Danity Kane’s DK3 has a lot going against it.
It had the bad luck to be released the same week as Taylor Swift’s zeitgeist-devouring 1989. The group, which broke up during its recording nearly three months ago, aren’t around to promote it. Its Clipse-sampling lead single “Lemonade” didn’t make as much of a splash on radio as it may have deserved. And at a time where R&B is overrun with insurgent post-Weeknd artists who are crazy about grimy sounds, ennui, and ambiguous eroticism, Danity Kane remains steadfastly straightforward and high-polish.
So it’s not surprising that the record’s kind of falling through the cracks. What’s surprising is that that’s kind of a shame.