Today marked the track-listing announcement of Her Madjesty’s upcoming Celebration CD and DVD, due this September 29, but if you’re a fan, you may already know — after all, you helped her pick the songs.
Madonna’s manager Guy Oseary used his Twitter page to solicit readers’ suggestions of what should be included in the set, and then worked with the singer to hone a final list. Find out which classics are in — and what’s new — after the jump:
Peruse the upcoming music release calendar and one theme crystallizes: This fall belongs to the diva.
Well, I suppose it remains to be seen if the fall will actually belong to bombastic songstresses — they’ve gotta make a splash with sales, appearances, airplay, and all that first. (And some diva-esque antics would probably help stir up some excitement, too. Just sayin’.) But the ladies pictured at the left here are surely making a play for dominance with four releases that have the potential to be huge.
Still, I have mixed feelings about all the releases. I’ll give you a few words on my anticipation for each diva’s disc. Whitney: Excited, but nervous. Madonna: Sure, I’ll buy it all yet again. Duh. Barbra: Ehh, it’s Barbra, which is always so Barbra. Mariah: Love “Obsessed,” but the rest better be even better.
But let’s get real here — I’m going to buy them all. Again, duh! But what about all of you out there? Which of these four albums are you most excited about? If you only buy one, which will it be? Based on what you’ve heard so far, what are you loving most?
British DJ and remixer extraordinaire Paul Oakenfold would like to clear something up: He has never been naked in a recording studio with Madonna. “That was a joke,” he laughs, referring to Madonna’s April 23rd tweet via manager Guy Oseary’s account (@guyoseary): “paul oakenfold is running around the studio naked.. because i wont put the air on.. its hot in here.. but the music is hotter!!!! -M.”
But Oakenfold, who recently released Perfecto: Vegas, a two-disc set celebrating his popular residency at the Palms Casino, from which he recently took a break to join Her Madgesty’s Sticky and Sweet Tour in Europe, is dead serious about getting people on the dance floor with “Celebration.” The song, which he co-wrote with Madonna for her upcoming greatest hits package (in stores Sept. 29), is he says, “meant to be positive in the respect that you can do it, let’s have a good time, let’s enjoy ourselves.”
And while the song, which leaked online in July, has a party-time feel, Oakenfold tells us that he and “M,” as he calls her, were all business during their first in-studio collaboration. “It was very focused, very professional,” he recalls. “When you step up to this level, it’s an interesting process because you’re on someone else’s time, and you respect that. And that’s really what it’s about. So I was extremely organized when I went in there with the team that I had.” And he’s pretty proud of the result: “It’s definitely the sound of tomorrow. Which always becomes the sound of today.”
Music Mixers, what do you think — is “Celebration” the music of tomorrow, or a blast from the past? Watch below as a stadium full of fans wish her a happy (51st!) birthday at a concert earlier this week in Poland, and tell us: Does Madge still have what it takes to — with the help of friends like Oakenfold — make the music that helps the people come together?
Once upon a time, a budding dancefloor philosopher named Madonna released her very first single, “Everybody,” and commanded her minions thusly: “Come on, take a chance/ Get up and start the dance/ Let the D.J. shake you/ Let the music take you.” Twenty-six years and over one billion crunches later, Ms. Ciccione is still pleading with the masses to shake their groove things with “Celebration,” the title track from her forthcoming greatest hits compilation that hit the Internet today.
“Celebration” is unapologetically dance-y, which means two things: I’m sitting here at my desk typing faster than usual and throwing in the occasional shoulder shimmy (fun!) while doing it. And secondly, the track is unlikely to make much headway at disco-phobic U.S. radio because apparently America does not like to get it percolatin’ in this dancerie. Ah well. No matter, Madge loyalists will be inevitably downloading this one and playing it on repeat in their cars, on the treadmill, even in their minds as they’re sleeping. And the usual haters will take one listen (or not) and declare that Madonna is, as Lexi Featherston so memorably labeled New York City in an episode of Sex and the City, “Over: O-V-E-R, over!”
After a half dozen or so spins, I’m probably more inclined to join the former group, although I’d be lying if I said I wasn’t a little disappointed that lyrically, Madonna seems to be revisiting the “Party! Get on the floor!” theme for the umpteenth time without even the slightest bit of linguistic flair. I mean, I remember back in her Bedtime Stories/Ray of Light days when Madge strived to stimulate both the brain and the gluteus maximus. Now, she’s issuing “an invitation to the dance of life,” and it feels a little like she might just as well be doing it via Evite. When I IM’d my pal Kristen Baldwin with the question “Does Madonna really have nothing else to say?” she pithily replied, “At this point, probably not.” Which, I suppose, would strike me as slightly depressing — if all the swirling beats and synths weren’t causing a rush of endorphins to the head. What do you think of Madonna’s new single? Will this one be making its way to your iPod? And any chance it’ll be a radio hit? Holla back, young’ns!
Twenty-four years ago today, the original Live Aid concerts brought an impressive lineup of stars to London and Philadelphia to raise money for hunger in Africa. Now, you might argue that the appropriate time to commemorate this event would be next July 13, Live Aid’s proper 25th anniversary. But why wait when EW’s corporate sibling, Life, has just put together such a cool gallery of photos from the 1985 concerts?