Archive: March 2010 (61-70 of 106)

Mar 17 2010 12:19 PM ET

Ludacris battles to the top of the charts; Gorillaz and Jimi Hendrix also place in the top five

ludacrisImage Credit: David Gabber / PR PhotosLudacris sold 137,000 copies of his new Battle of the Sexes CD to grab pole position on the Billboard chart this week. Luda replaced Lady Antebellum whose Need You Now album slipped to third place.

Meanwhile, Gorillaz proved they weren’t monkeying around with their newie, Plastic Beach. The cartoon pop band’s album debuted at No. 2 after shifting 112,000 units. Jimi Hendrix’s Valleys of Neptune CD claimed fourth place with sales of 95,000. Remarkably, that is the guitar icon’s 34th posthumous album to make the charts, though it is Hendrix’s highest position since 1971′s The Cry of Love hit no. 3.

Country star Gary Allan entered at no. 5 with 65,000 sales of his CD Get Off on the Pain, while the eponymous debut from the Danger Mouse- and James Mercer-featuring Broken Bells hit the No. 7 spot after moving 49,000 copies.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Rock and Roll Hall of Fame ceremony: Eyewitness report
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 17 2010 12:01 PM ET

Dixie Chicks end breakup speculation with a big summer tour

The Dixie Chicks will return to the stage for the first time in four years this summer, sharing a North American stadium tour with the Eagles and Keith Urban. Eight dates have been released, beginning with a June 8 stop in Toronto (which Urban will miss). Some fans had been concerned we’d heard the last of the Chicks when sisters Martie Maguire and Emily Robison formed a side project, Court Yard Hounds, while waiting for lead singer Natalie Maines to be ready to hit the road again. (Court Yard Hounds, which releases its first album May 4, will play at least three dates on this summer’s Lilith Fair, after making its debut Thursday at SXSW.) But Maguire and Robison had been adamant that the Chicks would continue.

Are you happy they’re back? The shared bill feels like the right way to go, particularly with a group whose fans are as loyal as the Eagles’ and a current chart-topper who’s as popular live as Urban: It keeps them in stadiums, where the Chicks, who won five Grammys for their 2006 album, Taking the Long Way, belong.

If watching the video for “Not Ready to Make Nice” still gives you chills, the answer is yes.

Mar 17 2010 10:00 AM ET

SXSW Music 2010 begins: We'll be blogging!

Categories: SXSW Festival

The music portion of this year’s South By Southwest (SXSW) festival officially kicks off today in Austin, Tex. Start getting excited…now!

sxsw-musicImage Credit: Thomas Myers/Retna Ltd; Anil Sharma/Retna Ltd; J Dennis Thomas/Retna Ltd

I’ll be at SXSW today through this weekend, as will EW’s Leah Greenblatt and Whitney Pastorek. Between the three of us, we’ll provide you with all manner of tasty Texan blogging for the next five days, beginning in earnest tomorrow once we’ve seen tonight’s big shows. Among the artists we plan on catching are big acts like Hole (or whichever band Courtney Love is calling by that name these days), Stone Temple Pilots, and Dixie Chicks side project Court Yard Hounds; respected veterans like Smokey Robinson and Big Star; indie favorites like Spoon, Broken Bells, Broken Social Scene, and She & Him; zillions of assorted up-and-comers; and maybe even a few awesome new discoveries that no one has ever heard of (til now!).

Are any of you Mixers headed to SXSW this year? Who are you most excited about seeing? Chime in below, and check back at the Music Mix for updates throughout the festival.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Rock and Roll Hall of Fame ceremony: Eyewitness report
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 16 2010 01:56 PM ET

What's That Song? Commercial Edition: The story behind the new Target ad

We’ll be looking at a host of new ad songs in next week’s print issue, but as our spelunking sent us far (Uraguay!) and wide (Swedish songstress Miss Li: a friend to Volvos and Nanos alike), it also got us an unexpected backstory, via this high-rotation Target ad:

That song: “Birds are sending down a message / flower blossoms overhead”… Dug up from the archives of some shoe-gazey, nature-whispering Brit-pop act, decades and continents away? Oh contraire, commercial-music friend. The track—or more accurately, stand-alone 30-second snippet—was made to order for Target by a Minneapolis production house, Modern Music.

We called MM’s headquarters in Minnesota to find out more, and learned that this isn’t the first time that one of their made-for-TV jingles spurred a raft of Yahoo! Answers queries. Their jazzy recast of The Sound of Music classic “16 Going On 17″ for a State Farm ad (streamable here) apparently inspired enough demand to instigate a full-length free download of the song on State Farm’s betterteendriving.com.

As for the still-untitled Liberty of London track, composed in-house by MM employees John Hermanson and Eric Fawcett, creative director Daron Walker tells EW, “We gathered a bunch of music we thought was interesting just for reference, and the first thing we did for it was this kind of glitchy slower disco, but it was just too trippy with the visuals. And then Eric, who’s British, was like, ‘It should be more British!’ We’re working on [recording] a full-length version, but we don’t actually own the song, Target does.”

Your turn, readers: Have other recent ads sent you hunting on iTunes, to no avail? What are your current commercial-to-playlist favorites? Tell us in the comments section below.

More from EW.com’s Music Mix:
The Diet Coke Oscars ad, and the song that won’t die
Rock and Roll Hall of Fame ceremony: Eyewitness report
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 16 2010 11:13 AM ET

Michael Jackson estate signs huge 10-album deal with Sony: Is this a good idea?

Michael-Jackson-singingImage Credit: Kevin MazurLooks like This Is It might have been titled prematurely. Michael Jackson’s estate and Sony Music announced via press release today that they’ve signed a major new deal to continue their decades-long catalog relationship — and to start releasing some of the unheard music that Jackson kept under wraps during his lifetime. A rep for the label confirms reports that the deal includes 10 projects over the next seven years, including special reissues of his classic albums and all those legendary unreleased recordings. Bottom line, we’re looking at a first installment of never-before-heard Michael Jackson music coming this November.

Is this a good idea? The answer, of course, depends on just what’s on those unreleased tapes. Some of the songs in those vaults should no doubt remain there. But Jackson was a notorious perfectionist with extremely high standards for himself — so for every track that he left on the cutting-room floor for good reason, I’m betting there are more than a few that are well worth hearing. There’s probably not another “Billie Jean” out there, but there have to be tons of tunes that will give serious Jackson fans insight into his creative process. Ten albums’ worth? Maybe not, but when you factor in that five to six of those will presumably be revamped versions of his Epic releases (Off the Wall, Thriller, Bad, DangerousInvincible, and maybe HIStory), that doesn’t sound like such a big number.

What do you think of this deal? Do you think there’s enough quality unreleased Michael Jackson music out there to justify 10 albums between now and 2017? Sound off in the comments, below.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Rock and Roll Hall of Fame ceremony: Eyewitness report
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 16 2010 10:00 AM ET

Network sitcom rejects Graham Parker theme song, inspiring his new concept album: A Music Mix Q&A

graham-parkerImage Credit: Jeff FasanoLegendary British rocker Graham Parker — 1979′s Squeezing Out Sparks should really be in your collection — has come up with the year’s most creative concept album by far: Inspired by his adventures unsuccessfully attempting to write title songs for real television shows, Imaginary Television (on sale today) is comprised of title songs for 10 imaginary TV shows. In place of lyrics, Parker wrote up short summaries of their plots, and then threw in “blurbs” from equally fake but eerily realistic reviews. (The album also includes one Johnny Nash cover, “More Questions Than Answers,” of which Parker writes, “Presumably he has his own TV show treatment to go with it.”) We got the self-confessed “hedonist” on the phone from his upstate New York home for a conversation in which he explains his process, his taste in real television, and which high-powered Hollywood producer he’d love to sell on one of these ideas.

This is quite the concept album. Can you explain the story behind it?
A publishing company signed me about a year ago, and their whole job is to find placements for artists on shows, to “up the value of the catalog,” as they might say in their parlance. They actually got a couple of my songs on a TV show within pretty short notice. But then one of their reps sent me some kind of email blast from a television music supervisor who needed a main title for a sitcom. And they had a few parameters, which were completely ridiculous. You know, “It’s gotta be like this, it’s gotta be like that, but we don’t want it too much like that. It has to be so catchy that people will be singing it in their car driving in 10 year’s time. The lyrics should be like this, but go with your gut. Hint hint, nudge nudge.” Everything was contradictory. They wanted something totally perfect. But they kept saying, “Go with your gut!” I’m not going to say what the shows were, by the way.

That’s a smart idea, albeit a boring one.
It is pretty boring, yeah. I’m being extremely dull. It’s kind of the first time in my career where I’ve latched on to some sort of a self-preservation technique. READ FULL STORY »

Mar 16 2010 01:04 AM ET

Rock and Roll Hall of Fame ceremony: Eyewitness report

hall-of-fameImage Credit: Michael Loccisano/Getty Images“The class of 2010 represents diversity!” So said Rock and Roll Hall of Fame head honcho Jann Wenner at the start of this year’s induction shindig, which was held Monday evening in New York’s Waldorf Astoria Hotel.

Whether that was the sound of a man relishing rock’s rich pageant or making lemonade out of some collectively strange-tasting lemons is a debatable point. But there’s no doubt this year’s crop of inductees—Genesis, the Hollies, the Stooges, Jimmy Cliff, and ABBA—had very little in common, save a willingness to turn up and be feted by their musical peers at the annual celebration of rockitude.

The performances were as varied as the terpsichoreal stylings. Genesis, for example, didn’t play at all, leaving Phish to competently tackle chunks of the prog-rockers’ back catalog. Meanwhile, reggae legend Jimmy Cliff tore the place up with renditions of his classic tracks “You Can Get it if You Really Want,” “Many Rivers To Cross,” and a Wyclef Jean-assisted “The Harder They Come.” Cliff and his fabulous silver jacket even topped Iggy Pop, who, it is perhaps needless to note, went shirtless fronting the Stooges as they stormed through “Search and Destroy” and “I Wanna Be Your Dog.” ABBA were represented musically by Benny Andersson, who accompanied Faith Hill on piano for a version of “The Winner Takes It All,” and the Hollies sounded merely like an agreeable-ish wedding band, despite boasting the vocal talents of both Graham Nash and Adam Levine from Maroon 5.

Actually, attending the chicken dinner-featuring event was very much like going to someone’s nuptials, except that instead of the best man making a speech about the time the groom got an unfortunate rash in Amsterdam, Phish’s Trey Anastasio illuminated us on the excellence of Genesis’ complex time signatures. And that was by no means the end of the speechifying.  Steven Van Zandt took time out to note the current “spiritual bankruptcy” of the record business when he inducted the Hollies, Billie Joe Armstrong recited a lengthy list of the acts that had been inspired by the Stooges—one that concluded with “…and my own f—ing band”— and Iggy Pop himself appeared close to tears as he ruminated on his reformed combo’s “lovely, lovely, second act.”

Finally, Benny Andersson pointed out that while his native Sweden may not be steeped in blues music, it is steeped in being darned cold, which he claimed explains both the films of Ingmar Bergman and the more melancholic moments of ABBA’s own oeuvre. Thank you for the entertaining amateur psychology, Benny! And, of course, the music.

So, what do you think of this year’s Hall of Fame inductees? And who would you like to see get the nod in 2011? Let us know!

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Craig Robinson from ‘Hot Tub Time Machine’ sings ‘Jessie’s Girl’
OK Go depart EMI following criticism of the company, set up own label with two dogs
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 15 2010 03:15 PM ET

Lady Gaga on Beyonce's reaction to the 'Telephone' video: 'What's in your head, girl?!'

“Any time I think about you, I wonder what it would be like to be part of your brain matter,” Ryan Seacrest told Lady Gaga when she called in to his radio show today. “What do you see when you close your eyes?” Turns out Gaga’s “Telephone” co-star Beyoncé has asked her the very same question. Actually, the precise words Gaga says Beyoncé used were, “What’s in your head, girl?!”

Gaga had only the nicest things to say about Queen B. “We’re not competitive at all,” she told Seacrest. “We’re so different, you know, and we respect each other so much. She’s so kind. We get along. She was very courageous in this video. I mean, can you imagine me saying, ‘Okay, now, Beyoncé, now you have to call me a very bad girl and feed me a honey bun’?…She trusted me because she likes my work, and she trusted me because she knew that I love her and that it’s a mutual respect. It ended up being a masterpiece because she was so courageous.”

While Gaga didn’t go into too much depth about what’s in her head, she did explain part of what’s on her head in the “Telephone” video — namely, those Diet Coke can curlers that have been turning heads since Friday. “My mom used to do that when I was a kid,” Gaga revealed. “If we didn’t have any rollers in the house, she would just slice up some Coke cans and then she’d heat them up and put them in her hair.” Guess we know where some of her unusual fashion sense comes from.

Gaga also spoke on Oscar champ The Hurt Locker, which she says she’s watched “a couple times.” “It’s terrifying, isn’t it?…I think it’s even more terrifying because it’s a war that we know. It’s happening right now.”

Click over to Seacrest’s website to hear their full radio chat, or watch Gaga and Beyoncé’s “Telephone” video again above if you need a refresher. Then let us know what you think is in the pop provocateur’s head.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
The Lonely Island and Julian Casablancas’ “Boombox” comes to SNL (finally!)
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Craig Robinson from ‘Hot Tub Time Machine’ sings ‘Jessie’s Girl’
OK Go depart EMI following criticism of the company, set up own label with two dogs
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 15 2010 12:07 PM ET

The Lonely Island and Julian Casablancas' 'Boombox' comes to 'SNL' (finally!), changes world

I have literally been waiting over a year for Saturday Night Live to air a digital short based on “Boombox,” my number one favorite of all the gems on the Lonely Island‘s February ’09 album Incredibad. I won’t lie: I had begun to give up hope that I’d ever see this joke-rap masterwork given the visual treatment it so richly deserves.

So when I heard those pulsing synth chords coming from my TV this weekend, I was up and dancing before the words “Imagine in your mind a posh country club…” left Andy Samberg’s lips. What can I say? The music was way too powerful. Everything about “Boombox” the digital short was how I’d pictured it, especially Samberg’s choice haircut. They even got the Strokes’ Julian Casablancas to reprise his guest vocals on camera. No kidding, I like the hooks Casablancas sang for “Boombox” more than almost anything on his recent solo album. I only wish SNL hadn’t cut the song’s second verse and chorus (“Picture if you will a bunch of business men…”). Maybe they’ll show up on an extended DVD reissue some day?

Go ahead. Fix yourself a nice plate of boiled goose, slip on some fingerless gloves, and hit play below (some NSFW lyrics). Just remember: A boombox can change the world. You’ve gotta know your limits with a boombox. A boombox is not a toy. Share your “Boombox”-related cautionary tales in the comments, below.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
The Specials: Terry Hall and Lynval Golding on the ska-rock legends’ reunion shows—and why their absent keyboard player is a ‘Scrooge’
Craig Robinson from ‘Hot Tub Time Machine’ sings ‘Jessie’s Girl’
OK Go depart EMI following criticism of the company, set up own label with two dogs
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 15 2010 11:16 AM ET

No Doubt, the Strokes, Vampire Weekend handmake goodies for online Haiti-benefit auction

no-doubt-strokesImage Credit: Mark SquiresA host of actors and musicians—including Drew Barrymore, Daft Punk, Mark Ronson, Natalie Portman, No Doubt, the Red Hot Chili Peppers, Grizzly Bear, the Strokes, Cat Power and Aziz Ansari—have signed on to contribute DIY artwork, clothing, signed instruments and more to Craft for a Cause, an online auction to benefit Haiti.

The internet-only event, which began at 8am this morning and continues through March 27, is spearheaded by Binki Shapiro, of sunny Strokes side project Little Joy. Top items on the bid site as of now include a hand-drawn t-shirt designed by Norah Jones, a Fender Squire II Stratocaster electric guitar signed and painted by Conor Oberst, and a hot-pink baby piano autographed by the members of Maroon 5.

Higher-ticket stuff, such as an original song by Mark Ronson, including all studio and production fees (minimum bid $1,000) and a pair of “1000% Kubrick Robots” signed and decorated by Daft Punk ($1,900), are made for bigger bank accounts, though many bits come in at kinder budgets ($30 starting price for Kings of Leon cover-art silk screens or a signed Amy Poehler caricature).

Find out more on CfaC’s official tumbler, and go ahead and get yourself a Jenny Lewis tote-bag poem or a Neil Gaiman fun pack for a good cause and a nice tax write-off.

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