Archive: September 2009 (41-50 of 170)

Sep 22 2009 07:15 PM ET

Wildbirds & Peacedrums: The Music Mix recommends

Last night, Wildbirds & Peacedrums—a married couple from Sweden who make folk music weird enough to match their band’s name—played New York’s Bowery Ballroom. Although they were the openers for Britain’s Fanfarlo, who performed a set of thumping Arcade Fire-esque anthems that justified their growing buzz, W&P were the evening’s focal point.

Like Björk or Kate Bush, it’s hard to imagine anyone else touching the strange, fantastic place these two Wildbirds tap for inspiration. And crazily enough, they relay their weird world using not much more than Mariam Wallentin’s soulful vocals and her husband Andreas Werliin’s tribal drumming. Check out one of their vids after the jump.

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Sep 22 2009 06:25 PM ET

Extended Play: 'Fame' soundtrack; Honor Society, 'Fashionably Late'

Welcome to Extended Play, a recurring feature on this here Music Mix wherein we review albums that for one reason or another didn’t make the magazine. It’s important for us to emphasize that this is not a judgment against these albums, simply a tragic reality in a world where paper is worth its weight in gold. (Note: That statement about the monetary value of paper is not factually true.)

This week: The Fame soundtrack, and Honor Society’s Fashionably Late.

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Sep 22 2009 05:57 PM ET

Mika discusses his new album, getting undressed, and Perez Hilton

Categories: An EW Exclusive!, Mika, Q&A

Mika-musician-piano_lPop star Mika drops his second album, The Boy Who Knew Too Much, today, and fans of the singer’s power pop will NOT be disappointed (Music Mix-ers can hear an exclusive  stream here).

The adorable and soft-spoken Englishman sat down a few weeks ago with EW for a chat about really important stuff like why he stripped down to his undies in the video for lead single “We Are Golden” and what he thinks of pal (and Number One Fan) Perez Hilton’s new record label. Oh and we discussed his new music.

On the New Record “With the album, I wanted to paint this kind of comic-book version of my adolescence. I made a conscious decision to try and write a few more songs in the first person. Unfortunately, I’ve written songs that have dealt with a lot of different things from my personal life and these kind of psychosexual melodramas set within an adolescent context but all framed within pop music. The only difficult thing for me now is I get asked questions about all these things.”

On Still Not Being a Huge Star in the U.S. “I don’t get played on radio. Radio stations are saying I’m too weird and too English. I’m like ‘What the f***?’ It’s bizarre. But it doesn’t matter because I still do the tours and it still makes me happy, so who cares. I’m not obsessed with this concept, that kind of Robbie Williams disease. It’s so unappealing to me. Like ‘I have to be big in America.’ I have my place here.”

On Dancing Around in Underwear for the “We Are Golden” Video “I’ve never done anything like that before. I wanted to kind of blow away the dust that had collected between the two records.”

On Perez Hilton’s New Label “I know he’s been wanting to do this for a very long time. Love him or hate him, you can’t deny that he’s a fan of music and that he stands by the things that he supports when it comes to music.”

More from EW’s Music Mix
Glee’s version of ‘Somebody to Love’: Awe-capella!
Miranda Lambert sings you a ‘Love Song’: It’s an EW exclusive video!
New T-Pain track, ‘Dope’: Auto-Tuneless?
‘New Moon’ soundtrack: Hurricane Bells singer explains how he got the gig

Sep 22 2009 02:41 PM ET

Glee's version of 'Somebody to Love': Awe-capella!

Categories: Glee, Let's Argue!, New Stuff

We’ve already seen the choir-kid comedy hit Glee take their version of Journey’s “Don’t Stop Believing” to the top of the charts again (though it was hardly the immortal 1981 power ballad’s first resurgence).

Now, have they done it again with Queen’s chest-poundingly rawsome “Somebody to Love,” which will appear on the Sept 30 episode, featuring guest star Kristin Chenoweth as a glee-club alum)? Very possibly. Check it out after the jump.

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Sep 22 2009 02:08 PM ET

Miranda Lambert sings you a 'Love Song': It's an EW exclusive video!

Miranda Lambert may be a blonde who sings country music, but I wouldn’t try grouping the gun-loving Texan in with her fellow fairly-follicled females — her spitfire style demands a category of its own. (Also, she might shoot you.) Here’s what’s great about her upcoming third album, Revolution, out Sept. 29: the “Crazy Ex-Girlfriend” singer has toned down the fury and upped the maturity with grown-up, thoughtful tunes like “Love Song,” which she wrote with Lady Antebellum’s Charles Kelley and Dave Haywood. Speaking of, look! Down there! It’s Miranda Lambert singing “Love Song,” exclusively for you, Mixers! Check it out after the jump, and let us know in the comments what you think of our little Lambert, all growed up. READ FULL STORY »

Sep 22 2009 12:27 PM ET

New T-Pain track, 'Dope': Auto-Tuneless?

Tallahassee rapper T-Pain, the man so identified with Auto-Tune that he’s got his own iPhone app for it, has a new track, “Dope” — with only negligible bits of his habitual synthoid pitch corrector. Listen below:

Did Jay-Z kill his spirit, or is T just entering a new phase on his upcoming album? More importantly, do you like it?

More from EW’s Music Mix:
New Moon soundtrack lineup announced
On the scene for Pink’s Funhouse tour in L.A.
Chromeo, “Night By Night”: Music Mix exclusive
Madonna, ‘Revolver’: hear the new single feat. Lil Wayne here

Sep 22 2009 11:37 AM ET

'New Moon' soundtrack: Hurricane Bells singer explains how he got the gig

There it is, track No. 10 on the New Moon soundtrack lineup: Hurricane Bells, “Monsters.” Up until the full New Moon soundtrack details were revealed yesterday, almost nobody had ever heard of an artist by that name. Steve Schiltz, the sole member of Hurricane Bells, tells the Music Mix that he only got around to creating a MySpace page for the project about three weeks ago. “There’s like a couple hundred plays on each song,” Schiltz laughs. (Those play counts are a little higher today, of course.) “I made a record myself without telling anybody. It’s a complete stroke of luck that one of the songs ended up being on the soundtrack.

“Monsters” is one of several leftover songs that Schiltz recorded under the Hurricane Bells moniker when they didn’t work for his main band, Longwave. “It’s a little more rocky, up-tempo, than the stuff that’s on the Hurricane Bells MySpace page — it’s got some fuzzed-out guitar,” he says. Schiltz’s manager quietly got the tune placed on the New Moon soundtrack, keeping him in the dark until approximately last week. “I got an email from the director [Chris Weitz] saying that he wanted to use it as maybe the first song in the film, and I started kinda s—ing my pants!”

READ FULL STORY »

Sep 22 2009 09:03 AM ET

Chromeo, 'Night by Night': A Music Mix exclusive stream

It’s been a while since we’ve heard from fancy-footing electro-funk duo Chromeo a.k.a. P-Thugg (Patrick Gemayel) and Dave 1 (David Macklovitch), though they do seem to be keeping medium-busy, what with remixes for the likes of Vampire Weekend and visits to Daryl Hall’s delightful web show Live From Darryl’s House (incidentally, check out the pair’s cover of the classic Eagles jam”I Can’t Tell You Why” on their Myspace.)

But now, at last, some real new stuff! And it’s exclusive right now to the Music Mix. Check out “Night by Night,” below, which drops officially on Green Label Sound September 23. (The band also has a few select upcoming live dates in October, as well as a new installment in the DJ-Kicks series.):

More from EW’s Music Mix:
On the scene for Pink’s Funhouse tour in L.A. (Guess what? She’s a rock star.)
Julian Casablancas debuts solo tune ‘11th Dimension’

Pearl Jam, ‘Backspacer,’: Stream the full album

Manassas, “Love and Satisfy”: Music Mix exclusive
Mary Travers:R.I.P.

Sep 21 2009 08:22 PM ET

On the scene for Pink's Funhouse tour in L.A. (Guess what? She's a rock star.)

Categories: Concert Reviews, Pink

It was way back in 2002′s “Don’t Let Me Get Me” that Pink delivered the lyric, “Tired of being compared / to damn Britney Spears,” complaining about the conformity expected of her while emerging into a then-crowded field of girl-pop stars. Over three subsequent records filled with aggression and raw personal history, she’s more than backed up that statement of purpose with stubbornly non-conformist action, and so it is with apologies that we must compare these ladies one more time.

Of the two blonde-under-the-big-top tours currently motoring down the highways and byways of this fine land — Britney’s Circus and Pink’s Funhouse — there is no question that Pink’s show, as seen this past Friday night at the Staples Center in L.A., is the better investment for your entertainment dollar. This is for one simple reason: She sings. It is a primal, throat-baring, no-holds-barred sound, and despite all the spectacle, it’s her voice that actually fills the arena. Whether picking a fight in “U + Ur Hand” or searching for answers in “I Don’t Believe You,” Pink uses her instrument to its fullest extent, live and untracked, every night. This doesn’t necessarily seem all that revolutionary until you consider the competition — or hear Pink sing while suspended upside down, 30 feet above the arena floor.

There’s also a slight difference of intent between Spears and Pink, as underscored by each show’s opening moments: Britney descends from the ceiling, but Pink explodes up from a pit in the floor, spinning in a flowing skirt of flaming red taffeta and belting out “Bad Influence.” This dazzling entrance comes after a cover of AC/DC’s “Highway to Hell” sung in voiceover atop a short film in which she burns a house down, ensuring that her current caricature — a tattooed, muscle-bound she-devil here to get the party started — is abundantly clear. The other thing that’s clear is that the former Alecia Moore has no interest, really, in being anyone but herself. And, you know, eff you if you don’t like it. “I wanna be a professional lipsyncher,” she said at one point. “I could do like nine shows a week.” Still mouthy, after all these years.

READ FULL STORY »

Sep 21 2009 06:30 PM ET

The Rolling Stones' 'Get Yer Ya-Ya's Out!' reissue: A Music Mix sneak peek

Categories: Rolling Stones

rolling-stones-gimme-shelter_lOkay, so it may not be in the same league as “I have a dream” or “Ask not what your country can do for you…” but one of my favorite live-album ad libs appears on the Rolling Stones’ Get Yer Ya-Ya’s Out! when Mick Jagger declares, “Charlie’s good tonight, innee!” The “Charlie” in question is, of course, drummer Charlie Watts and a terrific job he did in 1969 at Madison Square Garden (where the album was recorded), propelling the Greatest Rock & Roll Band In The World through performances of, among others, “Midnight Rambler,” “Sympathy for the Devil,” “Honky Tonk Women,” “Love In Vain,” and “Jumpin’ Jack Flash.”

The good news? Now I—and you!— can hear Mick’s compliment and that track listing with much greater clarity. In November, ABKCO are releasing a 40th-anniversary deluxe boxed-set version of Ya-Ya’s which includes a remastered version of the album, an additional disc of five previously unreleased tracks, and a third disc featuring songs by the Stones’ Garden support acts B.B. King and Ike and Tina Turner. The set will also contain a DVD of material shot by the Maysles brothers of the MSG shows as well as other footage of the band offstage, plus a 56-page Collectors Edition book.

Last week, I got a sneak peek at the new Ya-Ya’s and it really is a terrific piece of work. The remastered Stones music is a revelation and, in particular, allows you to better enjoy the bluesy genius of guitarist Mick Taylor, who, with all due respect to Brian Jones and Ron Wood, really is by far the most talented foil for Keith Richards that the Stones ever had.

A lot of the Maysles footage is utterly gripping, if for very different reasons. One hilarious sequence finds Charlie Watts reluctantly participating in a Ya-Ya’s photo shoot with a donkey on a particularly desolate British day. Another scene, loaded in hindsight with portentousness, features the Stones monkeying around with the Grateful Dead just prior to leaving for the disastrous Altamont festival. (Incidentally, the Maysles’ documentary about Altamont, Gimme Shelter, will be released by Criterion on Blu-ray at the start of December.)

So, are you as excited about the new Ya-Ya’s as me? And is anyone going to seriously argue about this Mick Taylor-equipped, Exile on Main St.-producing version of the Stones being the best? Or, for that matter, that they really are The Greatest Rock & Roll Band in the World?

More from EW’s Music Mix:
Julian Casablancas debuts solo tune ‘11th Dimension’

Pearl Jam, ‘Backspacer,’: Stream the full album

Manassas, “Love and Satisfy”: Music Mix exclusive
Mary Travers:R.I.P.

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