Thanks to the ongoing “Weezer Wednesday” series, Weezer has been teasing out portions of its new album Everything Will Be Alright In The End, which will be landing on store shelves on September 30. But so far, only one song has been heard in its entirety, and that’s “Back to the Shack.” The band premiered the song on its own cruise a few months back, and thanks to some well-circulated fan-shot videos, the song has become the first full taste of the new album. READ FULL STORY
Tag: An EW Exclusive! (41-50 of 555)
Yung Flight is a 21-year-old rapper currently living in Northern Virginia. He has a new single called “To the Top” that gives a Southern twist to the current cloud rap wave and provides an excellent platform to show off his raspy, breathy flow and his willingness to take risks with rhyme schemes. It also has a sweet R&B-flavored hook. Flight’s still so new that that’s about all the information I have on him right now, aside from the fact that he’s working on his first mixtape.
In the video, he and his crew wander around New York City and do a lot of looking like they have plans to conquer it soonish. Judging by his first release, that doesn’t seem like an impossible goal.
Liam Bailey is a singer-songwriter who works miles away from the navel-gazing acoustic approach that his job title suggests. He cites Oasis and Led Zeppelin among his major influences, boasts an encyclopedic knowledge of vintage R&B and soul, and has collaborated with dance, pop, and hip-hop musicians.
After a pair of EPs recorded for Amy Winehouse’s Lioness label and a crossover hit with British dance music crew Chase & Status, Bailey is about to finally release his debut LP. Definitely Now comes out August 19 on Salaam Remi’s Flying Buddha imprint. It’ll include the track “Villain,” a psychedelic stomper that sounds something like Hendrix covering a White Stripes track. We have an exclusive early listen below.
Weezer have spent the bulk of 2014 working hard on a new album called Everything Will Be Alright In The End. They’ve been gradually letting fans in on the process of its creation through a video series they’ve dubbed “Weezer Wednesdays.” The clips have been teasing out not only bits of songs but also details about the album, including the title and the artwork.
EW is super-pleased to bring you the latest installment of “Weezer Wednesdays,” which not only reveals a snippet of a killer new song called “Return to Ithaca” but also confirms the release date for Everything Will Be Alright In The End. Weezer’s latest album will arrive on September 30. READ FULL STORY
Scottish quintet We Were Promised Jetpacks have spent years refining a sound that’s melodic but muscular. In the process, they’ve made some fairly big waves in the indie rock world. This fall, they’ll be releasing their third LP, Unravelling, on FatCat Records—and it has the potential to make the band some fans in a more mainstream setting.
The track “Safety in Numbers” brings together arena-ready drums, widescreen guitars, and a booming piano part in a way that should make fans of U2 and Coldplay–not to mention the epically bummed-out Scottish indie bands whose legacy the Jetpacks are working in–quite happy.
Check out our exclusive track premiere here:
Chicago quartet Baathhaus combines the transgressive glam surrealism of Lady Gaga with a synthpop sound redolent of vintage Erasure, New Order, and other popular acts at retro night at your local gay dance club. Over the past couple of years, they’ve started to accumulate the kind of cult following that an over-the-top theatrical pop band whose multimedia identity feels equally indebted to David Bowie and John Waters deserves, and as their audience has grown, their production values have increased to match.
Last week the group unveiled a new single, “Ascension,” on their SoundCloud, and now they’re ready to unveil the accompanying video. Unlike most Baathhaus productions, “Ascension” features no explosions of fake blood or glitter, but the band’s portrayal of a bourgeois suburban family and its teen daughter’s prom date is fraught with psychological tension. Member Dan Foley says, “The music video turns the lens on an everyday situation and shows us the dense and complex layers that can live inside of one simple moment. Longing, lust, anxiety, and the thrill of anticipation fill the quiet rooms of a suburban home and provide the perfect backdrop for the lush and shimmering pop of ‘Ascension.'”
Watch the exclusive video below.
Vow is an L.A.-based duo, consisting of multi-instrumentalist Andrew Thomas and vocalist Julia Blake, who are giving a contemporary update to the gothy ambience and gauzy textures of ’80s and ’90s dream-pop (which is currently in the midst of a fairly serious comeback). On August 12, they’ll release their second EP, Make Me Yours, on the buzzy Native Sound label, the follow-up to last summer’s Make Me Young. The lead single, “Planks,” boasts a propulsive electro foundation topped with reverb-drenched piano and washes of ambient guitar noise, as well as a swoony vocal performance by Blake that should appeal to fans of the Cocteau Twins and Lana Del Rey.
Blake says of the track, “Andrew approached me with the instrumental for this song when I was learning I was in love with someone who was addicted to unnecessary suffering. ‘Planks’ is about caring for someone when they are at their lowest and wanting all their pain to go away, but in the end, love just sometimes isn’t enough.”
Crown is a Brooklyn rapper with an old-school flow and a modern sonic sensibility that reaches well outside the range of the average throwback rapper. He’s backed by a band called the M.O.B. (short for “Message of the Blues”) that makes a big, dense sound that’s both rootsy and Roots-y.
They have a new album called All Rise coming out later this year. It’ll feature the song “Roam,” where he drops Biggie-inspired verses over a piano- and strings-driven beat with an indie-pop hook that makes for a breezy summertime listen. “The vibe of the song had me reflecting on the past and how far I’ve come,” he says. “No matter where I’ve been and where I’m going, you’ve always got to keep the positive thoughts pushing you forward.”
Of all the microgenres that pop music has produced over the past few years, “cloud rap” is the one with the most evocative name, not to mention the most descriptive: It’s hip-hop that floats on hazy, vaporous beats with laid-back flows to match. It’s no surprise that some of the best stuff in the style comes from California, with its plentiful medical marijuana dispensaries.
Oakland duo Main Attrakionz is one of the leading cloud-rap groups, and their 808s & Dark Grapes II is one of the classics of the genre. Lately they’ve been collaborating with Sacramento rapper-producer Tynethys, and last fall they released a full-length eponymous mixtape together. The trio is back again with a new track, “Alphabet City,” which combines spaciness with swagger.
New York City performer Princess Superstar was making hipster rap before hipsters were even a thing, and back in the early ’00s she played a crucial role in the city’s electroclash scene. These days she’s living a more sedate lifestyle as a mom on the Upper East Side and teaching kids hip-hop history and skills at a weekly class in Williamsburg. On July 15 she’ll drop an EP called I’m a Firecracker, her first official release since 2005. She’s also working on a reality show, I Love Princess Superstar, about her domestic existence and artistic comeback.
Click through the jump to stream her new track, “Push You Away,” and watch two clips from her new show. READ FULL STORY
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