Tag: Concert Reviews (41-50 of 137)

Jul 17 2011 07:00 AM ET

Paul McCartney rocks Yankee Stadium with epic concert, duets with Billy Joel: On the scene

Paul-McCartney

Image Credit: Neilson Barnard/Wireimage.com

“When I’m Sixty-Four” was conspicuously absent from Paul McCartney’s set list during his two concerts at Yankee Stadium over the weekend. No wonder. At 69, rock & roll’s most easygoing revolutionary is jamming harder than ever. EW was on the scene at the Saturday show, a nearly 40-song set which also featured some Empire State musical muscle in the form of a certain Bronx-born piano man.

McCartney’s nearly two-hour and 45-minute extravaganza spanned his output from the past 50 years. Chronological hodgepodge was clearly his goal from the outset, opening with late Beatles psychedelic tripper “Magical Mystery Tour,” followed by Wings shout-anthem “Jet,” and then early Beatles Dorian-scaled “All My Loving.” READ FULL STORY »

Jun 27 2011 02:07 PM ET

Sade live -- and stunning as ever -- at New Jersey's Izod Center: An EW concert review

sade_concert

Image Credit: Splash News

I’ve never seen so many people fill a venue so big to see so little. But then again, Sade’s little is a lot.

Last Friday (June 24) the band, led by veteran British Nigerian songstress Sade Adu, stopped at New Jersey’s Izod Center. She surfaced from beneath the stage just after 9pm, in a sheer black shirt, matching pants and heels, and bathed in purple lighting, to sing her last album’s title track, “Soldier of Love.”

To pack a venue as large as the Izod, one might think that there would be more to Sade than what the audience got that evening. There was no glut of costume changes nor were there any elaborate dance sequences like you’d expect at, say, a Beyoncé concert.  In fact, Sade never even broke a sweat (I was eight rows from the stage, close enough to have seen a bead on her brow or forehead—had there been one).

The beauty of her show was in its simplicity. At 52, Adu is gorgeous and elegant. Her gentle sways and slow struts during “Kiss of Life” were sexier than anything I’ve seen from performers half her age. Her moves were smoother and effortless, not contrived and fixed. READ FULL STORY »

Jun 21 2011 01:42 PM ET

Britney Spears and Nicki Minaj live in L.A. on the Femme Fatale Tour: EW's review

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Image Credit: Splash News

As I walked through L.A.’s Staples Center for Britney Spears’ Femme Fatale tour last night, the lack of parochial-school uniforms, blonde wigs, and spandex jumpsuits—the sartorial choices of Britney fans of concerts past—had me worried.

The packs of twenty-something females—with some gay men and dutiful boyfriends mixed in—here to see Britney looked to be dressed for a night out in Vegas; certainly a far cry from Gaga’s wig-happy Little Monsters and the diehard Britney fans of yore.(Eleven years ago, some babysitting money, combined with an impassioned plea to my mother, earned this former teenybopper a ticket to her unforgettable “Oops!… I Did It Again” tour.)

Mere minutes after the the singer’s first sultry utterance of “It’s Britney, bitch,” it was obvious that my first instincts were very, very wrong. She opened with a sexed-up rendition of  her single “Hold It Against Me”; singing from a Game of Thrones-esque iron chair while a gaggle of beefed up “hot cops” grinded against her.

Britney’s back, alright.  And with her slim waist, her dangerously toned legs, and most importantly her engaged, wide-eyed smile, she looked happy to be there with us—the crucial element that has been missing from so many Britney shows of late. READ FULL STORY »

Jun 20 2011 04:15 PM ET

Katy Perry and Robyn take a sweet-toothed teenage dream tour to New Jersey

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Image Credit: Kevin Mazur/Getty Images

Katy Perry brought her sugarcoated psychedelic dreamland to New Jersey last night, using her California Dreams tour to tell the story of a young lady who follows her feline companion Kitty Purry into a circuitous Candy Land-esque setting filled with hallucination-inducing brownies, a slutty slot machine (ha?) and a cavalcade of Top 10 hits.

Say what you will about Katy Perry—sure, she has a weak singing voice and her songs are mostly devoid of substance—but as a courier of frothy delights and eye-catching effulgence, she’s become one of today’s most-satisfying pop stars.

Her stage show—which boasted airborne mimes, floating cotton candy clouds and a gingerbread man kick-line—was a visual feast that brought to mind a tweenage version of Cirque du Soleil. And make no mistake: this stage show was a dream constructed for, and occupied almost exclusively by, teens. I doubt more than ten percent of the crowd was over twenty, and most of those adults were chaperoning fist-pumping teens in blue wigs and candy-button dresses. READ FULL STORY »

May 27 2011 10:30 AM ET

Lady Gaga kicks off 'Good Morning America' Summer Concert Series: How did she do?

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Image Credit: Kevin Mazur/WireImage.com

Well, that “Born This GMA” meme certainly didn’t go to waste!

Lady Gaga continued her whirlwind media blitz to promote Born This Way by kicking off Good Morning America’s summer concert series today. In front of thousands of screaming fans, some of whom had camped out for two days, she performed a five-song set from the heart of Central Park.

Needless to say, Rihanna purring “S&M” to open the Today show’s own concert series couldn’t compete with Gaga in the Grand Entrance department. With her bipolar Cruella DeVil hair and a red-riding hood ensemble — she looked like a caped crusader for glitter and grease — Her Ladyship ziplined her way over the heads of her cigarette-glasses-wearing audience to land more-or-less gracefully on stage. Admittedly, it seemed to take a bit longer than she’d anticipated — her spandexed backup dancers had carried most of “Bad Romance” by themselves before she made her arrival. And I couldn’t help but notice a rare look of fear on her face before taking her harnessed leap of faith. Had she learned nothing from Hugh Jackman’s zipline debacle on Oprah? Thankfully, though, Gaga is still without a Spinal Tap-style mishap, even if precious time to see her cat-scratch her way through “Bad Romance” was lost. READ FULL STORY »

May 16 2011 03:17 PM ET

Twilight Singers bring effortless cool to New York show

Greg-Dulli

Image Credit: Jordi Vidal/Redferns

If the very definition of cool is not caring whether or not you look cool, then Greg Dulli is Steve McQueen.

The Twilight Singers‘ frontman and mastermind (probably still best known for his ’90s alt-rock band Afghan Whigs but also recognizable to devotees as one half of the Gutter Twins, his tag-team effort with former Screaming Trees singer Mark Lanegan) spent the entirety of his band’s 90 minute set at New York City’s Webster Hall oozing a casualness that only the true badasses are able to pull off. Dressed all in black, he ambled around the stage, switching from guitar to keyboard and back again, all the while leading his tight band through blasts of rugged R&B and squalling guitar rock.

Don’t let the swagger fool you, though. When it comes to performing, Dulli was spot on, ripping through passionate late-night anthems like “Forty Dollars” and “King Only.”

READ FULL STORY »

May 14 2011 06:58 PM ET

Norah Jones, Emmylou Harris, Rufus and Martha Wainwright pay musical tribute to the late Kate McGarrigle

Kate-McGarrigle

Image Credit: Harold Barkley/Toronto Star/ZUMA Pres

On Friday night, New York’s Town Hall was filled with family, friends, and followers of the late singer/songwriter Kate McGarrigle, who passed away last year at age 63 after battling sarcoma.

Performing songs from her rich catalog for the second night of this sarcoma fundraising tribute, the stage was filled with an eclectic array of musicians including Norah Jones, Emmylou Harris, Antony Hegarty, her sister/collaborator Anna McGarrigle as well as her children, Rufus and Martha Wainwright (from her marriage to Loudon Wainwright, who was not present but nevertheless “richly implicated in the evening” as banjo player Chaim Tannenbaum so brilliantly phrased it).

Kate, who released two seminal albums in the ’70s with her sister Anna, was a pioneer of cerebral folk music that was at once heartfelt and ironic: it was traditional music coming from connected urbanites (born in Montreal, living in New York) who wryly fetishized the perceived simplicities of rural life. READ FULL STORY »

Apr 25 2011 02:34 PM ET

Puff Daddy and his old family steal Diddy-Dirty Money's Coming Home New York City show

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Image Credit: Steve Mack/WireImage.com

He may not be the best rapper in the game, but boy, Diddy can throw a party.

Last Friday (April 22) he and his Dirty Money crew‘s Coming Home Tour stopped at New York City’s Hammerstein Ballroom. It was literally a homecoming for Diddy, a Harlem native.

So instead of the refined and rehearsed offering several other cities likely received during the tour’s run, Diddy gave his hometown more, pulling several guests on stage and making it less of a Diddy-Dirty Money show and more of a nostalgic review of his Bad Boy Records heyday.

Diddy, along with DM singers Dawn Richard and Kalenna Harper, performed a few cuts from their Last Train to Paris early on. Diddy emerged dipped in white from head to toe and the trio performed “Ass on the Floor,” “Yeah, Yeah You Would,” “Yesterday,” and even an emotional medley of Sade’s classics, including “No Ordinary Love.”

Surprisingly, Diddy seemed a bit nervous up there at the start—as if uncertain of his Dirty Money material. To his credit, Train is an experimental hip-hop album we loved. Although as far as sales are concerned, it’s not a fan favorite (released last December, it hasn’t gone gold yet). And the audience’s halfhearted responses to their solid opening half hour proved as much.

But as he slid into the next portion of his set and the girls left, so did his nerves. After a roll call of the city’s boroughs, Diddy stopped to introduce Queens icon and A Tribe Called Quest rhymer Q-Tip, who brought the crowd to life with “Check the Rhime” and his solo banger “Vivrant Thing.”

READ FULL STORY »

Apr 20 2011 12:33 PM ET

Lauryn Hill's Moving Target tour lands in Los Angeles: Old-school songs with new-school flavor

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Image Credit: Vallery Jean/FilmMagic.com

Lauryn Hill’s latest tour, Moving Target, finally made its way to Los Angeles on Monday night, following a weekend appearance at the Coachella Festival in Palm Springs.

The singer hit up downtown’s Club Nokia for a healthy dose of songs pulled from several realms of her musical history, including her time with the Fugees, her Grammy-winning album The Miseducation of Lauryn Hill, and even a little tribute to Bob Marley. [Note: The photo shown here isn't of Hill on Monday evening, because press photos were not made available.]

Hill opened her concert—which, despite reports of extreme tardiness in the past, started only about 20 minutes after the scheduled time—by declaring to the crowd: “If it’s okay with you, we’d like to do some classic music.” And classic music she certainly did, launching with her Miseducation hit “Everything Is Everything,” before rolling into Refugee Camp All-Stars’ “Sweetest Thing” and weaving back to Miseducation with “Lost Ones.”

But to be honest, her use of term “classic” should be interpreted loosely, especially when you consider how Hill, wearing an oversized dress and suit jacket, performed the songs. While she certainly sang the lyrics to the aforementioned tunes, they were only recognizable as the songs we’re familiar with at certain, fleeting points. Not that that’s a bad thing—Hill’s voice is still deep and luscious as it ever was but anyone hoping for a tour through the recorded versions of her songs will be sorely disappointed.

READ FULL STORY »

Apr 13 2011 12:26 PM ET

Is James Taylor the coolest uncool guy ever? On the scene at Carnegie Hall's 120th anniversary with Taylor, Sting, Bette Midler, Bill Clinton(!) and more

James-Taylor

Image Credit: Stephen Lovekin/Getty Images

Last night, those fortunate to be on the New York fundraiser circuit (or fledgling EW reporters) were treated to an intimate concert at Carnegie Hall headlined by none other than the king of soft folk-rock himself, James Taylor.

Taylor was there to help the famous venue, founded in 1891 and celebrating 120 years of being NYC’s premier concert hall by welcoming back some of its most famous performers. The roster included Bette Midler, (Carnegie debut, 1972) Steve Martin, (1971) Barbara Cook, (1961) Dianne Reeves, (1989) and Sting (1991).

While the gala crowds at the Carnegie last night probably wouldn’t be defined as musical trailblazers, they did love them some James Taylor. By the time the musician strode out at about a quarter past 7 p.m., the house was packed. I didn’t check the rafters to see if people were hanging from them, but I wouldn’t have been surprised if some ball-gowned “Country Road” enthusiasts had sneaked their way past security. READ FULL STORY »

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