Archive: September 2009 (71-80 of 170)

Sep 16 2009 03:47 PM ET

Guilty Pleasures, Final Four: Follow all the matchups here!

click to enlarge

Above, please find the official bracket for EW.com’s Music Mix Search for the Greatest Guilty Pleasure Act of All Time Tournament Poll Challenge Thing, now updated for the FINAL FOUR, which will commence here shortly. We certainly hope your favorite advanced. Feeling disappointed? It’s only gonna get worse from here.

Check out the matchups, print out the bracket so you can play at home, tweeter your friends to get on board, leave your comments after the beep. Remember that only you can prevent forest fires. And please: no wagering.

Round Four
Phish (16) vs. Barry Manilow (2)
Backstreet Boys (4) vs. George Michael/Wham (6)

READ FULL STORY »

Sep 16 2009 02:35 PM ET
Sep 16 2009 02:20 PM ET

Coldplay settles Satriani lawsuit

Joe Satriani’s copyright infringement lawsuit against Coldplay has been settled, Satriani’s rep tells Billboard. Last December, Satriani sued the British soft rockers, claiming that “Viva La Vida” ripped off his song “If I Could Fly.” But the legal dispute was resolved Tuesday with an undisclosed settlement between the two parties.

Satriani wasn’t the only artist who felt Coldplay was aping his material. Back in May, Cat Stevens (now Yusuf Islam) also claimed “Viva La Vida” was too close to one of his songs, 1973’s “Foreigner  Suite.” When asked if he might file suit against Coldplay, he responded: “It depends on how well Satriani does.”

Stevens has changed his tune since then, deciding the musical similarities weren’t intentional. He even offered “to sit down and have a cup of tea with them and let them know it’s okay.”

What do you think? If Satriani was paid, how much did he deserve—a symbolic dollar or a huge portion of the cash they made off of this massive hit? Listen to segments of “Viva La Vida” paired with the Satriani song in question below and tell us what you think.

Sep 16 2009 02:00 PM ET

Stream Drivin' N' Cryin's first new album in 12 years: It's an EW exclusive!

Drivin-N-Cryin_lDrivin’ N’ Cryin’ are one of those underdiscovered rock bands you probably know about if you grew up in certain parts of the South during certain parts of the last century, or if you happened to hang out with someone who did, and who liked to put the band’s songs on mix tapes. They came out of the Atlanta scene in the mid-’80s, but latecomers hoping to understand their sound should not only nod at R.E.M., but consider Neil Young, AC/DC, The Replacements, even the bounce-back effect of the Drive-By Truckers, who were certainly influenced by D’N'C the first time around — before turning around and influencing Kevn Kinney & Co. right back.

The band started demos for Great American Bubble Factory on September 10th, 2001. As Kinney writes in the press materials accompanying the record: “The next day the world was upside down… I just didn’t feel like I was ready to tell the story of the blue-collared optimist.” As it turns out, several of the songs (“Detroit City,” “Preapproved, Predenied”) couldn’t be more prescient of the times at hand. “If you can make it here, why don’t you make it here?” Kinney sings on the title track — it’s like the productive flip side of John Rich’s “Shutting Detroit Down” indignance. “In my world,” Kinney writes, half-jokingly, “the first step to a renewed America and our deliverance from an unspeakable disrespect of the American workforce would be the opening of THE GREAT AMERICAN BUBBLE FACTORY. They would come from miles around to see the Willie Wonka of the New Deal… There’s hope again!!!” Given the song’s smashing horn arrangement and the unmistakable squall of Kinney’s voice, the same can pretty much be said for Drivin’ N’ Cryin’ fans.

Great American Bubble Factory is available September 29th, but because here at the Music Mix we are into sharing, you can hear it right now, streaming below. Give a listen, tell your friends, and ring in with your comments.


More from EW’s Music Mix:
EW exclusive news: Kenny Chesney to sit out summer of 2010
Kanye West and Taylor Swift: Why do people care so much about this story?
Kanye West calls Taylor Swift to apologize during The View
All-American Rejects play the Warped Tour 15th anniversary party: Exclusive video

Sep 16 2009 12:10 PM ET

Pavement reunion: It's on!

Well, isn’t this just a unicorn wrapped in the Easter bunny and rolled in a Yeti!

A breathless report from Pitchfork today (via a BrooklynVegan post last night) claims that the heretofore-impossible is finally happening: indie-rock godheads Pavement are reuniting for a benefit show at Central Park SummerStage on September 21, 2010 — nearly 11 years after their final live appearance at London’s Brixton Academy on November 20, 1999.

Both articles cite “reliable sources”;  we were justifiably skeptical at first, but now we’ve got confirmation (if not many details) from a very reliable source as well. As more information comes, we’ll keep you posted here (cuz we’re your fact-checkin’ cuz).

Even as recently as 2008, Malkmus himself told EW, “Something small in 10 years like the Zeppelin thing sounds good to me.” Apparently, his timetable has accelerated.

Now, the question is: Is the idea of seeing Stephen Malkmus and co. together again completely Wowing your Zowee, or are you underwhelmed? Me, I’m tentatively letting it Brighten the Corners of my Wednesday morning, but reserving judgment for the real thing, if and when it comes…

In the meantime, watch the band play extras in the movie adaptation of the sequel to their lives (and with that, no more fan-ball refs, we swear), below:

More from EW’s Music Mix:
Regina Spektor feat. Joshua Bell, ‘The Left Hand Song’: A Music Mix exclusive stream
Jay-Z tops the albums chart; ‘Abbey Road’ is the best-selling Beatles remaster
All Tomorrow’s Parties Rocks the Catskills

The 50 worst albums of the decade?

Sep 16 2009 11:26 AM ET

Jay-Z tops the albums chart; 'Abbey Road' is the best-selling Beatles remaster

Categories: Charts, Jay-Z, The Beatles

Looks like he’s still got it. Jay-Z took the top spot in the new Billboard 200 albums chart after selling 476,000 copies of The Blueprint 3, according to Nielsen SoundScan.

That’s not super-huge, but it’s a nice opening number for a guy who’s been in the rap game as long as Jay. In fact, he’s been making hit records for so long that this is his 11th trip to No. 1 on this chart, breaking his tie with Elvis Presley for the most No. 1 albums of any solo artist. The only person or band with more chart-toppers to its name is the Beatles, who’ve racked up 19 No. 1s on Billboard‘s flagship albums chart over the years. More on them later!

Elsewhere on the Billboard 200, Whitney Houston fell to No. 3, selling another 88,000 copies of her comeback disc. Raekwon came in at No. 4 with 68,000 copies sold of Only Built 4 Cuban Linx…Pt. II. The long-awaited sequel to his 1995 classic of similar name, OB4CL2 is a deep dose of head-knocking hip-hop the old-fashioned Wu-Tang way. A week after its release hasn’t been close to enough time for this fan to digest all of Rae’s complex crime narratives, and I’m glad to see his hard work rewarded with decent sales.

One spot below at No. 5 are Brooks & Dunn, who announced their imminent breakup last month. A solid 55,000 fans said goodbye by purchasing #1s…and Then Some, the long-running country duo’s latest best-of set. Boys Like Girls, meanwhile, found 41,000 people who liked Love Drunk, their second pop-punk album, for a No. 8 finish.

Two other entries of note came from those aforementioned Beatles, whose new box set releases both went on sale this past week: Their Stereo Box Set bowed at No. 15 on the Billboard 200 with 26,000 copies sold, while the limited-edition The Beatles in Mono made it to No. 40 with 12,000. I’m impressed so many fans were willing to plunk down the $200-range price for either one.

The real sales action for the Beatles, however, was on the Top Pop Catalog Albums chart, which tracks releases that are 18 months and older. The Fab Four’s individual remastered albums, unshockingly, dominated the Top 10 of that chart. No. 1 went to 1969′s Abbey Road, with 89,000 CDs sold. Next came Sgt. Pepper’s Lonely Hearts Club Band (No. 2; 74,000), The Beatles a.k.a. The White Album (No. 3; 60,000), Rubber Soul (No. 4; 58,000), and Revolver (No. 5; 46,000).

After a brief pause at No. 6 for Michael Jackson’s Number Ones, still selling well (45,000) two and a half months after his untimely death, the Beatles’ inexorable march continued. Help! took No. 7 with 39,000, followed by Let It Be (No. 8; 32,000), Past Masters Vol. 1 and 2 (No. 9; 31,000), and Magical Mystery Tour (No. 10; 30,000).

What do you think of this week’s results? Did Jay-Z do as well as you expected? Are you surprised by the order in which the Beatles’ remasters charted? Weigh in below.

More from EW’s Music Mix:
Whitney Houston tops the albums chart
Jay-Z “Answers the Call” in NYC with help from Rihanna, Beyonce, Kanye West…
Kanye West and Taylor Swift: Why do people care so much about this story?
Alicia Keys’ “Doesn’t Mean Anything” hits the Web: Hear it here

Sep 15 2009 10:59 PM ET

Alicia Keys' 'Doesn't Mean Anything' hits the Web: Hear it here

Fresh off her performance of “Empire State of Mind” with Jay-Z at the MTV Video Music Awards on Sunday, Alicia Keys has debuted a brand-new song of her own online. “Doesn’t Mean Anything” is a mid-tempo piano ballad, classic Keys — think 2007′s smash “No One,” except tinged with heartbreak and regret instead of all-powerful devotion.

“Doesn’t Mean Anything” comes from Keys’ in-progress fourth studio album. Last month, she told me that recording on that project was “going phenomenally well. I’m very excited about it… I’m sure that it will be a sound that’s very fresh to your ears.”

Give “Doesn’t Mean Anything” a listen, below, then let us know what you think of Alicia Keys’ latest.

More from EW’s Music Mix:
EW exclusive news: Kenny Chesney to sit out summer of 2010
Kanye West and Taylor Swift: Why do people care so much about this story?
Kanye West calls Taylor Swift to apologize during The View
All-American Rejects play the Warped Tour 15th anniversary party: Exclusive video

Sep 15 2009 05:14 PM ET

Kanye West and Taylor Swift: Why do people care so much about this story?

Thirty-six-plus hours after Kanye West made his spur-of-the-moment decision to run onstage at MTV’s Video Music Awards and interrupt Taylor Swift’s acceptance speech for Best Female Video, the Internet isn’t close to done freaking out. I’ve seen this firsthand here on the Music Mix: All I have to do is mention the words “Kanye” and “Taylor” in a headline to watch the strongly-worded comments piling on West roll in. At this point, it seems like some members of the public are far more outraged than either Swift or West was at the awards ceremony in question. What’s going on here?

READ FULL STORY »

Sep 15 2009 04:00 PM ET

EW Exclusive news: Kenny Chesney to sit out summer of 2010

Kenny Chesney is hanging up his road flip-flops — temporarily. The country superstar told EW in an exclusive interview this weekend that his final stadium show of the 2009 season, on Sept. 19 in Indianapolis, will be his last big blowout before he takes some time off from touring. “I’m not quitting!” Chesney laughs. “It’s just a short pause. The last couple of years I’ve been on an empty tank. And that’s gotta change.”

Chesney is the biggest North American ticket seller this decade — he’s played for a million fans every year since 2004, and a day spent tailgating at one of his stadium shows is an annual escapist tradition for his devoted followers. But this summer, the pace of constant touring — as well as the responsibilities that come along with being a very hands-on captain of an increasingly massive ship, soon to include a clothing line — seemed to be wearing the Tennessee native down. “I can say that I don’t see myself with the foot on the gas pedal as hard as it’s been down for 16 years,” Chesney told EW in June. “I think there is a part of life that I’m missing.”

After the jump, our full Q&A with Chesney on when and why he made the decision to sit out the summer of 2010, the words of advice he got from Bruce Springsteen, and what he hopes to do with his newfound spare time.

READ FULL STORY »

Sep 15 2009 01:54 PM ET

Kanye West calls Taylor Swift to apologize during 'The View'

Categories: Kanye West, Taylor Swift

Well, that was fast: Mere hours after Taylor Swift told the hosts of The View that Kanye West hadn’t yet reached out to offer a personal apology for his behavior at Sunday night’s MTV Video Music Awards, reports indicate that the rapper has now done just that. A rep for The View tells EW that West called Swift to apologize before her interview was even done airing this morning. “During Taylor Swift’s appearance today on ABC’s The View Kanye West phoned the ABC/The View studio,” the rep’s statement says. “After the show he spoke personally to the country music superstar via telephone and has apologized to the 19 year-old singer. She has accepted Mr. West’s apology. The contents of the phone call are to remain private.”

“Kanye did call me,” Swift told ABC News Radio’s Andrea Dressdale in an interview taped after the show. “He was very sincere in his apology, and I accepted that apology.” Asked if “going down the road, everything will be all right between you guys,” Swift replied, “Yeah, definitely.”

This is now the fourth time West has apologized for his conduct at the VMAs — but hey, who’s counting, right? Do you think this is an adequate resolution to this never-ending controversy, or do you still want more?

More from EW’s Music Mix:
Taylor Swift talks Kanye West on The View: “Cool haircut!”
Kanye West interrupts Taylor Swift’s VMAs moment: What was he thinking?
Kanye West apologizes for interrupting Taylor Swift at the VMAs: “I’m not crazy…I’m just real.”
Kanye West on Leno: Did Jay go too far?
President Obama calls Kanye West a “jackass”

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