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Mock stars: The era of anonymous bands, from Foster the People to Imagine Dragons

Who wears the leather pants in music these days? Men still turn out smash songs by singing over guitars. But not since Mumford & Sons strapped on their suspenders have any rock hitmakers broken out as true stars, famous for anything other than scaling the charts. What do you know about the guys in Bastille or OneRepublic, the two bands currently sitting pretty in the Hot 100 top 10? Maybe you can name their singles (“Pompeii” and “Counting Stars,” respectively). But they don’t give off even a glimmer of the cherished emblems of the classic Rock Star: turbulent souls, incendiary lyrics, boa-draped fashion statements, dangerous good looks.

Instead, we’re saddled with mock stars: guys with paltry backstories, little apparent fire under their asses, and indifferent bedhead. And dudes these recent chart-cloggers be. In addition to Bastille and OneRepublic, there’s Imagine Dragons, Capital Cities, AWOLNATION, and Foster the People—all entirely male. They are not entirely terrible. Their modern rock does sound approachably modern, folding in synths and drum machines, with hooks that resonate rather than kick you directly in the acorns. These songs live in the rock fan’s friend zone: ever present, not unpleasant, but deeply unsexy.

L.A. trio Foster the People (pictured) were responsible for one of the biggest and most compelling mock-star smashes to date: “Pumped Up Kicks,” from their debut Torches, has sold more than 5 million copies since the song’s release in 2010. The deceptively sunny track, which frontman Mark Foster made as a demo and never rerecorded, takes the perspective of an unhinged, gun-toting kid; it’s like “Jeremy,” Pearl Jam’s schoolboy-psycho song, minus the anguish and that poor recess lady.

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