Saturday Night Live star Vanessa Bayer already has a talk show, the web series Sound Advice where she gives hilariously bad advice to successful musicians. But in Haim’s latest music video for “My Song 5,” she has a whole new talk show: This one is Jerry Springer-style, featuring guests ranging from the cat-obsessed Kesha to the cotton ball-phobic Artemis Pebdani.
Category: Music (61-70 of 5493)
Golden Coast hails from Los Angeles, and their electronics-enhanced pop projects some of the same eternally sunny optimism that the city often gives off in movies. The band’s latest single, “Dream and an MPC,” is a follow-your-dreams anthem about hustling in the music biz, a trope as old as rock ‘n’ roll that they’ve updated with a modern technological twist, both in the shout-out to Akai’s iconic sampler and the streaks of ravey synthesizers laced throughout. Between the synths and a bouncy vocal melody that recalls Vampire Weekend’s cheerier moments, it should satisfy EDM fans and indie rockers alike.
In a half press conference, half fan event hosted on a Yahoo! livestream this afternoon, Taylor Swift shared a new single, its video, and the news that she has a new album out Oct. 27. The song, “Shake It Off,” is an enthusiastic, uptempo composition with flourishes of retro soul thanks to a skronking horn arrangement and a dance-friendly energy that the video, directed by Mark Romanek, reflects with performances by dancers in styles ranging from ballet to twerking. In a surprise turn, Swift handles the song’s rap interlude herself.
The album will be called 1989, both for the year of Swift’s birth and the period of pop history that it draws most heavily from. Swift said that according to people she talked to in the course of investigating late ’80s pop, the era was “apparently a time of limitless potential.” She described 1989 as both “my very first documented, official pop album” and “my favorite album we ever made.”
1989 is available for pre-order from Swift’s website, which seems to be down at the moment thanks to an overwhelming amount of traffic. A deluxe version of the LP will feature several songs in their earliest demo form as voice memos saved to Swift’s phone, as well as reproductions from Polaroids she’s shot.
Electronic music pioneer Richard D. James, best known by the stage name Aphex Twin, has never seemed too interested in the traditional album cycle that the pop music industry is based around. Instead, he has released music under a bewildering number of different aliases, or in limited editions, or only on vinyl, or in assorted other ways to make buying and listening to his music more complicated than the average artist. He wasn’t even directly involved with his latest release, a digital edition of a previously unissued 1994 album recorded under the pseudonym Caustic Window that was sold by a group of diehard fans via a Kickstarter campaign.
In recent days, he’s announced the release of his first album of new material since 2001’s double-LP Drukqs in a typically cryptic manner. The first clues that something was in the works came over the weekend, when a blimp bearing the Aphex Twin logo standing in for the zero in “2014,” was spotted hovering over a music venue in London. In New York City, the same logo appeared stenciled on sidewalks in Chelsea and Midtown outside of Carnegie Hall. (The authenticity of a plate where the logo appears in a smear of jerk sauce has yet to be determined.)
Earlier today, James tweeted a link to a website accessible only through the anonymous web browser Tor, ie. a link to the Deep Web, which is better known as an online destination for illegal pornography and virtual drug markets than promotional sites for electronic music albums.
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In 2010, boy band powerhouses New Kids on the Block and the Backstreet Boys paired up for a joint NKOTBSB tour. Now a spinoff group has evolved, with Backstreet Boy Nick Carter and New Kid Jordan Knight pairing for their own album and national tour.
The duo, now known as Nick & Knight, released their first single, “One More Time,” in July with their debut album scheduled for a September 2nd release. From there, Nick & Knight will head out on a two-month U.S. tour beginning in Nashville on September 15. Tickets are available now.
We’ve got an exclusive first look at the guys’ debut music video for “One More Time.”
With the Guardians of the Galaxy soundtrack recently winning both the top spot on the Billboard 200 album chart and a place in the hearts of the movie’s surprisingly enthusiastic legion of fans, ’70s soft rock is once again back in vogue. That’s good news for Toronto band Zeus, whose upcoming third album, boldly entitled Classic Zeus (out Sept. 2 on Arts and Crafts), draws from a wide range of influences but leans particularly hard on a similar strain of AM gold.
Classic Zeus offers a look inside the minds of a group that has matured greatly over the past few years, and particularly so during a bumpy period of time after their last album that brought them to the verge of breaking up. It’s weighty material, but for their latest single, “27 is the New 17,” they lighten things up with a presentation that resembles a fuzzy, indie-fied take on ELO’s brand of effervescent psychedelic pop.
When Chilean singer-songwriter Yael Meyer began working on the song “Human Divine,” it was “much more mellow and acoustic track than it is on the record,” she writes. “I wrote it late and night and recorded a very rough demo of it and you could hear the keyboard making this really cool clicking sound that kind of made it sound like there was a beat underneath the song. So even though it was very mellow song, the implied beat made gave me the feeling that maybe this could be a dance song.”
The end result is bouncy, ebullient electropop that should appeal to the considerable number of people who are still waiting for Grimes to write another “Oblivion.” It also contains a timely, uplifting lyrical message: “You always hear in the news about the worst possible things happening in the world,” Meyer writes, “because that’s what sells, and that generates a fear-based society built on the idea that everything that happens is horrible. But I believe that there is a balance between good and evil. Yes, there is a lot of bad stuff happening, but there are also a lot of people doing good and it makes me believe that really good is leading the way after all.”
Meyer’s Warrior Heart drops Sept. 16 on KLI Records.
Canadian indie arena rockers the Arcade Fire have been making headlines during their Reflektor tour by busting out a new cover song at each stop, usually performed with at least some of the people on stage wearing giant papier mâché heads. So far they’ve done songs by everyone from Neil Young to Huey Lewis, and last night they added hardcore legends Fugazi to the list. During a performance in Washington, D.C., the group gave a fairly straightforward reading to the 1988 anthem “Waiting Room” and adding an enormously bobbleheaded Obama impersonator to the on-stage roster that already included a skeleton, a TV-headed man, and singer Win Butler wearing a Win Butler mask.
If “Bang Bang” isn’t the song of the summer, it’s at least the chosen song title of the summer: There’s Ariana Grande, Nicki Minaj, and Jessie J’s “Bang Bang,” Macy Gray’s “Bang Bang,” and now, Beyoncé’s cover of “Bang Bang (My Baby Shot Me Down)” by Cher and previously covered by Nancy Sinatra.
The singer serenades husband Jay Z with the cover in a new trailer for HBO’s upcoming special about the pair’s “On the Run” tour. She shoots finger guns at the rapper as she sings; he responds by dramatically blowing cigar smoke into the air. The scene is filmed in black and white, and then suddenly, we’re transported from that world into the real world of Bey and Jay: Specifically, their energetic, colorful sold-out arena shows.
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