Image Credit: Lauren Dukoff
It’s no secret that the music industry has not had the greatest 21st century. Back in 1999, labels collected over $28 billion in sales, the biggest peak in history. (That’s a lot of copies of …Baby One More Time.) When the calendar turned over, the deluge began, and the combination of widespread broadband Internet access, innovations in file sharing technology, and a general devaluation of the product led to steady declines in sales. Pirates were partially to blame, but so were music executives who were slow to adapt to the brave new world.
But perhaps the industry has found bottom. According to a report put out by the International Federation of the Phonographic Industry, music sales were up 0.3 percent in 2012. That’s not much of a gain from the year before, but it’s better than losing more blood. All told, the industry brought in $16.5 billion in sales.
Most of that increase, unsurprisingly, comes from the steady increase in people willing to pay for digital music. Download sales were up nine percent over 2011 and accounted for 34 percent of the overall pie. More and more income is also coming in care of streaming services, whose subscription fees now make up 10 percent of all music sales internationally.
Of course, when you dive deeper into the numbers, there’s some obvious top-heaviness. READ FULL STORY »
The history of themes to James Bond films is a storied one. From Shirley Bassey’s brassy “Goldfinger” to Paul McCartney’s hard rocking “Live and Let Die,” Duran Duran’s synthy “A View to a Kill” to Tina Turner’s slinky “Goldeneye,” the track designated to play over the opening credits to the latest 007 cinematic adventure has often climbed the charts, standing on its own as a pop hit.
