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Tag: Buzzworthy (21-30 of 576)

Q&A: Broods talk about their breakout single 'Mother & Father'

Broods are a brother and sister—Georgia and Caleb Nott—based out of Auckland, New Zealand. Geographically inclined pop listeners will note that this is where zeitgeist-dominating teen pop phenomenon Lorde also lives, and the two acts have more in common than just a hometown–Broods’ upcoming album, Evergreen, was produced by Joel Little, who also helmed Pure Heroine, and they share a common goal of uniting radio-friendly pop hooks and the cool-toned minimalist aesthetic that’s been dominating hip-hop during the Drake era.

Recently they released the first single from Evergreen, “Mother & Father,” and with its sweeping hook and up-to-the-minute production it’s already looking like it has a good chance of continuing the Kiwi takeover of the American pop charts. (Their upcoming tour with Sam Smith should help as well.) EW got on the phone with Georgia Nott to discuss it.

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T.I. and Tiny are fighting and writing songs about it

On a good day, rapper T.I. and his wife Tameka “Tiny” Harris have enough drama going on in their lives to test the very limits of the reality show they’ve inhabited since 2011 on T.I. & Tiny: The Family Hustle, and the past few months have been particularly dramatic—even by their standards.

Never ones to handle things anything close to quietly, Tip and Tiny have apparently decided to address the situation through a pair of songs about their relationship. Yesterday, T.I. released a new single, “Stay,” a slow jam with an early-Kanye-style chipmunk soul sample and nostalgia-drenched lyrics that profess undying devotion to a woman with the clumsily earnest hyperbole of a New Edition song. (“Girl, together or apart / But you’ll be forever in my heart, I swear.”)

T.I. and boxer Floyd Mayweather have been beefing recently, and back in May the situation escalated when Mayweather seemingly claimed during a press conference to have slept with Tiny. (Mayweather says he was misheard.) At the same time, the runaway success of T.I.’s protege Iggy Azalea has reignited longstanding rumors that their relationship extends beyond business.

At nearly the same time “Stay” went online, Tiny was posting a new video for “What You Gon Do?” which offers a much different take, and as its combative title suggests (the dirty version is actually called “What The F@#K You Gon Do?”), it doesn’t share “Stay”‘s optimistic perspective. The co-writer of “No Scrubs,” Harris is an expert at airing out men who don’t meet her standards, and the lyrics run down a long list of a partner’s shortcomings, interspersed with threats to up and leave him. The combination of unflinching frankness and a beat that consists of little more than a fantastically deep bass line is enough to blow the sappy “Stay” out of the water. If Tiny and T.I. are entering a full-blown feud with one another (whether actual, scripted or somewhere in between), she’s taking an early lead.

Hear Claude VonStroke's acid-drenched banger 'CaliFuture'

Claude VonStroke has spent the decade pushing dance music’s boundaries while maintaining a strong link to the style’s roots, something a lot of bigger EDM acts just don’t have. On his latest, “CaliFuture,” he fuses the gnarly, squelching synths of vintage Chicago acid house with a funky vocal line that sounds like it could have been lifted right off some super-rare ’80s electro 12-inch.

“I moved to California over 17 years ago with big dreams just like everyone else,” VonStroke says of the song’s lyrical theme. “Originally I thought I would be a filmmaker but I was always better at music. I worked every job from fake perfume salesman to tour guide at Paramount. I got screamed at for many years by Ari Gold-type movie producers but always with a blind belief that someday something good would happen. That’s what this song is about: the underlying belief that no matter how bad it is, you can be plucked out of oblivion and make it big in California.”

“CaliFuture” is available now on Beatport.

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Dance-music legend Arthur Baker returns with 'No Price'

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Daft Punk’s Random Access Memories helped to revitalize the careers of disco-era masters Nile Rodgers and Giorgio Moroder. Now Arthur Baker—who helped guide disco’s evolution into modern dance music, producing Afrika Bambaataa’s massively influential “Planet Rock” and remixing the biggest pop stars of the ’80s (including, weirdly, Bruce Springsteen, who’s not known for being a club-music kind of guy) along the way—is engineering a comeback of his own.

Baker’s new track, “No Price,” was first written and recorded in 1979 for a collaborative album with soul singer Joe Bataan that was scrapped when their label folded. Thirty years later, Baker dusted it off and sent it to Al-P from MSTRKRFT, and later invited Chromeo crooner Dave 1 to add a new lead vocal part. The final result is a glossy, string-laden jam that gooses peak-era disco funk with some contemporary thump. Baker’s calling his new project Slam Dunk’d, and they’ll be releasing a full album in September.

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PartyNextDoor drops Drake-featuring single 'Recognize'

When Drake first started promoting his OVO label signee PartyNextDoor the Toronto-based R&B singer was widely dismissed as a less compelling replacement for the Weeknd, who had by that point outgrown his early role as Drizzy’s pet project. Following up a shout out on his boss’s recent motivational anthem “0-100,” PND returns with the new single “Recognize,” that moves a little further away from Weeknd-esque atmospheric R&B to explore a harder-edged sound that combines the rhythms of Southern trap rap with rock’s aggressively distorted tones. As for PND’s vocal game, he seems to have picked up a few new tricks from Future and Young Thug.

“Recognize” also features a verse from Drake, the only guest appearance on the track listing for PND’s next full-length, PARTYNEXTDOOR TWOout July 22. According to the impromptu OVO Sound shareholder report in the coda to “0-100,” the singer is also scheduled to release something next spring, suggesting that the new record is more like a mixtape, and that his official debut album is still to come.

In other OVO news, according to Billboardthe title of Drake’s as yet unrecorded fourth album will be Views From the 6.

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Preteen thrash-metal trio Unlocking the Truth sign major-label deal

New York City is famous for the number and variety of its street musicians. But even in a place where in the course of your commute you can see a freestyle rapper, an old-timey banjo player, and a guy performing French medieval religious chants, the Brooklyn trio Unlocking the Truth stand out as unique. For the past couple of years, these three Brooklyn natives—one of whom is 12, while the other two are 13—have been setting up their amps and drums around the city and filling its public spaces with remarkably tuneful, technically impressive thrash metal that’s almost surreally incongruous to see coming from three adorable middle schoolers. Ever since camera-phone footage of them blew up on the Internet, they’ve been pulling down bigger and better gigs: This spring they played Coachella, and they’re about to wrap up a stint on the Warped Tour.

Now, according to the Daily News, Unlocking the Truth has signed a deal with Sony that could pay out as much as $1.7 million for six albums. That’s a lot of money to be potentially investing in a band whose members are in the middle of dealing with the effects of their voices dropping, but their viral popularity is still spreading and it’s not showing any signs of dissipating.

Despite the meme-like quality of cute kids playing heavy metal, the group is more than just a novelty act. Their Internet popularity at the moment would probably be good for a couple thousand sales on an album rushed out before some other prepubescent musical act breaks on BuzzFeed, but the fact that Sony offered them a six-album deal suggests that someone there realizes they’re actually a really, really good thrash metal band, and could very realistically get even better as they age. They may be middle-school kids playing unexpectedly brutal music, but in this day and age, maybe the oddest thing about them is that they’re a musical act that just signed the rare kind of long-term deal designed to incubate emerging talent that barely exists anymore.

Video: EULA goes retro for dance-punky 'Orderly'

The art-punk band EULA got its start in New Haven, Connecticut, a few years ago as a home recording project for frontwoman Alyse Lamb. A handful of records, several tours, and one move to Brooklyn later, the group has solidified a sharp-edged, frenetic sound that ties together postpunk, No Wave, and Riot Grrrl revivalism, producing something that could work equally well as the soundtrack for a riot or a dance party.

Last month, they released a new single recorded with Martin Bisi, who manned the boards for seminal albums by alt-rock icons like Sonic Youth and the Swans. Now the track, “Orderly,” is getting its own video that mashes up images of Lamb and some old-timey dancing ladies to kaleidoscopically psychedelic effect.

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Blood Orange releases wonderfully sad remix of Sia's 'Chandelier'

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Dev Hynes, better known as avant-R&B genius Blood Orange, has been lying low since suffering a catastrophic apartment fire back in the winter. But he’s been starting to regain some of the momentum that last November’s Cupid Deluxe album had begun to generate. He’s been getting back to releasing his series of consistently entertaining videos for Cupid Deluxe tracks.

Now, he’s released a radically deconstructed remix of Sia’s summer jam “Chandelier” that strips the song of its triumphal arena rock swagger and, well, pretty much everything else, which he’s replaced with his own vocals, a twitchy drum part, and a tasteful thumb piano part. In the process he’s remade one of the most inspirational get-pumped anthems of the year into an anxiety-ridden slow jam, stripping Sia’s chorus from its surroundings to let it hang almost unadorned in a way that transmutes its YOLO-ness into something starkly desperate. It does the exact opposite of the original, but it’s just as compelling.

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Liam Bailey shares new single 'Villains'

Liam Bailey is a singer-songwriter who works miles away from the navel-gazing acoustic approach that his job title suggests. He cites Oasis and Led Zeppelin among his major influences, boasts an encyclopedic knowledge of vintage R&B and soul, and has collaborated with dance, pop, and hip-hop musicians.

After a pair of EPs recorded for Amy Winehouse’s Lioness label and a crossover hit with British dance music crew Chase & Status, Bailey is about to finally release his debut LP. Definitely Now comes out August 19 on Salaam Remi’s Flying Buddha imprint. It’ll include the track “Villain,” a psychedelic stomper that sounds something like Hendrix covering a White Stripes track. We have an exclusive early listen below.

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Blood Orange releases moody 'High Street' video

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Near the end of Blood Orange’s outstanding 2013 album Cupid Deluxe, the psychic tension that’s been building up over its course finally has a moment of release as project mastermind Dev Hynes veers sharply away from the retro-tinged funk that makes up most of the record. The result is “High Street,” a gentle, meditative ballad where he takes a secondary role providing hooks for British rapper Skepta’s verses.

Despite the novelty value of the its Parade-era-Prince-meets-UK-grime approach, it’s a subtle composition that finds a steady balance between its two sides. With Skepta’s introspective lyrics, Hynes’s echo-soaked vocals, and the weightless flourishes of piano and synth pads that prop it all up, it sounds like a song made for contemplative late-night walks.

Fittingly, its video is heavy on atmospheric shots of Hynes wandering the nocturnal streets of London, and it also features a visually impressive setup with Skepta rapping in front of an array of unmanned double-decker buses. While there are significantly fewer of Hynes’s fantastic dance moves in “High Street” than there were in Cupid Deluxe‘s first three videos, it’s still pretty great.

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