The Music Mix Music news, reviews, albums, concerts, and downloads

Tag: Buzzworthy (1-10 of 604)

Sara Jackson-Holman releases a spooky Natasha Kmeto remix of 'Haunt Me'

In its original form, which you can hear on her River Queen EP, Sara Jackson-Holman’s “Haunt Me” is an airy piano ballad that shows off her knack for catchy melodies and interesting, unfussy arrangements, and is considerably cheerier than its title suggests.

In the hands of fellow Portlander Natasha Kmeto, whose dark but danceable electronic compositions might seem a world away from Jackson-Holman (but are actually strangely complementary), it becomes something much more, well, haunting. It should come in handy when you make your playlist of songs to get spookily down to this weekend.

READ FULL STORY

T-Pain's Auto-Tune-free Tiny Desk Concert will blow your mind

T-Pain

On the surface, T-Pain may seem like an exceedingly odd choice for one of NPR’s Tiny Desk Concerts, not only because the series usually focuses on rootsy singer-songwriters and indie rockers, but because his Auto-Tune-drenched signature sound seems wildly incompatible with the type of stripped-down intimacy the whole premise is founded on. But two things a lot of people don’t realize about T-Pain are that 1. behind the top hats and stripper lyrics he’s actually an incredibly talented musician, and 2. perhaps even more surprisingly, behind all that Auto-Tune he’s a phenomenally talented singer. READ FULL STORY

FKA Twigs gets severely creepy in her 'Video Girl' video

FKA-Twigs

Last week, avant-R&B cosmonaut FKA Twigs released a video she directed for Google Glass that used a reworked version of “Video Girl” from her recent, EW-beloved LP1 as the soundtrack (along with the song “Glass & Patron”) for a hallucinatory dance-off between multiples Twigses. It served as a showcase for both her impressive dance moves and her equally refined sense of the surreal, but that wasn’t the end of the song’s video presence.

Wednesday morning, Twigs released the official “Video Girl” video, and it’s a whole world apart from the comparably conventional Google Glass clip and its white-room choreography. Directed by Kahlil Joseph, it trades in the lush, color-drenched psychedelia of her “Two Weeks” visual for harsh black-and-white, with the singer playing some kind of otherworldly presence haunting a prison and a man who’s being executed there. It’s an unsettling viewing experience that combines the most disturbing aspects of J-horror and Mulholland Drive, and it climaxes with Twigs straddling a dying man strapped down to a table with a tube of poison running into his arm. All in all, it delivers about 10 times as much creepiness as any horror movie this year in just a fraction of the time.

READ FULL STORY

Mykki Blanco on Gay Dog Food and why you shouldn't call him a gay rapper

MYKKI-BLANCO

Michael Quattlebaum Jr., better known as Mykki Blanco, is a singular presence in hip-hop, not just because he’s part of the first wave of openly queer rappers to gain traction with an audience outside the queer community but simply because there’s no other hip-hop artists who look, sound, or act like him. On his new mixtape Gay Dog Food he shows off some of the blunt-instrument flow that he built his reputation on, but spends far more time channeling Iggy Pop with an elastic sprechgesang that he uses to deliver hallucinatory lyrics about freaks, drugs, and kinky sex, wallowing in transgressive behavior with manic glee over beats engineered for maximum sonic filth. It’s one of the year’s most bracing rap records, and signals Mykki Blanco’s elevation from a new artist to keep an eye out for to an icon who demands attention. A few days before Gay Dog Food‘s release EW spoke to him by phone about where’s he’s been and where’ he’s heading.

READ FULL STORY

Stream Chance the Rapper tourmate Sweater Beats's fizzy 'Cloud City' EP

Sweater-Beats

In the two years since his single “MLLN DLLR” put him on the map Brooklyn beat maker Antonio Cuna, a.k.a. Sweater Beats, has accumulated an enviable list of co-signs from important figures in EDM and hip-hop, the two genres that he blends in his music to giddy, effervescent effect. He’s been big-upped by Diplo, performed for Boiler Room, and toured with Chet Faker, Flume, and Chicago star-in-the-making Chance the Rapper, who he’s on the road with right now.

Next Tuesday, Oct. 28, the Huh What & Where label will release a free-to-download EP entitled Cloud City that whips together club rap, trap music, a little electropop, and a touch of ambient atmosphere into four frothy tracks that bang hard but stay airy and light. Until then, you can stream it here.

READ FULL STORY

Electropop chanteuse Chela channels vintage Madonna on 'Handful of Gold'

Chela

EW recently reported that IHEARTCOMIX, stalwart pillar of the LA dance music community, is launching a new singles-only label called IHC 1NFINITY. Now we’ve got a first look at some of the music they’ll be releasing.

Its first release is by Australian electropop artist Chela, who’s previously recorded for the taste-making French record/fashion label Kitsuné. On previous releases, she’s offered a contemporary update of bouncy ’80s new wave from the brief era when synthesizers had come into the picture but the influence of UK punk and post-punk hadn’t quite taken over yet. Her new track, “Handful of Gold,” has a bigger beat and a bigger chorus than her earlier singles; the results make Chela sound almost spookily like Madonna back before she reached a superhuman level of fame, when she could still be caught kicking it at Danceteria. It’s an auspicious start for an audacious new venture.

READ FULL STORY

The world sings along to 'Tuesday' in iLoveMakonnen's Drake-filled new video

iLoveMakonnen-Drake.jpg

ILoveMakonnen’s “Club Going Up On a Tuesday” is an odd example of a viral hit. It doesn’t come with its own dance or a hook that references a pop-culture property or a bass drop conducive to making Vine videos, and while it does have a lot of hooks in its deceptively complex melody, the Atlanta singer/rapper/whatever-he-is delivers them in a sleepy flow that soft-sells them in the most extreme way. Still, the song is massively infectious, and with little more than a co-sign from Drake, it’s become a global phenomenon with a fervent cult that spans all distinctions of pop music fandom.

The obvious next step would be for iLoveMakonnen to attempt to engage with the mainstream, and convert his memetic popularity into a more traditional type of success. The new video for the Drake-assisted version of the song, simply entitled “Tuesday,” would seem to be the first step in that direction. In keeping with the song’s title and subject matter there are a lot of shots of people going up in a club, albeit a club steeped in Makonnen’s eccentricities, where mannequin heads done up with Ziggy Stardust makeup get tossed around like crowd surfers. The other half of the video is made up of all sorts of people from all sorts of places singing along to “Tuesday” and smiling, reflecting and emphasizing the song’s idiosyncratically universal appeal.

READ FULL STORY

My Gold Mask finds goth-pop ecstasy on 'Explode'

My-Gold-Mask.jpg

Chicagoans Gretta Rochelle and Jack Armondo have been making music together for almost as long as they’ve been romantically involved.

After playing in a “sex rock” band together for a few years, they launched My Gold Mask as a more electronics-based, pop-oriented project that over the past half decade has found a sweet spot between Siouxsie & the Banshees and Robyn. After last year’s Leave Me Midnight LP the band–now a trio thanks to the addition of drummer James Andrew–is focusing on the release of a series of singles recorded by metal guru Sanford Parker. The latest, “Explode,” is heavier than anything they’ve ever recorded, filled with dense synthesizer tones and a relentlessly pounding drum part, but with plenty of big hooks the song can gracefully slide into your brain and wedge itself there.

READ FULL STORY

DMA's give the Britpop revival a boost with 'Laced'

DMAS

It’s been 19 years since Oasis released (What’s the Story) Morning Glory?, so it’s about time for Britpop to have another day in the sun.

There’s already been a marked increase recently in bands sonically referencing Britain’s crunchy but unabashedly poppy response to the relatively dour American alt-rock movement, and a few, like Newtown, Australia’s DMA’s, who seem to consider it a primary musical touchstone. The handful of home-recorded songs they’ve released so far have not just the slurry, ragged lead vocals of classic Oasis, but that band’s buoyant sense of melody as well.

Their latest, “Laced,” combines that with some of The Verve’s stoned ambience and Britpop godfathers XTC’s fizzy bubblegum edge. “Laced” and “So We Know” be released as a single in November, available digitally via Mermaid Avenue in the U.S.

READ FULL STORY

Ta-ku puts a dreamy spin on Young & Sick's 'Heartache Fetish'

YOUNG-AND-SICK

Young & Sick is the brainchild of Dutch artist Nick Van Hofwegen, a multimedia project that encompasses not only his visual art (which has graced the covers of records by Maroon 5, Robin Thicke, and Foster the People, among others) but also the music he produces under the same alias.

Back in the spring, he released a track called “Heartache Fetish” that doses ’90s bump-and-grind R&B with the same heady surrealism that infuses his artwork and has become one of his most popular songs.

Now he’s recruited Australian electronic artist Ta-ku, who previously turned Chet Faker’s “Talk Is Cheap” into a syrupy sonic puddle, for a remix that injects the song with bits of cloud rap and two-step and transforms it into a mellower but substantially stranger listening experience.

READ FULL STORY

Latest Videos in Music

Advertisement

From Our Partners

TV Recaps

Powered by WordPress.com VIP