Singer-songwriter Josh Ritter wows Town Hall: EW's live review

_Josh-RitterImage Credit: Brian StowellThere’s nothing cynical or contemptuous about Josh Ritter and the Royal City Band, and at New York’s Town Hall last night, the Idaho-bred folk-rocker bounded on stage like an exuberant puppy freed from his leash. In an elegant 124-minute show, the earnest singer with the earthy voice and hyper-literate lyrics delighted what sometimes felt like an intimate gathering of friends. Ritter reveled in Town Hall’s history, expressing awe at the legendary performers, like Paul Robeson and Igor Stravinsky, who’d helped make it famous, but by the end of the night, the house was his.

It didn’t start out that way. Despite Ritter’s buoyancy, his first song, “Change of Time,” from his latest album, So Runs the World Away, suffered a few mechanical glitches that stunted some early momentum. It’s not unusual for Ritter’s shows to begin quietly anyway, a reflection more of the mild-not-wild NPR listeners in his audience than the band’s fervent energy. After the fourth song, “Folk Bloodbath” (“It’s a comedy,” deadpanned Ritter), he acknowledged the staid setting and warned the crowd not to get too comfortable in their velvet red theater seats. “This is Town Hall and everyone is wearing tuxedos and drinking martinis,” he joked. “But it would really help if we could all scream like … like….” “Like wild banshees!” volunteered a voice in the dark. That seemed to do the trick. The band quickly launched into “Right Moves,” a rollicking number from 2007’s album, The Historical Conquest of Josh Ritter.

From there, the band quickly put to rest any concerns that songs from the new album lacked the rock ‘n’ roll oomph of Historical Conquest. (Only “Rattling Locks” landed flat, judging by its unspoken designation as the show’s “bathroom song.”) Stomping to a thunderous beat, Ritter added an urgency to “The Remnant” that the recorded version lacks, transforming it into a pounding, crowd-pleasing delight.  Midway through the show, he revisited his gorgeous, winding rendition of Bruce Springsteen’s “The River” and then showcased some real vocal versatility with an acoustic version of “In the Dark.”

Ritter has said that he plays “rock ‘n’ roll with lots of words,” and he found the inspiration for So Runs in Shakespeare, Edgar Allan Poe and, in the case of the melancholic “The Curse,” the Egyptian Wing of the Metropolitan Museum of Art. So it was appropriate but no less surprising when actor Michael Shannon (Revolutionary Road) ambled on stage before “Another New World” for a mesmerizing reading of Poe’s tragic poem, “Annabel Lee.” Simply epic.

After delivering a knockout version of “To the Dogs or Whoever” to close the set, the band returned for a three-song encore, highlighted by a tender version of “Moon River.” An accomplished storyteller and a versatile live entertainer who makes himself at home in any room, Ritter successfully swept aside any Town Hall stodginess, chugging an entire beer at one point during the encore. For Ritter, whose thoughtful lyrics open doors to hallowed halls but whose musical heart and soul reside in front of the neon beer signs of a pub, it was the perfect symbol for a memorable night.

(Josh Ritter and the Royal City Band perform again tonight at Manhattan’s Town Hall.)

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Comments (7 total) Add your comment
  • Alicia


    So glad to see him get the national props he deserves…at least in this country. Ireland already loves him.

  • Steve

    Josh rocked Town Hall again on Thursday night. Great review Jeff!

  • Tom

    Great show, I agree about the crowd. He was playing his heart out, and people were just sitting on their hands early on, to many hipsters. One of the best live shows I’ve seen. He was so gracious and appreciative. Glad to see he is getting the recognition he deserves.

  • Jon

    Josh was great at Wednesday’s show, but I thought the house audio / mix was extremely poor, at least for those of us in the balcony. I had a really tough time getting carried away with the music since I could barely hear the vocals or Josh’s guitar – ironically, the only real reason to pay to see such a brilliant artist and songwriter in concert.

    To be fair, in his acoustic solos when the clutter of over-powering bass was gone, the concert was magic and quite memorable.

    All that being said, Josh’s band sounded FANTASTIC at the Swell Season concert at Radio City this past winter – different venue, but much better mix.

    I had expected much more from Town Hall…

  • Dr Bob

    The concerts were great BOTH nights. Instead of The River he sang Leonard Cohen’s Chelsea Hotel No. 2. The whole second concert was 10 min shorter, but the crowd was more raucous. By the way, the sound at Town Hall is always poor in the balcony. The speakers on stage point out, not up. The loge seating preferable.

  • Ray Murray

    Josh Ritter’s stage presence on Thursday evening, with his effervescent smile was infectious as was his ‘catchy’ melodies & sophisticated lyrics. To me, it is a mystery why this singer isn’t more popular in the U.S. Bottom line: excellent performer, excellent songwriter, and excellent show.

  • CT

    I know I’m late to this party…but I gotta disagree. I really think Ritter is emotionally flat live. The happy puppy routine doesn’t help. But the show ends where it starts, it doesn’t really go anywhere. I want to love Josh Ritter. I do. He can write like a dream. He can sing. His band is tight. But he’s missing a certain something, something you just don’t feel. Great artists control the house with their emotional projection and Josh doesn’t do that, he just sings great songs. Not bad, just not great.

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