That’s not too shabby. It’s considerably more than the underwhelming 205,000 that her last album managed in its first week. Then again, it’s no blockbuster, either.

By way of comparison, Maxwell performed similarly this July, selling 316,000 copies of BLACKsummers’night in its first week. Now, Maxwell, like Whitney, is an R&B/pop singer who hadn’t put out a new album in many years (eight, in his case). But Maxwell was never a megastar on Whitney’s level. Not even close. Maxwell never had a record certified 17 times platinum. If Houston can’t even beat his sales today, what does that say about her relevance?

Check back on the Music Mix tomorrow morning to find out the final sales results for last week. ‘Til then, what do you think of these predictions? Is 301,000 a number to be proud of for Whitney Houston? Do you even care how many copies she sells in week 1?

More from EW’s Music Mix:
The Beatles: Thanksgiving special coming to ABC?
‘New Moon’ soundtrack: Sneak peek at Death Cab for Cutie snippet
The Beatles: And their best song is…
Jason Schwartzman exclusive: Hear the theme song for his new HBO show here

Photo credit: Patrick Demarchelier

Sep 8 2009 05:43 PM ET

Leona Lewis' 'Happy': Just because it'll be a smash doesn't mean I have to love it

Breaking blasphemy alert: Leona Lewis’ voice has always left me a little cold. There, I said it. And while that might strike you as an odd sentiment coming from the EW staffer voted most likely to get excited about musical output of singers we discovered on the tee-vee, it is what it is. (And for the record, you won’t find any Daughtry or Archuleta or Ruben Studdard on my iPod, either.)

I know, I know, Simon Cowell wants us all to believe that Leona Lewis is the second coming of everything ever. And a lot of folks appeared to enjoy her 2007 smash “Bleeding Love.” So when news hit today that Lewis’s new single “Happy” (co-written by the ubiquitous Ryan Tedder and Evan Bogart, and currently streaming here) was leaking across the Internet, I said to myself, “Self, here’s your chance to get converted!” The thing is, thought, while “Happy” is a solidly written, professionally produced song with a Velcro-ey hook, it has the emotional resonance of a so-so, big-budget romantic comedy. Oh, sure, the strings are swelling, and the rain is pouring, and someone is racing to the airport to tell someone else “I love you!,” but when your leading lady is more Andie MacDowell than Meryl Streep, it’s hard to get past surface-level.

My colleague Henry Goldblatt just emailed me that “Happy” is “the song Whitney Houston should’ve recorded.” And that raises an interesting thought. Imagine Whitney’s weathered, world-weary (but still potent…in the studio) instrument delivering the “so what if it hurts me/ so what if I break down” refrain.

Oh hell to the yes, in the hands of a singer who could achieve both technical perfection and emotional depth, “Happy” might’ve been my early autumn jam. But delivered in Lewis’ lovely-but-vacant style, I’m gonna have to rifle through my iPod for a more substantial diva anthem. Beyonce’s “Halo“? Christina Aguilera’s “Hurt“? Maybe birthday girl Aimee Mann’s “Wise Up“? Oh so many to choose from up in here!

What do you think of “Happy”? Does Leona Lewis have another smash on her hands? And more importantly, are you digging it?

More from EW’s Music Mix:
The Beatles: Thanksgiving special coming to ABC?
‘New Moon’ soundtrack: Sneak peek at Death Cab for Cutie snippet
The Beatles: And their best song is…
Jason Schwartzman exclusive: Hear the theme song for his new HBO show here

Sep 8 2009 04:21 PM ET

Extended Play: Yo La Tengo, Circulatory System, Os Mutantes

Welcome to Extended Play, a delightfully unpredictable feature on the Music Mix wherein, from time to time, we review new releases that we did not have room for in the print magazine. (Not because we don’t love them!) This week, we take on a trio of mind-expanding albums by Yo La Tengo (pictured, left), Circulatory System, and Os Mutantes. Intriguingly, each of these bands makes music that might plausibly be described at times as “Beatlesque” — and each one is dropping a brand-new record in this most Beatlesque of weeks. Coincidence? You decide…

READ FULL STORY »

Sep 8 2009 03:13 PM ET
Sep 8 2009 12:55 PM ET

The Beatles remasters: EW's review

We’ve featured all manner of Beatles-related content with you in the past week, but we’d be remiss not to review the remastered reissues of their albums themselves. Read on for our take on the long-awaited CDs that arrive in stores tomorrow…

The Beatles
In Mono
; Stereo Box Set; Individual stereo albums: Please Please Me; With the Beatles; A Hard Day’s Night; Beatles for Sale; Help!; Rubber Soul; Revolver; Sgt. Pepper’s Lonely Hearts Club Band; Magical Mystery Tour; The Beatles; Yellow Submarine; Abbey Road; Let It Be; Past Masters
Rock (Apple/Capitol)

Fair warning: If you are not already among the billions who adore the Beatles, the newly remastered CD editions of their work will not necessarily convert you. These are, after all, the same songs that have been out there soundtracking lives for decades now.

Yet in a certain sense, they really aren’t. Beatlemaniacs of all degrees who re-purchase these beloved albums are in for a listening experience that is nothing short of revelatory. No knowledge of the technical remastering process is required to notice the difference between these and the iffy first wave of Beatles CDs that was issued in 1987. All it takes is one listen to a song you thought you’d memorized down to the last grace note to realize how much you’ve been missing.

READ FULL STORY »

Sep 8 2009 12:29 PM ET

Kid Cudi feat. MGMT and Ratatat, 'Pursuit of Happiness'

Categories: Buzzworthy, New Stuff

Rising stoner-rap star Kid Cudi returns with another hypnotic track from his upcoming September 15 release, Man in the Moon: The End of Day – and he brought friends.

The Cleveland-bred “Day and Night” MC calls in a Brooklyn assist with poncho-rock champs MGMT (on backup vocals) and excellent instrumental duo Ratatat (providing their signature electronic squiggle-and-wooze).

Stream the track below or listen to a clean rip on Stereogum here:

More from EW’s Music Mix:
‘Rock Band: Radiohead’: If only this game were real!
The Beatles: And their best song is…
Jimmy Page and Jack White talk about ‘It Might Get Loud,’ their new documentary with the Edge
Jason Schwartzman exclusive: Hear the theme song for his new HBO show here

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