Today in Los Angeles, Adam Lambert, Paula Abdul, and Snoop Dogg (what a delightful trio!) unveiled the nominations list for the 37th annual American Music Awards, and announced a preliminary list of performers, including Alicia Keys, the Black Eyed Peas, Jennifer Lopez and, yes, Glambert himself, making his pre-album, post-Idol performance debut.
Taylor Swift leads the pack this year with six noms, followed by Michael Jackson with five, Eminem with four, and Beyonce, Black Eyed Peas, Lady Gaga, Kings of Leon and T.I. with three apiece.
The show, set to air Sunday, November 22, will have its winners determined by voting at ama.abc.com, amavote.com, and mycokerewards.com. See the full noms list after the jump.
Budding music star Leighton Meester has already had a great summer with her guest vocals on the hit Cobra Starship track “Good Girls Go Bad.” Now, after various leaked tracks popped up on the Internet, the actress is finally debuting her first official single, “Somebody to Love.”
The Gossip Girl star has been hard at work on her solo album, which she hopes to release before the end of the year, while dividing her time between the GG set and filming the 2010 thriller The Roommate. The sexy electronic-tinged track finds Meester dueting with Robin Thicke, whom Meester says she absolutely adores. “He’s so soulful, and his voice is so flawless and beautiful,” gushes the actress. “I don’t even think he knows how much I love him.”
Meester also says the track’s theme of searching for true love is something she personally struggles with. “I so often get love confused with sex and vice versa. And the song is basically about how I can’t get any—I can’t find anyone to love.”
Some people wait a lifetime for a moment like this. Thankfully, we’ve only had to wait a little less than five months since the American Idol season 8 finale to see the cover art for Kris Allen’s debut CD. A spokesperson for 19 Recordings confirms that the image that popped up on Amazon.com and began to circulate around the Internet last night is indeed the real thing. Armed with that confirmation, I spent a tragic hour of my life analyzing the image to come up with five important lessons about Kris and his upcoming disc. Read on:
1) Kris Allen’s debut album will be self-titled: The absence of any words other than “Kris Allen” pretty much tells you that. (Unless there’s some insanely fine print creeping up in there.) Hopefully, that’s a good indication that the album will reflect the viewpoint of the charming Arkansas musician, and not the focus-grouped will of the 19 Machine. (That we do not want and will not accept, BTW.)
Twi-hards and Pitchforkies alike, rejoice — the New Moon soundtrack‘s release date has been pushed up a week, to October 16. The change is due, according to label Chop Shop/Atlantic, “to overwhelming and unprecedented demand.”
Read our review of the record here, and tell us what material you’re most excited about so far, based on the 30-second sound clips streaming last week at Amazon.co.uk (which are, alas, currently defunct): The Killers? Lykke Li? Bon Iver? Thom Yorke? Do tell…
UPDATE: The full album is now streaming on myspace. Check it out!
“It’s a hell of a movie!” says Talking Heads drummer Chris Frantz, who is laughing, but not joking, about the band’s legendary concert film Stop Making Sense. “It was one of those situations where everybody just exceeded our expectations to the point where we have a timeless kind of movie.” In fact, it is now exactly a quarter of a century since the original release of the Jonathan Demme-directed big screen venture. To mark the occasion, the film is debuting today on Blu-ray. Extras include a short film, in which singer David Byrne interviews himself about the movie while wearing a variety of disguises, and never-before-seen footage of the quartet at a press conference to promote the film’s 1999 re-release. (One of only a handful of occasions that the four members have been together in the same place since officially splitting in 1991.) Of course, the film itself also features Byrne wearing his fabulous, unforgettable, and, with all due respect, fairly hilarious “big suit.” “It was hilarious,” says Frantz. “I mean, KISS have some big suits. But they’re armor suits. This was some kind of Havana linen suit. Extra wide!”
After the break, Frantz reveals why he wasn’t allowed to drink onstage during filming and offers his thoughts on a possible Talking Heads reunion.
The manager of the singer Safire has weighed in on the growing controversy surrounding the new Michael Jackson single “This Is It.” Sal Abbatiello told EW earlier this evening that “This Is It” is “exactly the same” as the song “I Never Heard,” which was written by Jackson and Paul Anka and released by Safire in the early ’90s.
After “This Is It” was released last night it soon became clear to many listeners that the tune, which features on the soundtrack to the forthcoming movie of the same name and is credited to just Jackson, was very similar to “I Never Heard.” Late this afternoon TMZ reported that Jackson “stole” the tapes of “I Never Heard” after Jackson and Anka had written the song and only returned them once Anka threatened to sue. Meanwhile, the New York Times quoted Anka as saying, “It’s exactly the same song. They just changed the title.”
According to Abbatiello, “I Never Heard” was originally supposed to be duet between Anka and Safire. But the manager claimed that, after Jackson met with Safire, he “gave” her the song and told her to put it out with his blessing. Abbatiello also expressed amazement that no one at Michael Jackson’s record company Sony had seemingly bothered to research the possibility that the song had been been previously released. “This is a terrible mistake,” he told EW. “I’m pretty sure Paul Anka has a big case. I don’t know if Safire has any legal right as the artist. I’ll have to contact my lawyers. But, hopefully. They’re advertising this movie everywhere.” (Sony declined to offer any comment on the controversy.)
Check out the clip from Safire’s “I Never Heard” below and tell us if you agree with Abbatiello’s allegation that it is basically the same song.
UPDATE, October 12, 10pm ET: Jackson’s estate released a statement acknowledging Anka’s work as co-writer of Jackson’s new single and promised him 50 per cent of the profits from the song’s sales. “The song was picked because the lyrics were appropriate because of the name Michael gave his tour,” the statement read. “We are thrilled to present this song in Michael’s voice for the first time, and that Michael’s fans have responded in unprecedented numbers.”
When I spoke to Kylie Minogue earlier this year about her upcoming US tour—the first in her 20-year career—she warned her usual arena-size stage show would have to be scaled down to fit the smaller venues she’d be playing over here. But she also made a promise: “There’ll still be the razzle-dazzle, don’t you worry. It’s not going to be me with a banjo.”
She wasn’t kidding.
Last night’s show at NYC’s Hammerstein Ballroom was a two-hour post-disco fantasia of strobe, bass, and glitter—an all-out spectacle worthy of her American fans’ pent-up adoration. Barreling through her sizable songbook, Kylie stepped into a cast of personae—a wind-up space princess, a stomping glam rocker, a pouting screen siren—each with its own over-the-top costume and set decor. Seven jumbo screens pulsed background images for each number. Hits old (“Better the Devil You Know”), new (“Wow”), and soon-to-be (the upcoming single “Better Than Today”) whipped the audience into a sustained frenzy, while rose petals and confetti showered the stage at key moments. READ FULL STORY »
In February, CBS’s top-rated crime procedural NCISreleased a soundtrack with previously unreleased new material from, among others, Jakob Dylan, Oasis and Dashboard Confessional.
The album will reportedly contain the Bob original “California,” dating from his 1965 Bringing It All Back Home sessions and has been “locked in the vaults” ever since (where exactly are these mysterious vaults? Somewhere deep beneath the waters of Blood-On-the-Tracks-istan? Sounds like a job for … the Naval Criminal Investigative Service!).
Anyway, see the full track listing after the jump to see who else contributes (hint: a mid-century soul legend and an NCIS cast member are among them. But not together.)
Grammy-hoarding jazz-pop chanteuse Norah Jones released the lead single from her upcoming album The Fall today, and the song—“Chasing Pirates”—is a bluesy surprise and welcome change of pace.
The song finds Jones distancing herself from the doctor’s-office waiting-room and venturing into darker waters. Backing her on this quest are an odd collection of musicians who give her music some long-absent backbone: Beck/R.E.M. drummer Joey Waronker—who recently joined Thom Yorke’s as-yet-unnamed band—plays on The Fall and gives “Chasing Pirates” a backbeat detached enough to suit Jones but tense enough to make the song interesting:
Many of the other musicians on board here worked on Tom Waits’ Mule Variations, but lite-rock radio programmers need not panic. Jones voice remains as subdued and lovely as ever—the difference here is she sounds more interested in her material than she has in a while. The bluesy bass guitar and keyboard riff on “Chasing Pirates” are fascinating counterparts to her breathy-soul vocals, and she responds to the fresh direction with an engaged, almost sassy performance.
“Chasing Pirates” certainly glides by, but it still has enough blues-rock muscle to make it more than just another sleepwalking ballad. What do you think, Norah fans?