Image Credit: Peter Francis/Retna Ltd.Spinner has posted an agreeably catholic-minded list of the 50 Greatest Guitar Riffs in Rock ‘n’ Roll. True, most of the usual suspects are present, from “Layla” by Derek and the Dominos to that scourge of guitar store employees, Deep Purple’s “Smoke on the Water.” However, the list also finds space for a slew of great but less obviously riff-tastic tracks, including The Smiths’ “This Charming Man,” The Meters’ “Look-ka Py Py,” and Chic’s “Le Freak.”
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What is the greatest guitar riff of all-time?
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Paramore responds to departing band member's exit statement: 'Yeah, it hurts'
Image Credit: Michael Buckner/WireImage.comIn music, there are quiet, no-fault divorces, and then there are splits like Paramore’s: the unpretty kind. After remaining members Hayley Williams, Jeremy Davis, and Taylor York announced the departure of brothers Josh and Zac Farro (the group’s guitarist and drummer, respectively) on Dec. 18 in a blog post littered with upbeat phrases like “We look forward to our best times, and we hope you will go there with us,” things quickly devolved.
In a lengthy screed posted to his own personal blog, Josh Farro painted a far less harmonious picture of the split, one instigated by Atlantic Records, Williams’ family, and her management controlling and misusing the band’s other members for her singular benefit. READ FULL STORY »
Usher's 'OMG' and Homer Simpson's Christmas carol: Rip-off or coincidence? Listen here
Image Credit: Noel Vasquez/WireImage.com; FoxDid Usher rip off an old episode of The Simpsons for his smash hit “OMG”? Probably not. But as the morning DJs at Jackson, Miss.’s Y101.7 radio discovered earlier this year, Usher’s tune sounds amusingly similar in places to a Christmas carol that Homer Simpson attempted to compose in a 2003 episode of the animated Fox sitcom.
A YouTube clip put together by the Y101.7 DJs has been making the Internet rounds today with words like “plagiarism” in the headlines. That’s a little silly. The clip presents just a couple of short lines from each song that share similar cadences. We’re talking about “pow-pow-pow/wow-oh-wow” versus “wow-wow-wow/now-now-now” – much more likely a random coincidence than any kind of conscious or unconscious theft. It’s pretty funny to juxtapose these parts of the two songs out of context, but that’s about it.
Right? Check out the YouTube clip for yourself after the jump and sound off in the comments. READ FULL STORY »
Lil Kim vs. Nicki Minaj: The battle gets bigger
Image Credit: Donna Ward/Getty Images; Johnny Nunez/WireImage.comRap fans got a salty side dish this holiday weekend to go with their turkey-cran sandwiches.
For months, the buzz has been on Nicki Minaj, whose recently released Pink Friday features a track, the Eminem-guesting “Roman’s Revenge,” that many took as a side-slap to Lil’ Kim (sample lyrics: “Look at my show footage, how these girls be spazzin’ / So f—I look like gettin’ back to a has-been? / Yeah, I said it, has-been /Hang it up, flatscreen /Haha plasma”). And last Friday, the Queen Bee bit back.
“It’ll be a murder scene, I’m turning Pink Friday to Friday the 13th,” Kim spat over Pharoahe Monch’s inimitable Godzilla-sampling “Simon Says” horns. “I hate you Lil’ Kim clone/clown, all this buffonery, the sh– stops now … We all know your last name is what got you your job, you’s a put-together gimmick, something like a collage.” And later: “That’s cool, I was the first one wit’ it / You’se a Lil Kim wannabe you just hate to admit it / I’m the blueprint you ain’t nothin’ brand new / Check your posters and videos / You’ll always be number two.”
As rapfix reports, Minaj doesn’t bear Kim’s wrath alone; Drake gets his moment too: “”Yeah, this hood sh– you and Drake ain’t built for, this the sh– the other bitch almost got killed for.” Hear Kim’s track in full, after the jump:
Nelly blames his label for low '5.0' sales: Does he have a point?
Image Credit: Dario Cantatore/Getty ImagesNelly had a big hit this year with “Just a Dream,” but has his comeback stalled out already? His album 5.0 arrived at No. 10 on last week’s Billboard 200 albums chart after selling an underwhelming 63,000 copies in its first week. The rapper thinks his label, Universal Motown, is partly to blame for the album’s weak performance.
“A record deal is a 50/50 partnership!” Nelly wrote on Twitter this weekend. “As a artist its your job to provide the record company with music that they (record company) can sell! Thing about the partnership is that n the public eye the responsibility is not 50/50! the artist is always the 1 who catches 90% of the blame.”
He went on to criticize the label for not promoting the album or providing retailers with enough copies. “If u only ship [200,000 copies] of an album how many are u f—ing tryen to sell?? 5.0 Every1 luvs da album n say its crazy! So wen u hear folks say they didnt no it was out r there were hardly any n the store! WTF?”
Universal Motown has not commented in response. What do you think of Nelly’s complaints? Did you buy 5.0? Whose fault are the low sales?
(Follow the Music Mix on Twitter: @EWMusicMix.)
More on EW.com:
EW’s review of 5.0
Nelly’s “Just a Dream” throws us an Inception-style curve
With Beatles now on iTunes, who are the last holdouts—and why?
Image Credit: Janet Mayer/PR Photos; Solarpix/PR PhotosMetallica were the first to cave, in mid-2006. In November of 2007, Led Zeppelin followed; in June 2008, Radiohead finally said OK, computer. And yesterday, of course, was the day the Beatles pledged “I Will” to iTunes.
But there are, famously, a few very firm holdouts–artists who refuse to parcel their music for the digital marketplace. Below, the main players, and the reasons they’ve given:
AC/DC: Two years ago, Angus Young explained to the New York Times that they could not abide breaking up their albums for individual track sales: “It’s like an artist who does a painting. If he thinks it’s a great piece of work, he protects it. It’s the same thing: this is our work.”
That same month, frontman Brian Johnson told Reuters, “”Maybe I’m just being old-fashioned, but this iTunes, God bless ‘em, it’s going to kill music if they’re not careful … It’s a…monster, this thing. It just worries me. And I’m sure they’re just doing it all in the interest of making as much…cash as possible. Let’s put it this way, it’s certainly not for the…love, let’s get that out of the way, right away.” (Walmart, however, is all about the love.)
Garth Brooks: Last year, the semi-retired country superstar told writer Lisa L. Rollins, These [Apple] guys are sweet guys, but they’re businessmen, so they understand. … They truly think that they’re saving music. My hat’s off to them. I looked at them right across the table with all the love in the world and told them they were killing it. And until we get variable pricing, until we get album-only [downloads], then they are not a true retailer for my stuff, and you won’t see my stuff on there—with all the love in the world. That’s nothing that they haven’t heard, either.”
Kid Rock: In a 2008 EW feature, he said ”I just don’t like being told what to do. I don’t have a beef with Apple, or iTunes, or any of them. I do have a beef with that it seems kind of socialist of them to charge the same price for every song. What if every car cost $4,000, you know what I mean? A song from my neighbor’s garage band is not the same value as Bruce Springsteen’s ‘Born to Run.’ I just want to decide how my product gets sold with the people who sell it.” (Kid’s rep confirmed to us today that his views have not changed.)
Also still unavailable: The Smiths (aside from their greatest hits, and a few soundtrack one-offs), Tool, Def Leppard, Bob Seger, and the bulk of the Black Sabbath and Frank Zappa catalogs. (iTunes declined to comment for this article.)
Tell us, readers—are these artists hurt by their absence, or is their integrity worth its weight in iBucks? Is the notion of that integrity misplaced? And are fans genuinely affected by the lack of digital availability, or is uploading physical discs into an online library merely a brief chore for a rainy day? Let us know in the comments section below.
(Follow the Music Mix on Twitter: @EWMusicMix.)
More from EW.com:
Apple finally gets rights to Beatles catalog on iTunes
Band of Horses’ biker-themed ‘Dilly’ video: Watch it
Guns 'n' Roses to release new album, promise it won't take nine million years
Image Credit: Landmark/PR PhotosYes, an entire Bieber was gestated, raised, and brought to saucily-coiffed stardom in the time it took to make Chinese Democracy.
But Axl’s bandmates swear that infamously delayed album’s followup will arrive sooner–much sooner. Guitarist DJ Ashba told rockitoutblog.com that the group is “throwing around a bunch of ideas” for a new album, and that Axl has “a lot of good s— up his sleeve”: “It should be good. We got a lot of good stuff on the plate coming out,” he said, emphasizing that it “won’t take as long, I promise” as Democracy.
He also assured fans that the current incarnation of G’n'R will tour the States again next February, after running a number of dates in Asia and Canada through January. So the boys are staying active, and apparently very busy.
What do you think, readers—can whatever new music the band releases reward fans’ expectations at this point? Or is it finally time that Axl make like Phil Collins and quit this bitch?
(Follow the Music Mix on Twitter: @EWMusicMix.)
More from EW.com:
Guns N’ Roses: Axl Rose leaves stage at Irish show after bottles and ‘unknown substances’ are thrown at him
Axl Rose cancels Guns N’ Roses tour via Twitter?
Gwyneth Paltrow's performance on the CMAs: Country strong?
Image Credit: Jon Kopaloff/FilmMagic.com Who better to fill the final performance spot at the 44th annual CMA Awards than a legend of the industry, a Grand Ole Opry vet, a … super famous actress, Gwyneth Paltrow!
Oh, we kid. This Malibu/Manhattan bird not only turned on her Nashville twang to play the title song from her upcoming Country Strong, she did it with a guitar, and Vince Gill. (The seven other dudes also onstage playing guitar were so sweet to assist, don’t you think?).
Honestly, la Paltrow sounded solid, and more tuneful than some who do it for a living on tonight’s show, and it earned her a standing O, though Blake Shelton’s slow-clap smirk looked a little more “Eh, she did it better in Duets.”
What did you think, viewers? Did she pull off her Bridgestone Arena debut?
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