The Music Mix Music news, reviews, albums, concerts, and downloads

Tag: Buzzworthy (21-30 of 603)

Danny Brown has a psychedelic house party in 'Smokin' & Drinkin' video

Danny-Brown.jpg

Back in July, EW visited the Greenpoint, Brooklyn location where Detroit rapper Danny Brown was shooting a video for the Old track “Smokin’ & Drinkin’.” Wednesday, the final product hit the Internet in all its hedonistic glory.

Director Alan Del Rio Ortiz described the clip’s theme as “like a house party, but in a dream,” and to that end, he dropped Brown (clad in a leather jacket and Dead Boys tee) into a group of pretty young people going bananas in a psychedelically lit apartment. There’s a lot of dancing, a lot of glitter, a lot of 40’s being chugged, and since it’s a rap video, a generous number of attractive women just chilling in a shower.

Superhumanoids share 'Flipping Out' and a beat-heavy playlist

Superhumanoids

You don’t find many electropop groups covering Nine Inch Nails and Queens of the Stone Age, but that’s exactly the kind of thing that LA’s Superhumanoids excel in.

The band’s preferred tactic is to juxtapose singer Sarah Chernoff’s lilting, dreamy vocals against harsh electronic sounds, like the grinding synth bass on its otherwise intensely mellow new single “Flipping Out.” This adds an intriguingly rough edge to a track that otherwise conjures up images of languorous Californian decadence. If any music directors are looking to score a scene of good-looking young people swimming underwater in slow motion, they’re in luck.

Along with the single, the group has shared with EW a playlist that, like its music, blends hooky pop and ambitiously experimental electronic beats. Superhumanoids will be hitting the road shortly to open for electropop godfathers Erasure.

READ FULL STORY

Kanye West collaborator Arca releases album details and a new track

You may not be familiar with the name Arca, but there’s a good chance you’re familiar with his work, even if you don’t know it. The 24-year-old Venezuelan electronic musician contributed to four tracks on Kanye’s Yeezus and has worked on a number of songs with FKA Twigs, including the LP1 standout “Lights On.” While his own work is considerably less pop-oriented than his collaborations, his sprawling solo instrumental recordings—like last year’s mixtape &&&&&has found a surprisingly large audience of people who bliss out on aggressively dark synthesizer soundscapes.

On Thursday, Arca announced the upcoming release of his first official full-length solo album. Xen (which comes out Nov. 4 on Mute Records) is more nuanced and more ambitious than his previous efforts, mixing dreamy, ambient passages in with his trademark harshly noisy, borderline-industrial sound. Along with CD and digital versions, vinyl fetishists can cop a hand-numbered limited edition LP that’s sealed in black PVC and includes an additional 10″ record of bonus material.

READ FULL STORY

Thundercat and Eric Andre just made the most demented music video of the year

Thundercat.jpg

 JASH, the YouTube comedy channel founded by Sarah Silverman, Tim & Eric, Michael Cera, and a bunch of other just-left-of-mainstream funny types, has a subsidiary called Buh, where stuff that’s even weirder than the weird stuff on JASH gets filed. One of the regular features there is called “$5,000 Video” where a comedian and a rapper are, as you probably guessed, are given $5,000 to make a music video. (Maybe you saw the one with Hannibal Buress and Chance the Rapper.)

The latest installment pairs Eric Andre Show and Don’t Trust the B—- in Apt. 23 star Eric Andre with Thundercat, who’s not actually a rapper but whose association with Flying Lotus’ Brainfeeder crew puts him in close proximity to the LA avant-garde rap scene. The track they chose is “Tron Song,” from Thundercat’s 2013 solo album Apocalypse, where he trades in his usual frenetic bass freakouts for a tender psychedelic soul ballad about his cat. Filtering the cat theme through Andre’s distinctive lo-fi surreal visual aesthetic–where glitchy psychedelia occasionally gets uncomfortably close to “bad trip” territory–results in a clip full of VHS-era video effects, deviant sex acts, and defecation in a human-sized litter box, along with a few cameos by the titular cat where he looks just as confused by what’s going on as anyone watching.

At a time where the plethora of music videos on YouTube has made shock value a close second behind gratuitous nudity as a method of attracting viewers, the “Tron Song” clip manages to stand out as particularly demented. Bravo, gentlemen.

READ FULL STORY

Listen to Ariel Pink's 'Put Your Number in My Phone,' off his upcoming double LP

Ariel Pink never stays away for long. On Nov. 18, he’ll release his first album since 2012’s Mature Themes, ending a hiatus that’s an especially long one for the prolific freak folkie .

The album, pom pom, will be a double LP, and Pink’s first record without his group, Ariel Pink’s Haunted Graffiti. “Although this is the first ‘solo’ record credited to my name, it is by far the least ‘solo’ record I have ever recorded,” he said in a statement. We’ll see what exactly Pink means by that in a couple months.

For now, he’s given us the album’s first single, “Put Your Number in My Phone,” which you can listen to below. The groovy cut picks up where 2012’s flowery “Only in My Dreams” left off, while spurning the mellow vibes of classic Ariel Pink songs like “Round and Round” and “Baby”

“Put Your Number in My Phone” will be one of 17 tracks spanning pom pom‘s 69 minutes and four sides—which are slyly labeled P-I-N-K rather than A-B-C-D.

Kendrick Lamar and Flying Lotus team up on 'Never Catch Me'

Kendrick-Lamar-Flying-Lotus

Speaking of Cali hip-hop, two of the most important figures in the contemporary L.A. rap scene, Kendrick Lamar and Flying Lotus, just revealed a surprising new collaborative single. The pair embody two of the dominant themes that have been bouncing around it recently: on one hand, a nostalgia-tinged re-engagement with the city’s gangsta rap history, and on the other, a psychedelic deconstructionist movement, influenced by cosmic free jazz, that’s doing to the boom bap what Ornette Coleman did to bebop. They may seem like artists with very disparate goals, but “Never Catch Me” shows that they’re more compatible than they may seem on the surface.

READ FULL STORY

Swedish singer-songwriter Tove Lo is an emotional rollercoaster

Even in an age where music has become immediately accessible to anyone in the world with an Internet connection and no need to wait for import CDs to make their way across the ocean and into Tower Records, it’s not uncommon for songs to find their American audience months or even years after breaking in Europe. In fact, some fairly sizeable hits have happened that way—Disclosure’s “Latch,” Icona Pop’s “I Love It,” and Ellie Goulding’s “Lights,” for example.

There are a handful of such singles on the Hot 100 right now. Among them: Swedish singer-songwriter Tove Lo’s “Habits (Stay High),” which this week reached No. 23, its highest point in the 13 weeks it’s spent on the chart. Lo initially self-released “Habits” in March of last year, after which it was picked up by a label and reissued in December. But it wasn’t until this past March, with the official release of a remix that the California duo Hippie Sabotage had originally posted online, that the song really took off. The remix hit the top 10 in a half-dozen countries in Europe and Oceania, and was picked up by a number of influential American pop blogs.

READ FULL STORY

Allah-Las get a psychedelic handmade video for 'Buffalo Nickel'

allah-las

LA’s Allah-Las are one of the few bands in existence that can come off as brain-meltingly psychedelic and totally chill at the exact same time. With the jangly guitars and vocal harmonies of a ’60s folk rock group and the hippie-fied, mind-expanding quality of a Carlos Castaneda book, they’ve spent the past few years instigating a cosmic takeover of the underground garage rock scene.

Their latest single, “Buffalo Nickel,” from their upcoming sophomore album Worship the Sun (out Sept. 16 on Innovative Leisure), is a fantastic place to jump on their trip. The video, made using the same handmade stop-motion techniques that were popular 50 years ago, makes a perfect accompaniment to the song’s slightly rough-hewn psychedelia.

READ FULL STORY

Hear Kandace Springs' buoyant neosoul single 'West Coast'

Kandace Springs is a young musician, but she seems to have more in common with artists from before the Internet upended the music industry. Her break didn’t come through social media, but by blowing away music heavyweights like Prince and Don Was with virtuosic interpretations of songs by Bonnie Raitt and Sam Smith. And while her style is deeply indebted to ’70s soul music, she’s not a purely retro act—for her debut LP, out next spring, she’s put together a production and songwriting team whose members have previously worked with CeeLo Green, Alicia Keys, and Bruno Mars.

In the meantime, Springs is releasing a self-titled four-song EP on Sept. 30. Lead single “West Coast,” produced by the duo Pop and Oak—who’ve worked with Ariana Grande, Nicki Minaj, and Usher—is buoyant neosoul that combines a rollicking horn arrangement and a bumping rap beat. Springs makes her TV debut Oct. 3 on Letterman. READ FULL STORY

Surrealism meets avant-crunk in Shabazz Palaces' '#CAKE' video

Shabazz Palaces’ 2011 debut Black Up had a luxurious sleekness to its sound and a fiery political charge to its lyrics—qualities that it shared with Watch the Throne, which was released just a few weeks later—but with far less concern for pleasing a pop-oriented audience. For their new album, Lese Majesty, the duo has responded to Black Up‘s surprising success by pushing even further out with even more political intensity, even weirder beats, and much weirder promo photos.

Lese Majesty isn’t as easily accessible their first album, with song structures that consistently refuse to follow standard pop blueprints. But beat-maker Fly Guy ‘Dai and MC Palaceer Lazaro (aka former Digable Planets member Ishmael Butler) make sure to provide enough hooks to help listeners get on their deconstructionist level. A lot of them come on “#CAKE,” which is the closest thing to radio-friendly that the album gets, with a warped take on an old-school electro-rap beat and lyrics that walk a line between club-friendly sing-along and psychedelic chanting.

READ FULL STORY

Latest Videos in Music

Advertisement

From Our Partners

TV Recaps

Powered by WordPress.com VIP