Outside of the weather (it was sunny and pleasant all day Sunday, thanks for asking!), the main narrative of Lollapalooza 2012 seemed to be the same argument everybody was having in 1997: Is this the year that samplers and turntables replace guitars as the new rock and roll?
There were arguments on both sides all weekend. Perry’s Stage, the space devoted to the non-stop thump of EDM from dawn until way past dusk, was constantly overrun with dance-happy revelers, making it the most consistently populated performance space of the festival.
Huge names in dance had major moments, including Avicii’s Saturday night headlining set, and Sunday’s docket of acts like Justice and Kaskade.
What did the rock gods do to counter the perpetual threat of being overtaken by the untz-untz-untz crowd? They turned up their amps and let themselves sprawl.
It was somewhat poetic that Jack White closed out Lollapalooza weekend, as he has slowly built himself up into the kind of poly-tentacled hybrid that Lolla founder Perry Farrell adores, though White certainly goes about it in more analog fashion. READ FULL STORY