Andrew Garfield is about to swing back into cinemas clad in the blue and red spandex in The Amazing Spider-Man 2, which opens on May 2. But before that, the soundtrack to the movie will arrive in stores — and now we have its first official single.
Category: Movies (1-10 of 95)
Zach Braff has another song that will change your life. He swears.
Braff filled Garden State, his 2004 directorial debut, with infectious tunes from the Shins, Simon & Garfunkel, and Coldplay. Wish I Was Here, his directorial followup — which premiered at the Sundance Film Festival and hits theaters across the country this summer — is similarly packed with cool music, including original songs from the Shins and Bon Iver.
But Sundance audiences weren’t privy to the final piece to Braff’s eclectic soundtrack. “We also have an original song sung by Cat Power, written by Chris Martin,” Braff says. “It wasn’t ready yet for [Sundance]. It’s the title song of the movie. It’s one of the most amazing songs ever.”
Wish I Was Here debuts in New York and Los Angeles July 18. The film opens in additional cities July 25.
When Divergent hits theaters on March 21, it is poised to become one of the biggest movie events of the spring. One of the key elements that carries the flick is the soundtrack, with features a score by Hans Zimmer and Junkie XL as well as a series of songs that are weaved deep into the drama of the film.
Unlike many movie-accompanying soundtracks, the songs on Divergent: Original Motion Picture Soundtrack (out March 11) are woven into the action of the film. The cornerstone star is Ellie Goulding, who has a handful of tunes on the soundtrack album and also provided the “musical voice” for lead character Tris Prior (played by Shailene Woodley). “For me, the movie is about a young woman finding herself, transforming herself and becoming powerful on a societal stage,” explains director Neil Burger. “It’s an intimate, personal portrait, but on a grand scale. Ellie’s music has that very intimate quality. You are in the heart of her characters, in their souls, in their minds. When she sings her voice resonates inside you. Her music was a perfect way to do all that for Tris—to feel what she was feeling inside.”
Indeed, Goulding’s voice has been integrated into the score of the film, making her a constant part of the on-screen action. “I got to jam, like you would jam on a guitar, but just with my voice,” says Goulding of the process. “I really enjoyed it.”
Goulding lent three songs to the film but also crafted a brand new tune called “Beating Heart” specifically for Divergent. “In the last scene of the movie, Tris has just experienced multiple tragedies, even as she triumphs (for the moment) over her enemies,” says Burger. “Ellie wrote ‘Beating Heart’ and we knew it’d be perfect for the end of the movie. Her lyrics almost merge with Tris’ voice-over and her music lets the movie soar above the tragedy. The sadness is still there but so is the transcendence. It’s a fantastic song.”
You’ll have to wait until March 21 to see how that scene plays out, but for now, give a listen to the exclusive premiere of Ellie Goulding’s “Beating Heart” below. READ FULL STORY
When the chatter first began about Spike Jonze’s warm, lovely film Her, one of the talking points was the music: Arcade Fire member William Butler and fellow Canadian Owen Pallett (known to the pop world as Final Fantasy) would be writing the score, Arcade Fire would perform it, and additional musical input would come from Yeah Yeah Yeahs frontwoman Karen O (who had previously collaborated with Jonze on the music for Where The Wild Things Are).
The results lived up to the anticipation; the music in Her perfectly complements the internal life of lead character Theodore Twombly (played by Joaquin Phoenix). The Academy of Motion Picture Arts and Sciences agreed, and when the Oscar nominations were handed down last week, both the score (by Butler and Pallett) and the original song “The Moon Song” (performed by Karen O and written by her and Jonze) were included in the race for prizes.
But despite the accolades, the music from Her is unavailable for purchase, either in physical or digital form. READ FULL STORY
On the 30th anniversary of the release of 'Scarface,' hear Giorgio Moroder's new remix of 'Tony's Theme' - EXCLUSIVE
Dance music legend Giorgio Moroder has spent the better part of 2013 looking back. He explored his own biography with the help of some French robots on Daft Punk’s “Giorgio By Moroder,” from the Grammy-nominated Random Access Memories, and remixed Donna Summer’s “Love To Love You Baby” (a song he initially built in 1975) for an album commemorating the late disco diva.
Now he’s remixed himself once again, this time taking the digital scalpel to “Tony’s Theme,” from one of Moroder’s finest film scores: Scarface, which hit theaters exactly 30 years ago today.
In a conversation today with EW, Moroder remembere getting the call from director Brian De Palma about the project and creating the now-legendary score for Al Pacino’s Tony Montana, one of cinema’s most iconic gangsters. “I wanted something a little bit mysterious, because this character is very complex and kind of mysterious coming from Cuba,” Moroder recalls.
“I wanted it to have a little bit of a classical feel in the sequence of the chords. The idea came from a German half-classical singer called Klaus Nomi. He had one song where he did a very high voice, a staccato, a little bit like Laurie Anderson on ‘O Superman.’ Those two songs kind of inspired me, so I came up with the chords and then brought in the big choir and strings and all the rest.”
The new remix of “Tony’s Theme” is more of a complete reinvention — Moroder did not use any of the original tracks to construct the new song. That points to the tune’s versatility. “It works quite well with a big orchestra, and it works quite well with just a piano,” he said. “There’s one section [in the movie] when Tony kills someone, and there I played kind of soft; I think it’s just a bass line. So it works well both big and small.”
Check out the exclusive premiere of Moroder’s new remix of “Tony’s Theme” below. READ FULL STORY
Oscar Isaac, the title star of the Coen Brothers’ new ’60s folk-scene chronicle Inside Llewyn Davis, showed up on Jimmy Fallon last night, and of course Jimmy wouldn’t let him leave without proving his real-life music bona fides.
Inside Llewyn Davis is in theaters now.
'Hunger Games: Catching Fire' soundtrack feat. Coldplay, Lumineers, Lorde, and more now streaming on iTunes
Boom goes the HG cannon — signaling not another dead tribute, but a live album. (Save your arrows, kids!)
Hunger Games: Catching Fire is now streaming in full on iTunes. The 15 tracks includes new songs from Christina Aguilera, the Lumineers, Of Monsters and Men, The National, Coldplay, Patti Smith, Santigold, Ellie Goulding, The Weeknd, Antony and the Johnsons, and Sia, among others — plus Lorde’s cover of Tears For Fears’ “Everybody Wants To Rule The World.”
Lorde covers Tears for Fears classic 'Everybody Wants to Rule the World' for 'Hunger Games: Catching Fire' -- hear it here
Question: What does a 17-year-old craving a different kind of buzz do for a giant movie franchise about post-apocalyptic teens fighting for their lives?
Answer: Sing a song that’s older than them all! In the latest roll-out from the upcoming Hunger Games: Catching Fire soundtrack, Lorde takes on Tears for Fears’ 1985 chart topper “Everybody Wants to Rule the World.”
Listen to her clanging, atmospheric, and veryverydramatic take here: READ FULL STORY
Ed Sheeran on working with Peter Jackson on 'The Hobbit' song 'I See Fire': 'I'm a massive fan of Tolkien and of Peter' - EXCLUSIVE
Yesterday, The Hobbit director Peter Jackson pulled back the curtain on “I See Fire,” the Ed Sheeran song that will play over the closing credits of The Hobbit: The Desolation of Smaug. As Jackson explained on his Facebook page, the process began when the two had lunch during Sheeran’s tour through New Zealand, and continued after Jackson brought Sheeran in to view the movie and work on the song.
Sheeran has worked with a number of high-profile musicians—including Taylor Swift and Lupe Fiasco—but “I See Fire” was his first collaboration with a filmmaker. “He was fantastic,” Sheeran tells EW. “At every point where I’d be adding something, I’d play him the song afterwards. I was there for three days, and at the end of every day he would come and listen to the song and give me notes.”
“He knows what he wants,” he continued, “but he doesn’t pretend to be musical in any way. He let me go on with it, but he also knows his movie, so he would tell me something needs to be less energetic, or more relaxed, or whatever. He knows the colors and templates of what the song should be rather than how the melody should go.”
Sheeran’s also a longtime devotee of the work of J.R.R. Tolkien—The Hobbit was the first book his dad read to him as a child, and Sheeran’s grandfather owns a first edition of the novel. READ FULL STORY
'The Amazing Spider-Man 2' composer Hans Zimmer recruits Pharrell Williams, Johnny Marr, others for movie music supergroup
Hans Zimmer has never had any trouble crafting movie scores on his own. He has worked on over 150 movies, won himself an Oscar (for The Lion King, in 1995), and gave birth to the BWOOOM that just about every other movie composer has stolen.
But everybody needs a little company, and for the score to the forthcoming The Amazing Spider-Man 2, Zimmer went ahead and got himself a super group. According to Sony Pictures, Zimmer and director Marc Webb have recruited Pharrell Williams, former Smiths guitarist Johnny Marr, Incubus’ Michael Einziger, and former Eurythmic/current blues revivalist Dave Stewart.
“Marc and I were talking about Spider-Man, and as the word got out, so many of our friends and musicians started calling us up, wanting to be a part of it, because they love Spider-Man,” Zimmer said in a statement. “That was the thing that united all of us the great love for Spider-Man. With all of these hugely talented people wanting to join us, it was Marc who said, ‘Why not start a band?’ Marc and I have had a great start jamming with everybody, and we still have a few surprises up our sleeve.”
Nobody is a stranger in this collective: Zimmer and Williams previously worked together on the music for Despicable Me and also at the 2011 Academy Awards ceremony, and Marr, Einziger, and Stewart have all lent their guitar playing talents to Zimmer scores in the past (on Inception, The Lone Ranger, and Madagascar 3, respectively).
The Amazing Spider-Man 2, which again stars Andrew Garfield as the web-slinger and welcomes Jamie Foxx as the villain Electro, will be in theaters on May 2, 2014.
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