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Tag: Adam Lambert (21-30 of 52)

Allison Iraheta, Adam Lambert, and Kris Allen: Awesome three ways in NYC

To folks who aren’t fluent in American Idol, there was probably zero appeal in the idea of Ryan Seacrest’s “Rock My Town” contest that brought season 8 stars Allison Iraheta, Adam Lambert, and Kris Allen to the Highline Ballroom in New York City last night. Too bad for them. Because all three singers delivered such powerful, confident sets from their recent debut discs that blind devotion to Fox’s ratings behemoth was hardly a requirement for getting left weak-kneed, sore-throated, and ultimately elated by the time the trio combined forces to close the show with Gnarls Barkley’s “Crazy.”

That said, seeing all three performers in an intimate venue like the Highline, as opposed to on a TV set or in the larger stadium setting of the Idols Live tour last summer, made it clear how each one connects to the audience from a different place: READ FULL STORY

Adam Lambert's 'Whataya Want From Me' video: Whataya think of it?

It’s probably folly to try to peek into the mind of an artist by watching one of his music videos, and yet the lovely new clip for Adam Lambert’s “Whataya Want From Me” plays out in such a personal-yet-enigmatic way, it’s hard not to imagine that the American Idol season 8 runner-up is feeling a little overwhelmed by all the change that’s come to his life in the last 12 months. Think about it: A little less than a year ago — Jan. 20, 2009, to be exact — Lambert caught our attention singing “Bohemian Rhapsody” during Idol‘s San Francisco audition telecast. (If you’re a nostalgic sort, check out the recap of that episode here.) Since then, the guy has been a magnet for adulation, hateration, and controversy. His sexual orientation got discussed pretty much everywhere — even on The O’Reilly Factor! — before he came out as gay on the cover of Rolling Stone last summer. He got struck by flying sex toys on the subsequent Idols Live Tour. This fall, he was dissed by Out magazine for not being a hard-charging poster boy for the gay rights movement — at the exact same time he appeared on that magazine’s cover. And his sexually charged performance at the American Music Awards in November practically caused ABC to remove the first letter from its own corporate logo, paint it crimson red, and slap it on Adam’s chest. Lately, he’s had to ask his most rabid fans to dial back on organized request-line campaigns that have threatened to harm his relationship with radio.

And so it’s impossible, really, to look at “Whataya Want From Me” and not reference all those water-coolery moments in Adam’s public life. Conceptually, the video finds Adam interacting with the camera as if it was a second character and engaged in a strained pas de deux: There’s Adam turning his back, tuning out, fiddling with the remote; there’s Adam, standing by a bookshelf (that, woohoo, is fully stocked with books!) and offering a surly sideways glance; there’s Adam putting on a happy public face for the paparazzi, then betraying a completely different emotion as he slides into a limo; there’s Adam in the kitchen, angry now, bordering on menacing as he yells and charges at the camera; there’s Adam alone, pensive and repentant and reading some kind of note after the unseen character packs its bags and walks out; and finally, there’s Adam, welcoming his reconciled partner back into bed with just the slightest hint of a smile. Does Adam’s invisible partner in the video represent a lover, the media, his fans, his record label, or perhaps all of the above? Just like the song’s lyrics, the video is open to interpretation, but the sparseness of that dreamy apartment (Santa, I would like those kitchen cabinets!), the misty chill of the backyard scenes, the undiscarded remnants of a hastily eaten Chinese meal…they all contribute to a mood of slightly somber confusion, the idea that, yeah, even a pop star occasionally “needs a second to breathe,” to learn to navigate the public and personal relationships that get inevitably altered by the sudden arrival of fame and fortune, of all the good and bad that come with ‘em. Maybe I’m getting a little too heavy (handed?) in blogging about a music video on a sleepy January morning, but isn’t that what the best music videos do: Make us think a little more deeply about the lyrics of a song, allow us a little space to take away our own interpretations, let us see the artist in a variety of jaunty outfits/hairstyles? On those counts, “Whataya Want From Me” clip is a smashing success. Here’s hoping we can say the same for the song as it fights for its chance at radio and on the Billboard charts.

What do you think of Adam’s new video? Post your own reviews and interpretations below. Oh, and whaddoIwantfromya? Follow me on Twitter @EWMichaelSlezak, then sign up for all the low-calorie, high-flavor goodness of our Music Mix blog @EWMusicMix!

Adam Lambert's 'Whataya Want from Me': Watch preview clips for the new video here

Forget the leather-clad fantasia (snakes! spikes! fancy walking sticks!) of La Lambert’s last small-screen effort, “For Your Entertainment”—on his Pink-penned third single “Whataya Want from Me,” Idol‘s most fantabulous runner-up is looking decidedly un-Adamy:

Wherefore art thou, Glammy Glambert? This young man with the lycra-free garments and low-product hair and mere smidgen of eyeliner, we know him not. Perhaps it is his second cousin, Glumbert.

But hark! What have we here? Ah yes, a sharp suit! The hair has met its good friend Molding Paste yet again, and rises like a Phoenix from the ashes! I think I smell eyebrow powder. Senor Glammy, he returns: READ FULL STORY

What did we leave off our list of Best Songs by 'American Idol' graduates?

This just in from the Department of American Idol Blasphemy: Earlier today, I posted a gallery of 28 of the best songs ever recorded by the show’s alumni, and my omission of not just one, but two Idol champs, as well as three Idol runners-up, resulted in the launching of many strongly worded emails and Tweets in my general direction. “You included LaKisha Jones but not **a*a *e*a***?” “How could you leave off *a*ha**ne ***hee?” “Where the heck is **be* S****a**?”  some of you demanded to know. And, to my shock, I even managed to offend myself by overlooking season 8′s tragically early evictee Deanna Brown and her bluesy little number “Sometime Ago,” from her recent indie release Traveler. (I’ve tried to make amends by embedding it below.) But hey, that’s how it goes when it comes to the graduates of American Idol U: There are former contestants out there making a whole lotta music, and when a definitive list of some sort or other gets compiled, there are gonna be inadvertent (and, yes, overt) omissions. Click here to check out our randomly ordered playlist, then head on down to the comments section below to tell us which songs and artists you think should’ve made the cut. (Yelling at your humble listmaker is both allowed and encouraged, as long as you follow me on Twitter @EWMichaelSlezak!)

Eminem vs. Adam Lambert: Did Em really just call Adam a homophobic slur?

Yeah, he did. Probably. Vulture notes the rising controversy over “Elevator,” a leaked track from Eminem’s upcoming Relapse: Refill re-release which includes the following lyrics: “Sorry, Lance, Mr. Lambert, and Aiken ain’t gonna make it/They get so mad when I call them both fake, it’s/All these f—in’ voices in my head, I can’t take it!” Except Eminem sort of blurs the words “fake, it’s” together, so they sound awfully like a certain hateful slur, presumably directed at Lance Bass, Adam Lambert, and Clay Aiken — who, coincidentally, happen to be three prominent out gay singers.

Eminem’s pronunciation leaves enough room for reasonable doubt, I guess, but it’s pretty obvious what he was going for here. It’s not a subtle joke. Nor is it a new one for Em, who’s featured homophobic ranting as part of his schtick for a solid decade now. Despite occasional signals in recent years that he’d moved away from his most vicious gay-baiting, this May’s Relapse was as nasty as ever on that front.

READ FULL STORY

Susan Boyle scores year's biggest sales week by far; Andrea Bocelli, Adam Lambert, Lady Gaga, and Rihanna sell well

That sound you hear? Susan Boyle-mania, roaring back like it never left. The Britain’s Got Talent phenom sold a stunning 701,000 copies of I Dreamed a Dream in the week of Thanksgiving, according to Nielsen SoundScan. Not only does that give her the No. 1 album on the Billboard 200 albums chart in one of the year’s busiest retail periods — it’s the biggest one-week sales number anyone has managed in 2009 by far, nearly a full hundred thousand higher than what Eminem’s Relapse did back in May. Wow.

Andrea Bocelli hung on to his No. 2 spot from last week, selling 218,000 copies of My Christmas, just in case Boyle’s blockbuster didn’t do enough to demonstrate the enduring popularity of adult-contemporary popera. Note that this is My Christmas‘ fourth week on the chart. An album’s sales actually increasing over time? Imagine that!

No. 3 went to Adam Lambert‘s For Your Entertainment, with 198,000 copies sold. That’s a decent number for an American Idol alum in 2009 — but it’s positively grand compared to the 80,000 season 8 winner Kris Allen put up the previous week.

Rihanna took No. 4 with 181,000 copies sold of Rated R. Not a fantastic payoff for all the publicity she’s been doing lately, but it’s a slight improvement on the 162,000 her previous album bowed with in 2007. Rihanna has always been more of a singles artist than a first-week album sales powerhouse, anyway, so any expectation that she’d do better than this might have been unwarranted.

Lady Gaga made it to No. 5 with her new The Fame Monster EP, selling 174,000. She also sold 151,000 copies of her 2008 debut The Fame (No. 6), which was re-issued with the Fame Monster tracks as a bonus. Taken together, that’s 325,000 units moved, considerably more than either Bocelli, Rihanna, or Lambert — not bad at all.

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Lambert on 'Ellen': An almost-apology for his controversial AMAs performance

Pop icon-in-the-making Adam Lambert appeared on The Ellen Degeneres Show today and gave offended audiences the closest thing yet to an apology for his American Music Awards performance over a week ago. The glimmery one told Ellen he hardly thought what he did—kissing his male keyboardist and simulating fellatio with dancers—was immoral, but he did allow that he “maybe went a little bit too far.”

“I forgot that this was the first time people were seeing me [performing] on TV again after Idol, and I didn’t really think about that as objectively as I might have wanted to,” he confessed with comfortable conviction. “Maybe that wasn’t the best first impression to make again… or the first second impression.”

According to the Idol runner-up, his own father even suggested a mea culpa, but Lambert felt the brouhaha was more about “taste” than “obscenity.” As he and Ellen discussed, late-night network television is hardly chaste. Without ever using the divisive word “hypocrisy,” Ad-Rock pointed out that people are used to seeing the “safe, friendly” gay pal on TV, not a libidinous, openly homosexual rock star prowling the stage like a disco wildcat.

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Adam Lambert rocks CBS 'Early Show.' (Surprise! No one gets groped!)

CBS, 3; ABC, 0.

There’s really no other way to score it, seeing how Good Morning America lost out on one charming, cheeky interview (read what my colleague Ken Tucker had to say about that) and two bad-ass musical performances from American Idol season 8 runner-up Adam Lambert this morning, handing them all over to its rival Early Show because, um, why exactly? Oh yeah, apparently ABC suits didn’t trust the firebrand singer would understand the inherent difference between a 10:55 p.m. performance at a decidedly racy awards show and an 8:30 a.m. gig at a benign, watch-with-your-cereal-and-coffee news program. [Insert eye-roll here.] This isn’t to say I’ve changed my tune on Lambert’s Sunday-night showing. Some 36 hours later, I stand by my contention that his AMA performance of “For Your Entertainment” was a vocal and aesthetic disappointment. But ABC’s finger-wagging disinvitation — “Given his controversial American Music Awards performance, we were concerned about airing a similar concert so early in the morning” — seems as disingenuous as it does counter-intuitive. (Really? Why not just put a big bow on top of that ratings gift you’re giving to Harry Smith & Co.?)

The good news for the Glambert Nation is their guy sounded terrific on his one-two punch of the heartfelt anthem “Whataya Want from Me” and the effervescent party-starter “Music Again.” READ FULL STORY

Adam Lambert performance on 'Good Morning America' canceled; will appear on CBS 'Early Show' instead

Adam Lambert’s scheduled appearance on ABC’s Good Morning America tomorrow has been canceled following his controversial performance at Sunday night’s American Music Awards, aired by the same network. An ABC spokesperson sent EW the following statement: “Given his controversial American Music Awards performance, we were concerned about airing a similar concert so early in the morning.”

Instead, the Idol runner-up and general pop culture lightning rod will be moving over to CBS’s Early Show, his publicist tells EW.

UPDATE: A spokeswoman for CBS has confirmed that Lambert will be discussing his AMAs appearance on the Early Show tomorrow as well as performing, and will also appear on the network again that night on David Letterman.

More from EW.com’s Music Mix:
Adam Lambert at the AMAs: Simulated fellatio, bikini-area snapping, and makeout sessions. But what about the vocals?
Jennifer Lopez on AMAs fall: ‘I meant to do that!’
Aerosmith exclusive: Joe Perry denies Venezuelan singer rumors
Rihanna’s AMAs comeback performance: How did she do?
Lady Gaga will NOT be eligible for Best New Artist, confirms NARAS

Adam Lambert at the AMAs: Simulated fellatio, bikini-area snapping, and makeout sessions. But what about the vocals?

Talk about “No Boundaries”: Adam Lambert made his first big post-Idol splash tonight, closing the American Music Awards with a performance of his debut single “For Your Entertainment” that — to my surprise and disappointment — emphasized shock-and-awe imagery over his standard-operating vocal excellence. To be fair, the entire telecast was racked with sound-mix issues that left even seasoned pros (except for maybe Kelly Clarkson, Lady Gaga, and Jay-Z) sounding distant and tinny, but as someone who saw Adam’s Idols Live tour set twice this summer, the one thing I didn’t expect from the season 8 runner-up was intermittent pitch problems.

Alas, we got those, and a lot more than I’d hoped/bargained for: READ FULL STORY

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