Tag: Concert Reviews (81-90 of 137)

Apr 29 2010 04:30 PM ET

Pharrell Williams' N.E.R.D. rock out at New York concert

nerdImage Credit: Johnny Nunez/WireImage.comWhen Pharrell Williams, Shae Haley, and Chad Hugo—who together form N.E.R.D.—hit The Fillmore’s stage in downtown Manhattan last night, their geeked up fans knew exactly what to do: raise their hands and give the Vulcan salute. A self-proclaimed Trekkie, Williams is the head of Star Trak records. Relaxed, in a back fitted cap, white t-shirt, and jeans, Williams calmly returned the greeting. That was the only time Pharrell stood still.

The show kicked off with “Kill Joy,” their maddening single from 2008′s Seeing Sounds. From then on, Williams and Haley wildly traded verses on cult classics like “Spaz,” “She Wants to Move,” “Everyone Nose,” and “Hot N Fun,” the new single from their forthcoming album, Nothing. When he wasn’t rapping, Pharrell was dancing. Arms flailing and legs kicking, his moves looked like rhythmic seizures. But there, at a punk-rock-meets-hip-hop show, they worked.

The crowd enjoyed and matched his energy, creating several mosh pits as cuts like the rebellious “Rock Star” ripped through the speakers. Eventually Williams slowed it down to sing dreary ballads. “Maybe” showcased his trademark falsetto. Next was “Sooner or Later,” which the fans belted out  good portion of.

Before closing the show, Williams announced that a good friend of the group’s just had their first child. “N.E.R.D. makes baby-making music,” he said. And then he suggested that the following song was what the new born was conceived to. The track was the strip club rock anthem “Lapdance.” Nasty, right?

“All jokes aside,” Pharrell said in closing, “this was the raddest show ever.” It sure was.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Eminem is ‘Not Afraid’: first ‘Recovery’ single hits the web
Hear a spunky new track from our favorite recent alt-country discovery, Elizabeth Cook!
Glee’s Madonna tribute knocks Justin Bieber off No. 1 spot
David Letterman starts record label, signs pop-punk band
Regina Spektor covers Radiohead’s “No Surprises” for charity

Apr 23 2010 12:16 PM ET

The-Dream brings love and lust to New York City

The-DreamImage Credit: Walik Goshorn / Retna Ltd.Last night at New York City’s Highline Ballroom, The-Dream didn’t hit the stage until 12:20am. Late, but rightfully so. The Atlanta singer-songwriter-producer’s hits are best suited for after-dark activities. They’re aggressive love ballads: Some about making a woman squeal in bed, others about stealing another man’s girl to eventually take her home and achieve the former.

Dream, born Terius Nash, hit the stage accompanied by six dancers—all slender, hour-glass-figured women dressed in black lace bodysuits and blazers. Wearing a silver and black varsity jacket, sunglasses, and fitted Atlanta Braves cap, Dream kicked off the show with his latest single, “Love King.” As a live performer, he’s not much of a singer. He coolly masked his light, airy tone by singing along with his own vocals as they blared through the speakers, halfway lip-syncing. READ FULL STORY »

Apr 6 2010 01:40 PM ET

Thom Yorke jams out, road tests new tunes with Atoms for Peace in NYC

atoms-for-peaceImage Credit: Kevin Mazur/WireImage.comThe biggest cheers for Flying Lotus at NYC’s Roseland Ballroom last night came at the very end of the electronic wizard’s opening set, when he dropped a pitch-shifted snippet of Radiohead’s “Idioteque.” Never mind the fact that, for 35 minutes or so prior, he had already been hurling down titanic beats to what seemed an unjustifiably lukewarm crowd reaction. The point was made: This was a house full of Radiohead fans, and they were more excited by a remix of a 10-year-old Radiohead classic than anything else Flying Lotus could offer.

This wasn’t, however, a Radiohead show. It was the East Coast debut of Thom Yorke’s other band, Atoms for Peace (né ????) — the one with Flea from the Red Hot Chili Peppers. The fledgling supergroup had previously played only a tiny handful of gigs, all in L.A., since Yorke announced its formation in a September ’09 blog post. Even in an age when fans could watch those performances on YouTube last fall practically before the roadies finished clearing the stage, there was still a pleasant sense of mystery surrounding the first of Atoms for Peace’s two nights at Roseland.

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Mar 20 2010 12:47 PM ET

Smokey Robinson: SXSW's best all-around entertainer?

smokey-robinsonImage Credit: Tim Mosenfelder/Getty Images Walking across town to Smokey Robinson’s concert at Austin Music Hall last night, I was anticipating something like chapter two of the SXSW keynote interview he’d given the morning before. Another opportunity to stand in a room with the man who penned some of Motown’s — all popular music’s — most enduring hits. A second chance to pay my respects to a 70-year-old veteran. The kind of show where you clap thoughtfully after each song, not holler in ecstatic appreciation. My mistake. I hadn’t even realized I’d been underestimating Robinson, but man, last night is the last time I’ll ever do that. What he gave us on that stage was a master class in no-gimmicks entertainment that would put artists a third his age to shame.

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Mar 19 2010 12:31 PM ET

Broken Social Scene brings 'Forgiveness' to SXSW

“We are human beings,” Broken Social Scene’s Kevin Drew told the crowd at Stubb’s shortly after 1 A.M. last night, “and we’re still figuring our s— out.” It was an atypically humble sentiment coming from the headliner at a choice outdoor SXSW showcase like this. Then again, Drew isn’t your average swaggering rock frontman. The sprawling Toronto band’s first album together in five years (due May 4) is called Forgiveness Rock Record, after all, and seeking forgiveness, compassion, understanding from the world seemed one of the key themes in the new material they played at Stubb’s.

Yet aside from a few early moments of mic and monitor trouble, no apologies were needed last night. The seven main band members on stage — Drew plus Brendan Canning, Charles Spearin, Sam Goldberg, Justin Peroff, Lisa Lobsinger, and Andrew Whiteman, often assisted by a six-piece brass section — threw themselves into the music with abandon, building up crescendo after crashing crescendo of melody and noise. Epic grandeur is a quality that many of the artists at SXSW strive for; I haven’t seen anyone get there more convincingly than BSS did at Stubb’s. While they are indeed still working out how to perform some of their new tunes, they nailed quite a few, including show-opener “World Sick” (studio version below), the spacious, thudding “Sweetest Kill,” and several others whose titles I didn’t catch.

READ FULL STORY »

Mar 6 2010 12:15 PM ET

Raekwon and Ghostface Killah bring 'Wu-Massacre' to NYC's Nokia Theater

Wu-Massacre, the album that Method Man, Raekwon, and Ghostface Killah are dropping March 30, whittles down the Wu-Tang Clan to three of its finest. Last night, that line-up was pared further to just Raekwon and Ghostface, for what was billed as an early Wu-Massacre release celebration at the Nokia Theater in NYC’s Times Square. There was some sense in making the trio a duo. Rae and Ghost, in particular, have often felt like a group within a group on the Clan’s releases. These guys go together like peanut butter and jelly, or pasta and tomato sauce — speaking of which, they collaborate often enough to have come up with the acronym R.A.G.U. (for “Rae and Ghost United”) to identify their joint efforts.

The concert began with a string of unimpeachable cuts from 1995′s classic Only Built 4 Cuban Linx… — technically Raekwon’s solo debut, but one to which Ghostface contributed heavily, earning prominent billing on the album’s cover. Their undiminished chemistry was evident in the show-opening string of “Criminology,” “Incarcerated Scarfaces,” “Ice Cream,” and “Verbal Intercourse.” Both rappers are essentially storytellers, Ghostface narrating crime sagas with a jumpy urgency, Raekwon doing the same in gravelly and matter-of-fact tones. Together they strode the stage like giants, joining in on one another’s lyrics at key points for emphasis.

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Feb 25 2010 01:42 PM ET

Black Eyed Peas bring that boom boom pow to NYC's Madison Square Garden

Black-Eyed-PeasImage Credit: Bryan Bedder/Getty ImagesThe Black Eyed Peas are ridiculous. I suspect that they know this. It’s the whole point of their post-2003 career: will.i.am, in particular, is a first-class musical genius whose greatest talent happens to be making deeply silly songs about partying and fun and world peace and stuff. Hitting those marks as precisely as the Peas do is much harder than it looks, which is why they demolished several chart records last year and every other dance-pop act out there did not. (Just this morning, they made Billboard history once again, as “Imma Be” became their third single from The E.N.D. to hit No. 1 on the Hot 100. ) But can the Black Eyed Peas’ undeniable studio skills translate to a live setting? I went to their headlining concert at NYC’s Madison Square Garden last night (pictured) to find out.

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Feb 13 2010 03:55 PM ET

Allison Iraheta, Adam Lambert, and Kris Allen: Awesome three ways in NYC

To folks who aren’t fluent in American Idol, there was probably zero appeal in the idea of Ryan Seacrest’s “Rock My Town” contest that brought season 8 stars Allison Iraheta, Adam Lambert, and Kris Allen to the Highline Ballroom in New York City last night. Too bad for them. Because all three singers delivered such powerful, confident sets from their recent debut discs that blind devotion to Fox’s ratings behemoth was hardly a requirement for getting left weak-kneed, sore-throated, and ultimately elated by the time the trio combined forces to close the show with Gnarls Barkley’s “Crazy.”

That said, seeing all three performers in an intimate venue like the Highline, as opposed to on a TV set or in the larger stadium setting of the Idols Live tour last summer, made it clear how each one connects to the audience from a different place: READ FULL STORY »

Jan 21 2010 07:24 PM ET

Lady Gaga at Radio City: Best. Concert. Ever.

Last night, I had the great pleasure of seeing Lady Gaga kick off a sold-out, four-night engagement at New York’s legendary Radio City Music Hall and, lemme tell you Music Mixers, I almost wept with joy. Gaga’s Monster Ball tour is one of the greatest concert experiences of my life. AH-MAZING. I can’t stop thinking about it. In the past week  Gaga had some health issues, but you would never have known based on her tireless energy and robust vocals. This lady is the real deal! She opened the show with “Dance in the Dark” and hardly took a break until the climactic, floor-shaking performance of “Bad Romance.” My personal fave was “Boys Boys Boys,” which she began by asking, “Where are all the gay boys at?” Obvs, I immediately jumped up and began dancing. But there is no doubt that “Bad Romance” was the ultimate showstopper, with all of Radio City on its feet for Gaga’s hit single. The only downside was that Gaga never did one of my fave tunes off The Fame Monster, “Telephone,” but I’ll let it slide. Music Mix-ers, if you have any chance of going to see Gaga at Radio City, I heartily endorse. It could change your life. Or at least just make it really sparkly for a couple of hours.

Have you seen any of Lady Gaga’s shows? Were they as good for you as for me?

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Heidi Montag has big boobs, tiny album sales: her flop album sells fewer than 1,000 copies its first week
More Lilith Fair artists announced: Is this shaping up to be the best tour of the summer?
Ke$ha tells us all kinds of awesome, crazy stuff: ‘Have I made out with chicks? Hell yeah.’
Simon Cowell plans all-star Haiti benefit single

Jan 20 2010 01:43 PM ET

The Swell Season makes a triumphant return to NYC's Radio City Music Hall

The last time the Swell Season played NYC’s Radio City Music Hall, it was May 2008, just a few months after principal members Glen Hansard and Markéta Irglová won their Oscar for “Falling Slowly.” With Once-mania in full swing, they had no trouble selling out such a prestigious venue back then. But to fill Radio City again almost two years later, this time with no awards show water cooler moment to help spur ticket sales? Now that’s something.

And so last night the Swell Season (pictured at another recent gig) gave another sold-out RCMH crowd its money’s worth with a searingly emotional performance. That’s the only way they know how to do it. I saw Hansard and Irglová play for a small press audience last fall, and they filled that tiny club with the exact same passionate intensity as they did last night’s enormous room. Wherever they find themselves on stage, those two hold nothing back.

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