If you’ve ever wanted to see leading Hollywood ladies bro out together, Jenny Lewis just made those dreams come true: Anne Hathaway, Kristen Stewart, and Brie Larson wear tracksuits and mustaches in the former Rilo Kiley frontwoman’s music video for “Just One of the Guys.”
Category: Music (61-70 of 5341)
Master parody artist Weird Al Yankovic is back, and this time, Pharrell’s “Happy” is his target.
“Tacky”—the first of eight videos he’s releasing over eight straight days in advance of his new album, Mandatory Fun—cleverly and playfully criticizes the everyday bad habits of our postmodern society.
About a month ago, I spent a few days in the studio with Weezer as they put the finishing touches on their new album, Everything Will Be Alright in the End. Despite the fact that this is their ninth proper studio album, the process of making records hasn’t gotten any easier. “Making records is weird,” drummer Pat Wilson said after a particularly intense session. “It’s different every time.”
But there’s also time for fun, and one of the things the band really drove home during the course of our conversations was how much they have really been enjoying each other lately. There hasn’t always been harmony, but at the moment they are a pretty cohesive unit.
That being said, they are not without argument. Case in point: After recording wrapped one day, Wilson and bassist Scott Shriner stuck around to play me some rough tracks and talk about the recording process. But we soon drifted away from Everything Will Be Alright In The End to a standing argument between the two. READ FULL STORY
BBC Radio station 1Xtra has voted British crooner Ed Sheeran the most important British artist in urban music—and in the process, has sparked an online debate about a “power list” that predominantly features white artists in a genre of music created by black artists.
1Xtra—which describes itself as “the UK’s leading black music station”—released its list of the most “important UK artists in the scene” on Friday. Sheeran topped the list of approximately 20 artists, submitted by radio listeners and chosen by 1Xtra DJs on variables such as “sales statistics, plus more subjective areas like the quality of music and impact across the wider industry.”
The art-punk band EULA got its start in New Haven, Connecticut, a few years ago as a home recording project for frontwoman Alyse Lamb. A handful of records, several tours, and one move to Brooklyn later, the group has solidified a sharp-edged, frenetic sound that ties together postpunk, No Wave, and Riot Grrrl revivalism, producing something that could work equally well as the soundtrack for a riot or a dance party.
Last month, they released a new single recorded with Martin Bisi, who manned the boards for seminal albums by alt-rock icons like Sonic Youth and the Swans. Now the track, “Orderly,” is getting its own video that mashes up images of Lamb and some old-timey dancing ladies to kaleidoscopically psychedelic effect.
The fact that the Muffs weren’t a bigger deal back in the ’90s had less to do with their abilities than the fact that they were just a little too far ahead of their time. During the peak years of the grunge era, a band that combined power pop, garage rock, and punk was apparently a hard sell, even if they were making some of the most infectious tunes in alt-rock at the time.
Since then, though, it’s become a fairly common formula in the rock underground, especially in the scene that’s coalesced around California indie label Burger Records. The Muffs recently teamed up with Burger to release their first new album in 10 years, Whoop Dee Doo, which comes out July 29. Judging by “Weird Boy Next Door,” they haven’t lost any of their edge in the meantime, and frontwoman Kim Shattuck’s throat-shredding howl hasn’t lost any of its power.
Dev Hynes, better known as avant-R&B genius Blood Orange, has been lying low since suffering a catastrophic apartment fire back in the winter. But he’s been starting to regain some of the momentum that last November’s Cupid Deluxe album had begun to generate. He’s been getting back to releasing his series of consistently entertaining videos for Cupid Deluxe tracks.
Now, he’s released a radically deconstructed remix of Sia’s summer jam “Chandelier” that strips the song of its triumphal arena rock swagger and, well, pretty much everything else, which he’s replaced with his own vocals, a twitchy drum part, and a tasteful thumb piano part. In the process he’s remade one of the most inspirational get-pumped anthems of the year into an anxiety-ridden slow jam, stripping Sia’s chorus from its surroundings to let it hang almost unadorned in a way that transmutes its YOLO-ness into something starkly desperate. It does the exact opposite of the original, but it’s just as compelling.
A year ago, Pickering, Ontario native Shawn Mendes was just an average teenager with an interest in music. Then, last August, he posted a six-second clip of himself singing Justin Bieber’s “As Long As You Love Me” on the video-snippet-sharing service Vine. By the next day, he was an Internet star, thanks to the 10,000-plus followers he amassed overnight.
Now, he has nearly 3 million followers and has embarked on a more traditional musical career path, signing with Universal Music Group subsidiary Island Records. In late June he released his first single, “Life of the Party,” a piano-driven power ballad with an unexpectedly mature vibe that immediately went to the top of the iTunes singles chart.
Just after “Life of the Party” was released EW got on the phone with him to talk about Vine, YouTube, stage fright, and his sudden rise to fame.
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