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Tag: Charts (1-10 of 337)

'Billboard' Hot 100 recap: Magic! stays on top but has new challengers

OK this is getting ridiculous. Aside from a few songs trading positions and one relatively drastic two-slot drop for Jason Derulo and Snoop Dogg’s “Wiggle,” the Top 10 is exactly how it was last week, making it a solid month since there was anything close to a shakeup at the top of the Hot 100.

Luckily, for those of us who prefer an active and exciting pop chart that isn’t being smothered by the unstoppable combination of “Fancy” and “Rude,” help may be on the way, in the form of a few could-be hits waiting for ignition.

Pharrell Williams’ “Come Get It Bae” just released its video yesterday, and its Miley cameo and “women of all shapes, sizes, and colors are beautiful” theme have already earned it over a million plays. The clip is already on its way to “Blurred Lines”-style popularity, so while this week it’s only at No. 60, down four spots from last week after nine weeks on the chart, a viral boost from the video could give it the momentum to turn things around and make its way toward the Top 10. It doesn’t hurt that the song’s stripped-down, clap-happy beat brings back some of the original Neptunes flavor that made Williams a star in the first place.

Kiesza’s “Hideaway” video has been out since February, racking up over 60 million views in that time, but it’s just now cracked the Hot 100 with its debut at No. 97. The fact that it’s still gaining popularity nearly half a year later bodes well for it, and its hooky amalgam of pop and house, redolent of early ’90s club-pop divas like Cathy Dennis, is at the bleeding edge of current retro tastes, if that makes any sense. Plus its video is the type of shamelessly corny fun that’s hard to deny, even if you’re the type of hipster who’s supposed to be mad that they shot it in Williamsburg.

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'Billboard' Hot 100 recap: Magic! unseats Iggy, 'All About That Bass' enters the summer jam competition

Over the course of the summer so far, the Hot 100’s been defined by its lack of movement. This week’s Top 10 is almost identical to last week’s, which was almost identical to the week before–four songs remain in the same positions, and the remaining six have only moved up or down by one or two slots.

These small changes can still produce significant drama. At the very top of the chart, Australian rapper Iggy Azalea’s seemingly unbeatable “Fancy” and Canadian faux-reggae group Magic!’s virally popular “Rude” have traded places, knocking “Fancy” out of the top spot and ending its record-setting seven weeks at number one. READ FULL STORY

'Billboard' chart recap: The Hot 100 gets stuck

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 The Hot 100 this week is giving off a level of dèjá vu that’s (sorry) off the charts. The top six songs of this week are the exact same as the top six last week, with Iggy Azalea’s “Fancy,” which has been No. 1 for seven straight weeks, joining the Billboard record books for songs by female artists that have spent the longest in that spot. Below those, Calvin Harris’s “Summer” and John Legend’s “All of Me” traded spots at No. 7 and No. 8, and the rise of Maroon 5’s “Maps” from No. 13 to No. 9–knocking DJ Snake and Lil Jon’s “Turn Down for What” down one notch to No. 10–represents one of the biggest shakeups at the chart’s upper end.

The trend continues all the way down the chart. Ariana Grande’s Zedd-produced “Break Free” debuted at No. 15 and 5 Seconds of Summer’s “Amnesia” entered the chart one slot below, but below them a significant amount the change from last week was in increments of one or two places. The only drastic movement on the entire Hot 100 was Shawn Mendes’s “Life of the Party,” which dove from No. 24 to No. 82 in its second week on the chart. READ FULL STORY

Mariah Carey stumbles on album chart, Coldplay reign for second week

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Apparently no amount of riding the subway in a sparkly ball gown could overcome the lack of heat on Mariah Carey’s latest album Me. I Am Mariah…The Elusive Chanteuse.

Carey’s 14th studio album only managed to shift 56,000 copies in its opening week on the Billboard 200, placing her third behind country star Brantley Gilbert’s Just As I Am and Coldplay’s Ghost Stories, which spent a second week in the top spot with 85,000 copies sold. READ FULL STORY

Iggy Azalea tops Hot 100 with 'Fancy,' matches Beatles for chart record

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It’s still early in the season, but right now it looks the battle for the official song of the summer is being fought (and won) by a single woman.

On this week’s Billboard Hot 100, Iggy Azalea’s “Fancy” has landed number one, knocking John Legend’s “All of Me” from the top spot and passing Ariana Grande’s “Problem” in the process.

Of course, Azalea is also a featured guest on “Problem,” and with that song at number two this week, Azalea has pulled off something pretty remarkable: READ FULL STORY

The Black Keys beat Michael Jackson on the charts, score first number one album

It’s been a big couple of weeks for the Black Keys. They performed on SNL, released their eighth album, Turn Blue, managed to escape from the sinister clutches of Danny McBride on our cover, and now they’ve got themselves their first ever chart-topping record.

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On the charts: 'Frozen' still rules, Shakira and Johnny Cash bow strong

It’s a big week for debuts on the Billboard album chart—six of the top 10 are new entries—but the unbeatable beast that is Frozen continues its dominance on top.

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Rick Ross tops the album chart, with Pharrell just behind him

Rick Ross might need to update that $92 million bank balance he advertises on Mastermind: His luxuriously dark sixth album sold 179,000 copies last week, earning the number one spot on the Billboard 200. That’s his fifth chart-topping album, which as Billboard points out, puts him in rarified company, trailing only Nas, Kanye West, Eminem, and Jay Z in terms of hip hop number ones. (Last week’s top album, ScHoolboy Q’s Oxymoron, dropped to number eight.)

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On the Charts: Eric Church rules, Beatles get a bump, Imagine Dragons break a record

Though the year is still young, Eric Church has established himself as the 2014 music sales king. His just-released fifth album The Outsiders debuted with a walloping 288,000 copies in its opening week. That’s Church’s second number one debut and his biggest sales week ever (his previous high was his fourth album Chief, which moved 145,000 units on its way to a chart-topping bow back in 2011).

Church didn’t have much competition at the marketplace, as there were not any other top 10 debuts this week—the next highest debut was the new album by Glitch Mob, which came in at number 13 with 22,000 copies sold. But elsewhere on the Billboard 200, there was one clear trend: the rise of the Beatles. READ FULL STORY

Charts: Bruno Mars gets a Super Bowl boost, Pharrell keeps getting 'Happy'-er

As it turns out, being on the most-watched television broadcast in history is good for business.

Bruno Mars, who provided the only semblance of entertainment during a lopsided Super Bowl 10 days ago, found himself back in the upper echelon of the Billboard album chart for the second straight week when his second album Unorthodox Jukebox made the jump to number three this week (last week, it sat at no. 7). The album, which was released back in December 2012, moved 81,000 units in the week following the Super Bowl, an 82 percent increase over the previous week’s total.

It wasn’t quite enough, though, to put Mars at the top of the chart this week. That spot belongs to Now That’s What I Call Music! 49, which sold 98,000 copies in its opening week. The seemingly indestructible compilation series has been providing listeners with 10-month-old hit songs since its debut in 1998 — this iteration provides hitherto unavailable access to Lorde’s “Royals,” Miley Cyrus’ “Wrecking Ball,” One Direction’s “Story of My Life,” and Imagine Dragons’ “Demons.” Now bumps the soundtrack to Frozen out of the top spot, where it had sat for two weeks. The Disney monster still sold 88,000 copies and is on its way to crossing the one million-sold mark next week.

But back to Bruno: Even more impressive than the bump for his Unorthodox Jukebox was the one received by his first album, Doo Wops & Hooligans, which nearly made its way back to the top 10 with 26,000 copies sold. That’s not bad for an album from 2010, though Mars shouldn’t necessarily crown himself king of everything just yet: Of the 112 million viewers who took in Mars’ halftime performance, that means less than one percent of those people turned around and bought an album. Wouldn’t you think the strike rate would be better than that, even considering the two million copies of Unorthodox Jukebox already in circulation?

Perhaps Mars should just get himself nominated for an Academy Award. Though Katy Perry’s “Dark Horse” is once again the top song on the Billboard Hot 100, the big surprise this week is the surge of Pharrell Williams’ Oscar-nominated track “Happy,” which jumped from number eight to number two this week. Could Williams’ dramatic increases in airplay and digital sales possibly send him to the top of the Hot 100 next week, and out-race Perry’s “Horse”?

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