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Tag: An EW Exclusive! (51-60 of 568)

In the studio with Weezer: Bandmates debate Bob Seger vs. BTO

About a month ago, I spent a few days in the studio with Weezer as they put the finishing touches on their new album, Everything Will Be Alright in the End. Despite the fact that this is their ninth proper studio album, the process of making records hasn’t gotten any easier. “Making records is weird,” drummer Pat Wilson said after a particularly intense session. “It’s different every time.”

But there’s also time for fun, and one of the things the band really drove home during the course of our conversations was how much they have really been enjoying each other lately. There hasn’t always been harmony, but at the moment they are a pretty cohesive unit.

That being said, they are not without argument. Case in point: After recording wrapped one day, Wilson and bassist Scott Shriner stuck around to play me some rough tracks and talk about the recording process. But we soon drifted away from Everything Will Be Alright In The End to a standing argument between the two.  READ FULL STORY

Video: EULA goes retro for dance-punky 'Orderly'

The art-punk band EULA got its start in New Haven, Connecticut, a few years ago as a home recording project for frontwoman Alyse Lamb. A handful of records, several tours, and one move to Brooklyn later, the group has solidified a sharp-edged, frenetic sound that ties together postpunk, No Wave, and Riot Grrrl revivalism, producing something that could work equally well as the soundtrack for a riot or a dance party.

Last month, they released a new single recorded with Martin Bisi, who manned the boards for seminal albums by alt-rock icons like Sonic Youth and the Swans. Now the track, “Orderly,” is getting its own video that mashes up images of Lamb and some old-timey dancing ladies to kaleidoscopically psychedelic effect.

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The Muffs return with the spiky, sugary 'Weird Boy Next Door'

The fact that the Muffs weren’t a bigger deal back in the ’90s had less to do with their abilities than the fact that they were just a little too far ahead of their time. During the peak years of the grunge era, a band that combined power pop, garage rock, and punk was apparently a hard sell, even if they were making some of the most infectious tunes in alt-rock at the time.

Since then, though, it’s become a fairly common formula in the rock underground, especially in the scene that’s coalesced around California indie label Burger Records. The Muffs recently teamed up with Burger to release their first new album in 10 years, Whoop Dee Doo, which comes out July 29. Judging by “Weird Boy Next Door,” they haven’t lost any of their edge in the meantime, and frontwoman Kim Shattuck’s throat-shredding howl hasn’t lost any of its power.

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Weezer's Rivers Cuomo on new album's 'Back To The Shack'

Thanks to the ongoing “Weezer Wednesday” series, Weezer has been teasing out portions of its new album Everything Will Be Alright In The End, which will be landing on store shelves on September 30. But so far, only one song has been heard in its entirety, and that’s “Back to the Shack.” The band premiered the song on its own cruise a few months back, and thanks to some well-circulated fan-shot videos, the song has become the first full taste of the new album.  READ FULL STORY

Yung Flight releases debut video 'To the Top'

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Yung Flight is a 21-year-old rapper currently living in Northern Virginia. He has a new single called “To the Top” that gives a Southern twist to the current cloud rap wave and provides an excellent platform to show off his raspy, breathy flow and his willingness to take risks with rhyme schemes. It also has a sweet R&B-flavored hook. Flight’s still so new that that’s about all the information I have on him right now, aside from the fact that he’s working on his first mixtape.

In the video, he and his crew wander around New York City and do a lot of looking like they have plans to conquer it soonish. Judging by his first release, that doesn’t seem like an impossible goal.

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Liam Bailey shares new single 'Villains'

Liam Bailey is a singer-songwriter who works miles away from the navel-gazing acoustic approach that his job title suggests. He cites Oasis and Led Zeppelin among his major influences, boasts an encyclopedic knowledge of vintage R&B and soul, and has collaborated with dance, pop, and hip-hop musicians.

After a pair of EPs recorded for Amy Winehouse’s Lioness label and a crossover hit with British dance music crew Chase & Status, Bailey is about to finally release his debut LP. Definitely Now comes out August 19 on Salaam Remi’s Flying Buddha imprint. It’ll include the track “Villain,” a psychedelic stomper that sounds something like Hendrix covering a White Stripes track. We have an exclusive early listen below.

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'Weezer Wednesday' premiere: New album gets a release date; EW goes in the studio

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Weezer have spent the bulk of 2014 working hard on a new album called Everything Will Be Alright In The End. They’ve been gradually letting fans in on the process of its creation through a video series they’ve dubbed “Weezer Wednesdays.” The clips have been teasing out not only bits of songs but also details about the album, including the title and the artwork.

EW is super-pleased to bring you the latest installment of “Weezer Wednesdays,” which not only reveals a snippet of a killer new song called “Return to Ithaca” but also confirms the release date for Everything Will Be Alright In The End. Weezer’s latest album will arrive on September 30.  READ FULL STORY

We Were Promised Jetpacks find 'Safety in Numbers'

Scottish quintet We Were Promised Jetpacks have spent years refining a sound that’s melodic but muscular. In the process, they’ve made some fairly big waves in the indie rock world. This fall, they’ll be releasing their third LP, Unravelling, on FatCat Records—and it has the potential to make the band some fans in a more mainstream setting.

The track “Safety in Numbers” brings together arena-ready drums, widescreen guitars, and a booming piano part in a way that should make fans of U2 and Coldplay–not to mention the epically bummed-out Scottish indie bands whose legacy the Jetpacks are working in–quite happy.

Check out our exclusive track premiere here:

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Synthpop surrealists Baathhaus unveil the video for 'Ascension'

 Chicago quartet Baathhaus combines the transgressive glam surrealism of Lady Gaga with a synthpop sound redolent of vintage Erasure, New Order, and other popular acts at retro night at your local gay dance club. Over the past couple of years, they’ve started to accumulate the kind of cult following that an over-the-top theatrical pop band whose multimedia identity feels equally indebted to David Bowie and John Waters deserves, and as their audience has grown, their production values have increased to match.

Last week the group unveiled a new single, “Ascension,” on their SoundCloud, and now they’re ready to unveil the accompanying video. Unlike most Baathhaus productions, “Ascension” features no explosions of fake blood or glitter, but the band’s portrayal of a bourgeois suburban family and its teen daughter’s prom date is fraught with psychological tension. Member Dan Foley says, “The music video turns the lens on an everyday situation and shows us the dense and complex layers that can live inside of one simple moment. Longing, lust, anxiety, and the thrill of anticipation fill the quiet rooms of a suburban home and provide the perfect backdrop for the lush and shimmering pop of ‘Ascension.'”

Watch the exclusive video below.

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Hear electropop duo Vow's ethereal new single 'Planks' -- Exclusive

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Vow is an L.A.-based duo, consisting of multi-instrumentalist Andrew Thomas and vocalist Julia Blake, who are giving a contemporary update to the gothy ambience and gauzy textures of ’80s and ’90s dream-pop (which is currently in the midst of a fairly serious comeback). On August 12, they’ll release their second EP, Make Me Yours, on the buzzy Native Sound label, the follow-up to last summer’s Make Me Young. The lead single, “Planks,” boasts a propulsive electro foundation topped with reverb-drenched piano and washes of ambient guitar noise, as well as a swoony vocal performance by Blake that should appeal to fans of the Cocteau Twins and Lana Del Rey.

Blake says of the track, “Andrew approached me with the instrumental for this song when I was learning I was in love with someone who was addicted to unnecessary suffering. ‘Planks’ is about caring for someone when they are at their lowest and wanting all their pain to go away, but in the end, love just sometimes isn’t enough.”

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