Archive: March 2010 (51-60 of 106)

Mar 18 2010 06:43 PM ET

Alex Chilton: Big Star drummer Jody Stephens says he is 'just feeling numb' about bandmate's death

big-starImage Credit: Chilton: Jay Blakesberg / Retna Ltd., Stephens: Ch Drummer Jody Stephens should be preparing to play a show with Big Star this Saturday at the SXSW music festival. Instead, he is mourning his friend and bandmate Alex Chilton, who died yesterday. “It took me completely by surprise,” Stephens said this afternoon, over the phone from Austin, Texas. “I saw Alex in November and he looked great. Good shape. Great spirit. Alex was doing wonderfully. Yesterday, I get a call from his wife and, you know, he’s passed away. I spent the rest of the day and this morning just feeling numb. It’s a shocker. You really have to bare yourself emotionally to be in a band. And when you do that, it opens up stronger bonds. There’s a profound relationship.”

The drummer said he was finding at least a measure of solace in the fact that so many people at SXSW have been expressing their love for Big Star’s music in the wake of Chilton’s unexpected death. “There has been this outpouring,” he revealed. “I just spoke to somebody and he said, ‘I’ve seen three different bands already today that have done Big Star songs.’ It means a lot.”

Stephens also confirmed that Saturday’s Big Star show will go ahead in some form or other.  “We still plan to play but we will turn it into a musical way of honoring Alex,” he said. “And that, to me. is the important thing. I had this great sibling feel with Alex. It’s not like we talked a lot, but we had this wonderful connection onstage.”

More on Alex Chilton:
Alex Chilton: The House of Representatives pays tribute
Alex Chilton, R.I.P.: Paul Westerberg, Patterson Hood, and Craig Finn share their thoughts
Alex Chilton: SXSW mourns Big Star singer
Alex Chilton: An appreciation
Alex Chilton dies at 59

Mar 18 2010 05:44 PM ET

Alex Chilton, R.I.P: Paul Westerberg of the Replacements, Craig Finn of the Hold Steady, and Patterson Hood of Drive-By Truckers share their thoughts

Alex Chilton’s death yesterday immediately made many people think of the Replacements, who gloriously paid tribute to the Big Star/Box Tops singer in “Alex Chilton”: “Children by the millions / sing for Alex Chilton… I’m in love / What’s that song / I’m in love / With that song.” Replacements frontman Paul Westerberg released the following statement today: “In my opinion, Alex was the most talented triple threat musician out of Memphis — and that’s saying a ton. His versatility at soulful singing, pop rock songwriting, master of the folk idiom, and his delving into the avant garde, goes without equal. He was also a hell of a guitar player and a great guy.”

At SXSW in Austin, artists spoke about the influence of Chilton’s work on their music and careers. Two of his most passionate fans — Patterson Hood of the Drive-By Truckers and Craig Finn of the Hold Steady — share their memories with EW.com after the jump.

READ FULL STORY »

Mar 18 2010 03:06 PM ET

Alex Chilton: The House of Representatives pays tribute

Alex-ChiltonImage Credit: Ebet Roberts/Redferns/Getty ImagesMemphis rock icon Alex Chilton, who died Wednesday, may not always have received a fitting degree of commercial success. But he certainly received a heartfelt tribute in the House of Representatives earlier today from Democrat Steve Cohen, who serves Tennessee’s 9th District. Cohen started by saying he had a “heavy heart” because of Chilton’s death and the politician did sound genuinely upset as he recounted the singer-songwriter’s career and achievements, and recited the lyrics to the Box Tops’ hit “The Letter,” which I’ve embedded below. He also noted that Chilton was an influence on both R.E.M. and the Replacements (which I would wager is the first time the latter have been name checked in Congress, though I would be happy to be proven wrong).

“He is an embodiment of Memphis music—hard, different, independent, brilliant, beautiful,” Cohen concluded. “We’re lucky he came our way.” To which we at the Music Mix can only add a loud, “Hear, hear!”

More on Alex Chilton:
Alex Chilton: An appreciation
Alex Chilton dies at 59

Mar 18 2010 02:42 PM ET

SXSW: Smokey Robinson charms with keynote Q&A

When you’re Smokey Robinson, all you need to do is walk into a room to get a standing ovation. Sure enough, the great singer-songwriter received a hero’s welcome when he showed up shortly after 11 A.M. today at an Austin Convention Center auditorium for SXSW’s keynote event.

Interviewer Dave Marsh opened the session by noting that — appropriately enough for SXSW — the Motown architect is now an indie artist, having put out last year’s Time Flies When You’re Having Fun as the first release on his own Robso Records.  So how’s life as the head of an independent label? “Man, I’ll tell you, it’s a whole lot more than I bargained for,” Robinson admitted. “It’s a lot of work.”

Robinson is a natural storyteller, and the best parts of the Q&A came when he shared his well-worn memories of a life in music. He’s got plenty of those, going all the way back to his childhood. “Where I grew up, I didn’t think [a successful music career] was possible,” he said. “I grew up in the hood in Detroit. That was my impossible dream.” Robinson was still a high school student when he met Motown founder Berry Gordy at an audition, “quite by accident, or fate, or something.” The Miracles (then calling themselves the Matadors) didn’t get the gig, but they did form a lasting relationship with Gordy, who encouraged Robinson to hone his songwriting: “You’ve gotta stop going north in the first verse and south in the second,” Robinson recalled being told. Soon he was writing and performing No. 1 hits with the Miracles like 1960′s “Shop Around” (below) — a classic tune that he says he penned in just 25 minutes. Scattered applause followed Robinson’s mention of “Shop Around.” Without missing a beat, he turned to the crowd and deadpanned, “Thank you both,” drawing laughter and much more enthusiastic clapping.

READ FULL STORY »

Mar 18 2010 02:41 PM ET

Hot Chip's bizarre, awesome 'I Feel Better' video: watch it here

British electropop outfit Hot Chip’s new video for “I Feel Better” (from their album One Life Stand) starts a little slow. Stick with it, though. You will be glad you did.

The bizarre, awesome video was directed by none other than British comedian star Peter Serafinowicz. Your move, Gaga!

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Spoon, Broken Bells massage mathematical minds on SXSW’s first night
Nas and Damian Marley are SXSW’s first surprise
Alex Chilton: An appreciation
Ludacris battles to the top of the charts

Mar 18 2010 01:10 PM ET

Spoon, Broken Bells massage mathematical minds at Stubb's on the first night of SXSW

spoon_320.jpg Image Credit: Whitney Pastorek/EW.comThe top of Spoon’s set list for their headlining slot in Stubb’s chilly backyard Wednesday night read, “Last SXSW Ever.” Was it? Well, we’ve got a call in to find out. But if that was the end of their relationship with this monster of a music festival — Britt Daniel has moved to Portland, after all — it was a damn fine exit interview.

On a stage festooned with old-timey lightbulbs and packed with vintage gear, the foursome (and their friend Jordan, on percussion) made their metronomic way through the hits. They didn’t dip too much deeper than Kill the Moonlight, but fresh-off-the-vine tracks like “Written in Reverse” matched up nicely next to beloved old friends like “Vittorio E.” and the poignancy of “Black Like Me,” with a cover of the Damned’s “Love Song” thrown in for good measure. Spoon may be one of the most consistent bands in all indie-rockdom: Though Daniel seemed in subdued spirits — the typical jerking and slashing of his guitar kept to a minimum save for the break in “My Mathematical Mind” — he was cheerful and yelpy. Jim Eno was his usual brilliantly steady self behind the kit, and Rob Pope’s bass echoed through the Stubb’s sound system like boulders. Even though “The Underdog” suffered from lack of album production (okay, horn section), undeniable pop gems like “I Turn My Camera On” had the crowd up front engaged in a total dance party by the time the band laid into a fierce three-song encore: “Is Love Forever,” “Rhythm and Soul,” and “Finer Feelings.” The latter’s lyrics about seeking “commercial appeal”: pointed commentary on latter-day SXSW? Only the enigmatic Mr. Daniel knows. (You can stream the full set on NPR’s website right here; recommended!) READ FULL STORY »

Mar 18 2010 12:13 PM ET

Nas and Damian Marley are SXSW's first surprise

nasImage Credit: Whitney Pastorek/EW.comRumors fly faster than pedicabs on the streets of Austin during South by Southwest, and the first one was a doozy: the Black Eyed Peas were doing a surprise set at the Levi’s/Fader Fort at sundown! No, wait — it’s Justin Timberlake! Hold on — my pedicab driver just told me it’s Radiohead! Run!

After booking it under I-35 to the sprawling Levi’s/Fader complex — an outpost of swag and corrugated metal where one can (and many people do) stay and play all day long, enjoying sets from bands, DJs, and what looked to be a nearly endless supply of Budweiser — I discovered our mystery guest was Nas, with new bestie Damian Marley, in town supporting Distant Relatives, their album-length collaboration (tentatively scheduled for a May 18 release, though it was also scheduled to come out last year). They’ve got great chemistry — Marley’s able to trill his classic reggae voice at the exact same speed Nas raps — and as they weave together hip-hop and the Marley family legacy (samples of “One Love” and “Exodus”), it’s more compelling than it reads on paper. “Made You Look” (with much crowd participation on the “Brave hearts!” chorus) bled into Marley’s “Welcome to Jamrock” (“Out in the streets, they call it murrrrrrder!” the crowd called out). The backing band’s female dancers and joyous conga player bounced energy back to the fired-up fans. “This feels like a family reunion out here, Austin, Texas!” crowed Nas.

The short set wrapped up with two blazing collabos: New track “Strong Will Continue,” a passionate exhortation in which Marley asks, “Do ya have it in ya?”; and a lighter-and-cell-phone-fueled rip through “Road to Zion,” the song that sparked their partnership back in 2005. They killed both — but it wasn’t enough for the L/FF kids, who booed heartily when the lights came on and security kicked them out. Still, it was only 8pm on St. Patty’s Day in Austin on the first night of SXSW. There’s a lot of party left, rock kiddos. Don’t you fret.

Mar 18 2010 11:44 AM ET

Alex Chilton: An appreciation

Alex-ChiltonImage Credit: Ebet Roberts/Redferns/Getty ImagesWith the passing of singer-songwriter Alex Chilton, rock music has lost one of its great cult figures and touchstones of influence. Chilton, who died at the age of 59 in New Orleans on Wednesday from what appears to have been a heart problem, achieved teen stardom in the ’60s with the Box Tops. Then, in the following decade, he played with Big Star, whose track “In The Street” would ultimately become famous as the theme song for That ’70s Show. But Chilton’s limited commercial success offers no indication as to his influence on rock. He was a musical figure—like Nick Drake or Gram Parsons—whose importance lay not with his chart placings, but in the place his music found in the record collections of subsequent generations of stars.

At the start of his career, Chilton had a string of pop-soul hits with the Box Tops, including 1967′s chart-topping “The Letter” and the following year’s “Cry Like a Baby.” But in 1970, Chilton disbanded the group and joined the then nascent Big Star. The latter power pop outfit is regarded in many quarters as one of the greatest rock acts of all time, thanks in large part to Chilton’s skilled songwriting. Unfortunately, there is little doubt it was also one of the more luckless and, during its brief lifetime, underappreciated.

Big Star’s debut album, #1 Record, was well reviewed—and featured the beautiful, heartbreaking ballad, “Thirteen,” which you can hear below—but its release was poorly managed by the band’s label. A second album, Radio City, also failed to break through, while Big Star’s third collection, which was produced by the legendary Jim Dickinson, was initially regarded as too uncommercial to be released at all (it would finally be issued to stores in 1978 under the title Third/Sister Lovers). In 1974, Big Star broke up.

The mercurial Chilton would continue to perform and record over the next 35 years, and his 1987 album, High Priest, is just one of several releases worth checking out. However, it was the three Big Star albums that rippled through the collective rock consciousness and whose influence was acknowledged by countless bands, from R.E.M. to Wilco to Britain’s Teenage Fanclub. The Replacements even included a song called “Alex Chilton” on their 1987 album Pleased To Meet Me. “Children by the million sing for Alex Chilton when he comes ’round,” claimed the Minneapolis rockers, “They sing ‘I’m in love. What’s that song?/I’m in love with that song.’”

Chilton himself may now be sadly gone. But I suspect many more will fall in love with his songs in the years to come. Please feel free to leave your own thoughts on the great man’s passing below.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Alex Chilton: Paul Westerberg, the Hold Steady’s Craig Finn, and others pay tribute
Rock and Roll Hall of Fame ceremony: Eyewitness report
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’

Mar 17 2010 10:53 PM ET

Alex Chilton: SXSW mourns late Big Star singer

Categories: Big Star, In Memoriam

One of the biggest names at this year’s SXSW music festival in Austin, Tex. was reunited ’70s power-pop pioneers Big Star, who had a gig scheduled for late this Saturday night. The festival was hit hard by tonight’s sad news that Big Star frontman Alex Chilton has passed away at age 59.

Big Star drummer Jody Stephens and bassist Andy Hummel were also scheduled to appear at a Saturday afternoon panel devoted to Big Star’s legacy. Chilton had not been expected to participate at that event; a rep for SXSW says that his bandmates are considering going ahead with the panel, recast as a tribute to their late friend. The rep adds that the status of the band’s Saturday night performance is “still up in the air” at this time.

“Alex Chilton always messed with your head, charming and amazing you while doing so,” SXSW Creative Director Brent Grulke said in a statement. “His gift for melody was second to none, yet he frequently seemed in disdain of that gift. He seemed as troubled by neglect as he did by fame. He wrote the most accessible pop songs that turned into something quite sour on closer reflection. It was impossible to know what he was thinking. But it was always worth pondering, because that’s what a truly great artist makes us do. And make no mistake: Alex Chilton was an artist of the very highest caliber. It’s too early to do much but cry about our loss right now, but he’ll be missed, and missed more as the ages pass and his myth continues to expand — that music isn’t going anywhere. R.I.P. and thank you, friend.”

The Music Mix extends its sincerest condolences to Alex Chilton’s friends, fans, and family. We’ll have more on this tragic loss soon. Share your thoughts and memories of Chilton in the comments below.

–Additional reporting by Whitney Pastorek

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Ludacris battles to the top of the charts
Rock and Roll Hall of Fame ceremony: Eyewitness report
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’

Mar 17 2010 02:05 PM ET

Is the hilarious ChatRoulette piano improviser really Ben Folds? (Well, no)

My interest in the world of ChatRoulette ended the second I realized that it did not, in fact, involve gambling. But then, today, I saw the fantastic clip of a piano-playing gent improvising songs about whatever strangers happened to appear on his CR-assisted computer screen. “Reclining dude in a white tank top/Leaning his head on his hands,” croons our ivory-tinkler, when faced with just that image, “Semi-Italian-looking/Just like his parents planned!”

But who is this masked (or rather, bespectacled) man? Our colleagues over at New York magazine’s Vulture blog are suggesting he is none other than piano-playing pop star Ben Folds. Why?  Because “he sings like Ben Folds, he plays piano like Ben Folds, and he looks like Ben Folds.” It’s a compelling argument, and we would also point out that this is exactly the sort of thing that the arch songsmith and William Shatner collaborator would do.

UPDATE: Ben Folds’ publicist tells us that his client is not the ChatRoulette improviser. Still hilarious, though!

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Ludacris battles to the top of the charts
Rock and Roll Hall of Fame ceremony: Eyewitness report
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

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