Archive: March 2010 (71-80 of 106)

Mar 12 2010 05:39 PM ET

Justin Bieber plays piano, rocks the drums, solves health care reform

Categories: Justin Bieber, Misc.

Okay, so maybe he only does two out of three. But after watching these clips — in which Justin Bieber gives a nonchalant drum and piano recital after doing some Sirius XM Radio interviews — we’re starting to think there isn’t a whole lot the 16-year-old pop sensation can’t do. (Extra awwws for dedicating his piano solo to his grandma.) Check it out:

Drums:

Piano:

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Craig Robinson from ‘Hot Tub Time Machine’ sings ‘Jessie’s Girl’
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 12 2010 03:41 PM ET

The Specials: Terry Hall and Lynval Golding on the ska-rock legends' reunion shows—and why their absent keyboard player is a 'Scrooge'

the-specialsImage Credit: Top: James Veysey/Retna; David Corio/RetnaSpecials guitarist Lynval Golding says he really wasn’t sure anyone would bother coming to see the ska-rock-reggae band’s reunion shows in the UK last year. “At times I thought, ‘Am I making a mistake? Does anyone really like our music?’” he recalls. Golding needn’t have worried. Two shows in the band’s hometown of Coventry sold out in just 5 minutes. and a couple of hours later tickets were being advertised on eBay for $300.

Those figures are a testament to the enduring UK popularity of the septet, who acrimoniously split way back in 1981 after releasing such classic singles as “Too Much Too Young,” “Rat Race,” and “Ghost Town.” Next month, the band test the strength of their US following when they play a string of dates here, including a slot at the Coachella Festival. The Specials will also hit Late Night with Jimmy Fallon on April 13, almost exactly thirty years to the day since their last American TV appearance, which found them gracing the stage of Saturday Night Live. “My memory was meeting Keith Richards,” says Golding. “Our sound engineer knew him. I was too shocked to talk.” Specials frontman Hall says he too was shocked by his audience with Richards—if for different reasons: “I remember meeting him in the dressing room and thinking, ‘This man can’t possibly get any older than he is at this moment.’ And 30 years on, he has!” (FYI: The SNL host that week was Strother Martin, who played the prison warden in Cool Hand Luke. Yep, that’s how long ago it’s been since the Specials were on TV.)

The current Specials line-up isn’t exactly the same as it was three decades ago thanks to the absence of Jerry Dammers, one of the band’s main musical architects. The keyboard player did rehearse with the reunited act, but then fell out with his band mates. At one of the reunion shows last year, Terry Hall joked to the audience that Dammers was busy playing Scrooge in “panto” (a popular-in-Britain type of children’s play). Dammers, in turn, has claimed that he was “kicked out.” Golding denies that accusation, but admits the door has now closed on the possibility of the keyboard player returning to the Specials fold. “I think Jerry shut the door and bolted it a long time ago,” insists the guitarist. Meanwhile, Hall says the problem was that Dammers, “couldn’t get his head round doing thirty dates and being together for that period of time. He wanted to do two shows, and that’s it.”

The hangdog-faced Hall has a rep for being one of pop’s premier grumps—and has suffered from bouts of depression over the years—but he sounds overjoyed to be hanging out with Golding and the rest of the band again. The secret to his upbeat demeanor? That he doesn’t have to hang out with them too much. “The biggest difference between being on the road thirty years ago and being on the road now, is that I don’t have to spend time with the rest of the band,” he says. “Now, with hotels, we can actually get a separate floor to Lynval, which is fantastic.” Er, Lynval? “I agree 100% with that, I make a lot of noise!” laughs the guitarist. “We travel separately and I don’t have to talk with the rest of the guys until I see them at sound check. It’s absolutely wonderful!”

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Craig Robinson from ‘Hot Tub Time Machine’ sings ‘Jessie’s Girl’
Adam Lambert ‘Unplugged’: Watch his VH1 performances here
Lady Gaga’s ‘Telephone’ video

Mar 12 2010 08:53 AM ET

Lady Gaga and Beyoncé's 'Telephone' video: Beautiful cigarette sunglasses, Honey Buns, and sandwich-making

Gay Christmas arrived last night in the form of the latest Lady Gaga video for “Telephone,” which features Beyoncé. Before I pontificate on the video itself, why don’t you just take a gander at the infusion of Thelma & Louise, ridiculous fashions, sandwich making (hello, Miracle Whip!), and “Cell Block Tango” here:

First of all: What a beautiful mess. You can be assured that I spent the nine-plus minutes with my eyes bugging out, ferociously taking down ideas for potential Halloween costumes.

And second of all: Bravo Gaga! Say what you will about the diva and this video specifically (I’ve already been reading some less-than-enthusiastic reviews on the internets this morning, although I’m not gonna dignify them by linking), but “Telephone” is a masterpiece. And, it goes without saying that no one in the past decade has done more for the music video genre than this lady. Just look at the fact that the anticipation for this nine and a half minute clip warranted a week-long run-up, with promotions for its big reveal on E! last night beginning during the Oscars on Sunday. Is it as good as her epic “Bad Romance” video? Sadly, I don’t think so. But it’s better than anything else out there.

READ FULL STORY »

Mar 11 2010 03:59 PM ET

Craig Robinson from 'Hot Tub Time Machine' sings 'Jessie's Girl.' Hear it now!

craig-robinsonWhat is it with time travel movies and music? Michael J Fox introduced the ’50s to rock’n'roll in Back to the Future. Keanu Reeves and Alex Winter Wild Stallyns-ed it up in the Bill and Ted movies. And who can forget the “Dr Zaius Rap” from Planet of the Apes? No, wait, that was actually on The Simpsons. Regardless, the point is made! Music and time travel films go together like a horse and carriage. Or like Craig Robinson from The Office covering “Jessie’s Girl,” which is what he does on the  soundtrack to the new comedy Hot Tub Time Machine.

We’ve got our hands on an exclusive preview of Robinson singing the Rick Springfield pop-rock classic—and you can hear it below. Give it a listen and tell us what you think.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Dakota Fanning displays rocker credential, lingerie

Raekwon and Ghostface bring Wu-Massacre to NYC
Adam Lambert ‘Unplugged’: Watch his VH1 performances here

Mar 11 2010 02:57 PM ET

Adam Lambert 'Unplugged': Watch his stripped-down VH1 performances here

Categories: Adam Lambert, VH1

What happens to Adam Lambert when you take away the pyrotechnics, the glossy production — in short, everything that makes him the over-the-top phenomenon his fans love? That’s the idea behind the latest episode of VH1′s Unplugged. You can watch a few of the American Idol alum’s acoustic performances at VH1′s site, or right here in this post. So how did he do?

Very well, actually! I’ve never been the hugest fan of Lambert’s music, but even I have to admit that the stripped-down, low-key approach really works for him. It’s hard to fake an unplugged performance. You can’t just scream as a shortcut to emotion, the way Lambert sometimes has in the past, and you obviously can’t rely on studio polish to help you hit those notes. So I’ll give credit where credit is due: There’s a subtle, natural quality to Lambert’s singing here that impresses me. Watching these clips hasn’t made me any more likely to revisit For Your Entertainment, but it has made me respect him a lot more as a vocalist. (Yes, Lambert fans, now is your cue to tell me in the comments section that I’ve been underestimating him all along.)

Watch Lambert’s unplugged “Whataya Want From Me” below, and his unplugged “Mad World” after the jump. Then let us know what you think of his acoustic turn.

“Whataya Want From Me”

READ FULL STORY »

Mar 11 2010 12:09 PM ET

Dakota Fanning displays rocker credentials—and lingerie—in new 'Runaways' video

Those of you who last saw Dakota Fanning playing the cute kid in War of the Worlds are in for a bit of a shock with the video below. The clip features footage from the forthcoming rock band biopic The Runaways and finds the 16-year-old Ms. Fanning performing the titular band’s track “Cherry Bomb” while clad in an array of raunchy outfits. Yep, it’s the dictionary definition of “good, clean, fun.” But only if you bought your dictionary from a cocaine-and-book dealer on the Sunset Strip in 1976.

Check out the clip and tell us what you think. Do Fanning, who plays singer Cherie Currie, and Kristen Stewart, who essays Joan Jett, convince as the Runaways? Does the video make you or more less excited about the movie, which opens March 19?

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
OK Go set up own label, with two dogs

Raekwon and Ghostface bring Wu-Massacre to NYC
Beastie Boys’ Adam Yauch talks health, album plans
She & Him’s new ‘In the Sun’ video: Watch Zooey Deschanel schoolhouse rock
Lil Wayne goes to prison: Why his career will survive

Mar 10 2010 02:59 PM ET

OK Go depart EMI following criticism of the company, set up own label with two dogs

OK Go today announced they are to leave EMI and set up their own label, Paracadute. The company will oversee the promotional campaign for band’s CD, Of the Blue Colour of the Sky, which came out last January.

In a video on the band’s official website, singer Damian Kulash. claims the band are leaving EMI “very amicably,” though the frontman also insists the quartet’s new business partners are the pair of tie-wearing dogs that flank him in the clip. Feel free to take both statements with a pinch of salt.

Kulash was critical of EMI in an opinion piece he wrote for the New York Times last month. In particular, the singer took the company to task for blocking the band’s famous, self-directed, videos from appearing on the websites of fans and bloggers. “In these tight times, it’s no surprise that EMI is trying to wring revenue out of everything we make, including our videos,” an obviously frustrated Kulash wrote. “But it needs to recognize the basic mechanics of the Internet. Curbing the viral spread of videos isn’t benefiting the company’s bottom line, or the music it’s there to support. The sooner record companies realize this, the better — though I fear it may already be too late.”

Kulash will discuss the band’s departure from EMI on today’s edition of the NPR show All Things Considered. Meanwhile, you can check out the band’s Rube Goldberg-inspired video for their single “This Too Shall Pass” below.

What do you think of the band’s decision to leave the corporate fold? And do you trust their new canine partners to look out for the act’s best interests? Or should they take a walk?

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Lady Antebellum returns to the top of the charts; Blake Shelton and Danny Gokey debut strong
Raekwon and Ghostface bring Wu-Massacre to NYC
Beastie Boys’ Adam Yauch talks health, album plans
She & Him’s new ‘In the Sun’ video: Watch Zooey Deschanel schoolhouse rock
Lil Wayne goes to prison: Why his career will survive

Mar 10 2010 01:56 PM ET

Taio Cruz's 'Break Your Heart' takes Billboard's top spot, sets new record

All in a day’s (or more accurately, a week’s) work for Taio Cruz: Breaking hearts—and a Billboard record previously held by Kelly Clarkson, too.

The British R&B newcomer leaped from no. 53 to no. 1 on today’s U.S. Hot 100, the biggest jump by an artist with a debut single. That means Clarkson, who bolted from 52 to 1 in October 2002 with her Idol-win anthem “A Moment Like This,” loses her previous hold on that claim.

Then again, Ms. Clarkson has sold some 23 million albums worldwide, and still has the record for all-time (read: non-debut) jump, from 97 to 1 for last year’s “My Life Would Suck Without You”; she is probably not crying into her Berry Burst Cheerios.

If Cruz’s song has somehow eluded you thus far, stream it below. And if you would like to read our recent Q&A with him, in which he talks about loving Coldplay, collaborating with Ke$ha, and cavorting on yachts with models, click here.

More from EW.com’s Music Mix:
Lady Antebellum returns to the top of the charts; Blake Shelton and Danny Gokey debut strong
Raekwon and Ghostface bring Wu-Massacre to NYC
Beastie Boys’ Adam Yauch talks health, album plans
She & Him’s new ‘In the Sun’ video: Watch Zooey Deschanel schoolhouse rock
Lil Wayne goes to prison: Why his career will survive

Mar 10 2010 01:16 PM ET

Lady Antebellum returns to the top of the charts; Blake Shelton and Danny Gokey debut strong

lady_antebellumImage Credit: Charles KelleSade, Soldier of Love and seemingly unstoppable General Patton of the pop charts, finally relinquished her top spot to co-ed country-pop trio Lady Antebellum, who returned to no. 1 on the Billboard albums chart after three weeks in second place, selling 126,000 copies of Need You Now.

Sade still held it down at no. 2, with 79,000, but much of the top 10 belonged to new chart bows, including naughty Nashville boy Blake Shelton‘s six-song EP Hillbilly Bone (at no. 3 with 71,000), Idol alum Danny Gokey’s own country effort My Best Days (no. 4; 65,000), the Almost Alice soundtrack featuring new songs from Avril Lavigne, Franz Ferdinand and 3Oh!3 (no. 5; 58,000), Lifehouse’s Smoke and Mirrors (no 6; 54,000), Raheem DeVaughn’s The Love and MasterPeace (no 9; 45,000) and twangy newcomer Easton Corbin, whose self-titled debut squeaked in at no. 10 with 43,000.

The old-timers still hanging on to their top-1o spots? Lady Gaga’s The Fame at no. 7 (49,000) and the Black Eyed Peas’ The E.N.D. at no. 8 (46,000).

Who will rise above the rest next week—the half-decade-absent Gorillaz? The sex-battling Ludacris? Or Lady Antebellum triumph once again?

More from EW.com’s Music Mix:
Sade hangs on to the albums chart’s No. 1 spot, followed closely by Lady Antebellum
Barenaked Ladies frontman Ed Robertson talks about their first album without Steven Page; plus, watch new video ‘You Run Away’
Widespread Panic’s John Bell on their new album, covering the late Vic Chesnutt, and why he’s ‘not too fond’ of the ‘jam-band’ label
She & Him’s new ‘In the Sun’ video: Watch Zooey Deschanel schoolhouse rock
Lil Wayne goes to prison: Why his career will survive

Mar 9 2010 05:56 PM ET

Barenaked Ladies frontman Ed Robertson talks about their first album without Steven Page; plus, watch new video 'You Run Away'

barenaked-ladies_320.jpg Image Credit: James Minchin Barenaked Ladies — everyone’s favorite band of macaroni-dodging, occasionally-rapping, old-apartment-visiting Canadians — haven’t had the most cheerful time of it lately. The string of misfortune began with original co-frontman Steven Page’s arrest on drug charges in 2008, which were later dismissed. That same year, other co-frontman Ed Robertson crashed his single-engine plane with his wife on board; luckily, everyone walked away. In December of 2008, Robertson’s mother passed away. And in February of 2009, Page officially left the band “by mutual agreement,” and has since gone solo.

With four men now left standing on their pirate ship, the Barenaked Ladies are sailing on, releasing their 11th studio album, All In Good Time, on March 30th in the U.S. (Canada, you get yours a week earlier.) They’ve just debuted the video for first single, “You Run Away,” which you Mixers can watch embedded right here after this Q&A with Robertson, in which we discuss everything from Page’s departure and the challenges it presents to his country’s much-maligned-in-these-parts Juno Awards, with a special shout-out to Nickelback. He was, quite honestly, one of the most pleasant conversationalists we’ve encountered via phone in a long while. Enjoy.

Entertainment Weekly: We are here to talk about this new album, and the horribly traumatic times that led up to it. Would that be a mischaracterization, or was it really as bad as it all reads?
Ed Robertson: You know, the last year has been amazing. But the year previous to that kinda sucked.

The more you talk about it, are you realizing, Oh man, this sucked worse than I thought when I was in it? Or were you aware the whole time it was sucking?
Oh, I was fully inside of it at the time. I was noticing all of the suck.

In what order did these three major events occur, with Steve leaving the band, and your mom passing away, and your plane crash?
Well. I would include Steve’s arrest in the events. So it went arrest, plane crash, mom passing away, and then parting ways with Steve.

First of all, I’m really sorry. But was there a point in there where you thought about just chucking the whole thing?
For 20 minutes, yeah, kind of right around the new year of 2009. It just seemed like there was a lot of negativity swirling around. But it was about kinda taking stock and going, Man, we’ve done a lot of really great things with this band. We’ve gotta find a way to do it and enjoy it again. READ FULL STORY »

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