Archive: September 2009 (61-70 of 170)

Sep 18 2009 11:37 AM ET

Julian Casablancas debuts solo tune '11th Dimension'

Have you ever wondered what Strokes frontman Julian Casablancas would sound like crooning over a chintzy synth beat he found lying around the basement of a club after traveling back in time to the mid-’80s? If so, head to Casablancas’ MySpace to hear his new song “11th Dimension.” Sorry if that description sounds harsh, but I say it as a fan of Casablancas — his singing here is fine, but that backdrop plays to exactly none of his strengths. Hopefully the rest of his solo debut, Oct. 20′s Phrazes for the Young, will fare better.

Or am I crazy? Let us know what you think of Casablancas’ new vibe. For comparison’s sake, a far superior electro song featuring Casablancas’ vocals — namely, the Lonely Island’s “Boombox” (some NSFW language) — awaits you after the jump.

READ FULL STORY »

Sep 18 2009 10:05 AM ET

'VH1 Divas': Miley-Sheryl rocked, Paula schlocked

vh1-divas-cyrus-crow_lLast night, Divas returned to VH1 for the first time in five years. Hallelujah! And while it wasn’t quite the Mariah-Whitney-Christina finger-waving, rafter-shaking smorgasbord of the special’s heyday, I’d still give it a big ol’ thumbs up. ‘Twas a ton o’ fun. VH1 had pimped it as a show all about Miley Cyrus, Jordin Sparks, Kelly Clarkson, Leona Lewis, Jennifer Hudson, and Adele, but lots of older, less-usually-considered-divas divas showed up, like Martina McBride, Sheryl Crow, and Melissa Etheridge. Oh, and Stevie Wonder was there, too. And no disrespect to the younger ladies, but thank goodness the old-timers were there — the night turned into a great old-divas-meet-new-divas extravaganza.

To be truthful though, at two hours long, the show was bloated and stuffed with tons of filler like constant gags from host Paula Abdul, who poked fun at her recent exit from American Idol by launching the show by saying, “I’m Paula Abdul, and this is not American Idol!” She continued by dressing up as new Idol judge Ellen DeGeneres, fawning over Liza Minelli, and supposedly Tweeting from the stage while MTV stars Whitney Port and Lauren Conrad were on stage.

But the most egregious act from Abdul? Her opening-show performance. She lip-synched her way through a medely of her hits, which included “Straight Up” and “Forever Your Girl.” And during a snippet of “Opposites Attract,” she danced next to a screen featuring MC Skat Cat. That is, until a huge photo of Simon Cowell popped up. So…not expected! But, I suppose I’d rather have seen her “sing” her hits rather than recent messes like “Dance Like There’s No Tomorrow” or cover something contemporary and equally as awful.

As for the good, in my opinion, the show-stopper went to the collab between Miley Cyrus and Sheryl Crow (pictured), who teamed up to sing a rockin’ version Crow’s hit “If It Makes You Happy.” (Don’t they look related? Mother and daughter?) Even though I trumpeted the old-timers (like Crow) above, here it was Miley who stole the moment (after kind of screwing up her current hit “Party in the U.S.A.”), with a nice assist from Crow. I mean, who knew that Miley could tear through the wailing “if it makes you happy!” line in that song with such control? Crow just let her take the lead. I’d give runner-up accolades to the Melissa Etheridge-Kelly Clarkson collab of “Bring Me Some Water” and the Jordin Sparks-Martina McBride collab of “A Broken Wing.”

Needless to say, the night was all about the cross-generational duets. Do you agree? What was your favorite performance of the night? Favorite moment? (Maybe when the Real Housewives showed up on stage?) What performance did you hate the most?

More from EW’s Music Mix:
BET Hip-Hop Award nominations announced; will top nominee Kanye show?
Kris Allen’s rumored single, ‘Live Like We’re Dying,’ leaks!
Whitney Houston’s ‘Million Dollar Bill’ video: Watch it here

Sep 17 2009 01:04 PM ET

Madonna, 'Revolver': hear the new single feat. Lil Wayne here

Stop whatever you’re doing, Madge-aholics! Madonna’s new single from her upcoming Celebration hits collection (featuring Lil Wayne!) debuted online today in full. And it’s incredibly…. underwhelming.

Anyone hoping this collaboration with Wayne would mean a new direction for the 51-year-old superstar will be disappointed. “Revolver” is pretty standard Top 40 background listening—more of the same electro R&B she played around with on Hard Candy.

It’s not bad by any stretch, but it certainly won’t end up on the next greatest-hits collection she releases ten years from now.

The problem with “Revolver” is the droning melody—and chances are, Madonna agrees. If her detached, monotone singing is any indication, even she doesn’t seem terribly interested in the track.

In business terms, though, it’s a good move: “Celebration”—the other new song from her upcoming collection—is the ’80s dance throwback to please longtime fans, and this song should court younger listeners and do fairly well on the charts.

But let’s give praise where it’s due. One thing you have to give Madonna is her unerring knack for writing charmingly frivolous lyrics: “My love’s a revolver/My sex is a killer/Do you wanna die happy?”

I will die happy. But that’s because I’ll be listening to “Into the Groove” on my way out.

More from EW’s Music Mix:
Madonna’s ‘Celebration’ video: Watch it here
Madonna’s ‘Celebration’ track list revealed: Are the greatest hits all there?
Whitney Houston’s ‘Million Dollar Bill’ video: Watch it here
BET Award nominations announced; Will top nominee Kanye show?

Sep 17 2009 12:32 PM ET

BET Hip Hop Award nominations announced; will top nominee Kanye show?

The collective universe (current and former presidents included) may still be hard at work condemning Kanye West’s actions at this past Sunday’s VMA Awards, but someone still loves him.

The divisive hip-hop star leads the pack of BET Hip Hop Award nominees this week with nine — including Best Live Performer, Lyricist of the Year, CD of the Year, and MVP of the year, as well as People’s Champ (a.k.a. Viewers Choice).

Ice Cube will be honored as this year’s “I Am Hip-Hop” Icon Award recipient, and the late DJ AM garners a nod for for DJ of the Year. Two new categories have also been added: “Made-You-Look Award (Best Hip Hop Style)” and “Best Hip-Hop Blog Site.”

Will Kanye’s current mea culpa tour be sufficiently wrapped up for him to attend the show, slated for October 10 in Atlanta? When reached for comment, a BET spokeswoman said, “Most guests start confirming next week or the first week in October, so we wouldn’t really know yet. But we would love to have him there!”

What do you think, Music Mixers — a nice opportunity for ‘Ye to make nice, or better that he stay away and focus on “taking the time off and just analyze” his recent behavior? What do you think of the other nominations?

See the full list after the jump:

READ FULL STORY »

Sep 17 2009 12:00 PM ET

Guilty Pleasures, Final Four: Backstreet Boys (4) vs. George Michael/Wham (6)

EW’s Music Mix is searching for the Greatest Guilty Pleasure Musical Act of All Time. With four seeded contestants remaining (see all the matchups), this tournament is continuing to change hearts, minds, and lives, as well as make some people remarkably agitated! Read/listen to the following, and then cast your vote in the poll after the jump; reader comments will be used from here on out, so we encourage you to also post a comment explaining why you chose the way you did. Note: In case of a tie, please select the artist you feel more ashamed to adore.

Backstreet Boys George Michael

READ FULL STORY »

Sep 17 2009 11:24 AM ET

Mary Travers of Peter, Paul and Mary, R.I.P.: Remembering a folk-rock great

It never stops, does it? Last night brought the news that Mary Travers of Peter, Paul and Mary had become, at age 72, yet another beloved entertainer gone too soon. Not a complete surprise — Travers was diagnosed with leukemia in 2004 — but very sad nonetheless.

Peter, Paul and Mary played a crucial role in helping the folk-music scene become a mass popular movement in the early 1960s. They couldn’t have done it without Mary Travers’ clear, expressive vocals. A gifted interpreter of others’ songs, she was the principal reason why the trio’s covers of Pete Seeger’s “If I Had A Hammer” and Bob Dylan’s “Blowing in the Wind” were arguably better-loved than the originals. Harmonizing on silly kid’s tunes like the classic “Puff the Magic Dragon” one minute, playing for social justice at the historic March on Washington another — both in the year 1963 — Travers, along with bandmates Peter Yarrow and Noel Paul Stookey, epitomized something about that transformative era.

On a personal note, I was raised on Peter, Paul and Mary’s music in the 1980s. Making folk music for children was another key aspect of their legacy, from 1969′s Peter, Paul and Mommy to 1993′s Peter, Paul and Mommy, Too concert sequel, ensuring that a younger generation is missing Mary today, too. My lifelong folkie mom sent over the vintage clip you’ll find below of PP&M performing the standard “500 Miles.” Listen to Travers’ mournful, beautiful voice in this song and see if you can make it through without tearing up. Then share your memories of Mary Travers in the comments section.

More from EW’s Music Mix:
Manassas, “Love and Satisfy”: Music Mix exclusive
Mika: Stream the full album
Pavement reuniting? Signs point to yes!

Regina Spektor feat. Joshua Bell, ‘The Left Hand Song’: A Music Mix exclusive stream

Sep 17 2009 11:00 AM ET

Manassas, 'Love and Satisfy': A Music Mix exclusive stream

Manassas_lStephen Stills was, in many ways, the Jack White of the Woodstock generation: a hugely talented, at times temperamental, blues-loving rocker who seemed to regard a day in which he didn’t form a band as a day wasted. Stills is most remembered for his stints in Buffalo Springfield and, of course, Crosby, Stills and Nash. However, in 1971 he formed the band Manassas with country-rock legend and Flying Burrito Brother Chris Hillman. The outfit was only together for 18 months, but they released a couple of albums (1972′s eponymous double debut and 1973′s Down The Road) that ambitiously, and often quite brilliantly, hit a wide variety of beats, from Latin to country to blues to rock. Next week Rhino is releasing Pieces, a round-up of Manassas tracks that, according to Stills’ liner notes, “were were silly enough to leave off,” and is, indeed, a more than worthy addition to their discography. You can hear an exclusive stream of the Hillman-penned “Love and Satisfy” below.

More from EW’s Music Mix:
Mika: Stream the full album
Pavement reuniting? Signs point to yes!

Regina Spektor feat. Joshua Bell, ‘The Left Hand Song’: A Music Mix exclusive stream
Jay-Z tops the albums chart; ‘Abbey Road’ is the best-selling Beatles remaster
All Tomorrow’s Parties Rocks the Catskills

The 50 worst albums of the decade?


Sep 17 2009 10:10 AM ET

Kris Allen's rumored single, 'Live Like We're Dying,' leaks! (Idoloonies hold collective breath for 23 seconds!)

A whopping 23 seconds of Kris Allen’s rumored debut single, a cover of The Script’s “Live Like We’re Dying,” has found its way to YouTube, and as with all things pertaining to the American Idol season 8 champ, resistance is futile! I’ve actually been listening to the full version of the track on repeat loop since Tuesday (and have only hyperventilated once or twice) — the good folks at Jive sent a don’t-leak-under-threat-of-death link to one of my colleagues — and Kris, who admitted to me during his Idol tour stop in Albany last month that he loves surprising people with his musical choices, shows a new and impressive level of vocal adroitness on the rapid-fire chorus, without missing an emotional beat in the process. Suddenly, the idea of the nation collectively rolling down its windows and chanting “You’ve only got eighty-six-four-hundred seconds in a day to/ Turn it all around or throw it all away/ Gotta tell ‘em that we love ‘em while we got the chance to say…” seems not only plausible, but entirely likely. I can’t tell you how stoked I am that an Idol champ, for the first time in too long a time, appears to be releasing a lead single with a legitimate chance to catapult him beyond pop radio’s initial prejudice against the Idol machine and become the star that he really deserves to be. And I’m okay that it’s a cover, because, I mean, that hook! (I don’t remember anyone complaining Sinead O’Connor covered Prince when she released “Nothing Compares 2 u,” right?) Press play below, then share your thoughts on Kris’ version of “Live Like We’re Dying.” (I actually prefer it to the original, which is embedded after the jump, for the uninitiated). Oh, and be sure to follow me on Twitter for all my Idol-related ridiculata @EWMichaelSlezak. [UPDATE: A 19 rep confirms that "Live Like We're Dying" is indeed Kris' lead single, and adds that it will officially debut Monday, Sept. 21, at 7:40 a.m. EDT on New York's Z100.]


READ FULL STORY »

Sep 16 2009 06:16 PM ET

Whitney Houston's 'Million Dollar Bill' video: Watch it here

Whitney sneaking through the back door of a speakeasy, slinking onstage for a few dozen unsuspecting clubgoers to perform her new Alicia Keys-penned single “Million Dollar Bill,” and turning it all into a giddy dance party?

In video-land, anything is possible — and even if it’s not the most original concept, Whit looks like, well, a million bucks: healthy, happy, sequin-y.

Watch it below (the stream is unofficial; if it disappears, keep checking YouTube):

Sep 16 2009 04:53 PM ET

'90210' soundtrack lineup announced: OK Go, Adele, N.E.R.D., and more

Categories: Soundtracks

90210_lLike any smart teen show out there these days, The CW’s 90210 — which, by the way, is getting better and better this season as it deliciously morphs into The AnnaLynne McCord Show — has decided to capitalize on its music choices with a soundtrack, set to hit Oct. 13. And the line-up isn’t half bad: Everyone from Adele (with the Raconteurs) to N.E.R.D. (featuring Santigold) to OK Go (whose song from the soundtrack, “I Want You So Bad,” was in last night’s sext-heavy episode) to JET is contributing.

What’s interesting, though, is that the tracks aren’t just a compilation of songs that have been heard in old episodes of 90210 — they’re actually new songs, all to be featured in the show this season. What a fresh idea from the folks who put this album together! Instead of a bunch of tired junk, the collection features all brand-new and previously unreleased tracks.

Except, of course, the last one, which is the “90210 Main Title (2009 Remix).” Granted, as the title suggests, it has been geniusly re-recorded by LA indie artists, as EW exclusively revealed to you before the show premiered last week. The thing I love about the theme song being the final track is the nostalgia in that placement. (Or, is it a thing for TV themes to always be the final track on soundtracks?) One of my very cassette tapes back in 1992 was the soundtrack to Beverly Hills, 90210, which also featured the original John E. Davis theme as its last track. I was so cool with that song came on! Or, at least, I felt cool. And that album — featuring Color Me Badd, Paula Abdul, Vanessa Williams, and Jody Watley — was my fourth grade jam, hands down.

This compilation, however, seems decidedly more angsty and teen-modern than the old, a reflection of the time. Just look at some of the titles of the songs: “Valium” by Mute Math (is there a drug overdose in the future for Silver or Naomi?); “A Perfect Tourniquet” by Anberlin (are limbs about to be lost — maybe in an upcoming surfing accident?); and “Sunburn” by Owl City (yes, a return to the beach!) are all included. Oh, the possibilities these song title provide for ridiculous fodder about future storylines!

If you want to make up more possible and totally frivolous 90210 storylines based only song titles on the new soundtrack, the full track listing is after the jump…

READ FULL STORY »

Advertisement

TV Recaps

Powered by WordPress.com VIP