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The Dixie Chicks nude EW cover 10 years later: Emily Robison and Martie Maguire reflect

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In 2003, the Dixie Chicks were riding an unprecedented high in the wake of the success of the band’s album Home.

Though their previous album Fly was a massive crossover smash, Home was a different animal — one that sold like gangbusters despite its more traditional bluegrass sound. The album even netted them their then-highest-ever spot on the Billboard Hot 100, via the trio’s cover of Fleetwood Mac’s “Landslide.”

Then came the George W. Bush diss heard round the world: While introducing the song “Travelin’ Solider” during a concert in London, Maines said to the crowd, “Just so you know, we’re on the good side with y’all. We do not want this war, this violence, and we’re ashamed that the President of the United States is from Texas.”

That quote spread like wildfire, and a backlash began. The group stuck to its guns and posted a follow-up statement on its website that read, “We’ve been overseas for several weeks and have been reading and following the news accounts of our government’s position. The anti-American sentiment that has unfolded here is astounding. I feel the president is ignoring the opinions of many in the U.S. and alienating the rest of the world. My comments were made in frustration and one of the privileges of being an American is you are free to voice your own point of view. While we support our troops, there is nothing more frightening than the notion of going to war with Iraq and the prospect of all the innocent lives that will be lost.”

But that didn’t stop country radio stations from cutting all Dixie Chicks songs from their playlists, and it didn’t prevent people from lashing out against the girls online.

That’s when they pulled off perhaps the second-most-talked-about moments of their career: In their first big post-controversy interview, Maines, Emily Robison, and Martie Maguire appeared nude and covered with epithets (“Dixie Sluts,” “Sadaam’s Angels”) on the cover of Entertainment Weekly in May of 2003. READ FULL STORY

Lollapalooza 2013 Day 2: Mumford & Sons set the tone, Kendrick Lamar ascends, and Postal Service run a victory lap

Most of the time, Lollapalooza’s scheduling seems left to the whims of fate, the daily lineup strung together seemingly at random so that indie poppers bump up against metal acts and soul throwbacks open for folky singer-songwriters. It makes for some wildly jarring juxtapositions, with occasional stumbles into transcendence.

Saturday was different, at least at the south end of Chicago’s Grant Park. The ascendance of headliners Mumford & Sons rippled all the way into the afternoon, where banjo-friendly arrangements and country twang informed the bulk of the performances: Court Yard Hounds brought their pop-friendly version of crossover bluegrass, Eric Church stomped through a set of outlaw Southern rock, and twee Irish strummers Little Green Cars crafted colorful tapestries out of all manner of acoustic thread. (The National, sandwiched in between Church and semi-main eventers the Lumineers, must have been deeply confused by all the headband-wearing sunflower girls hanging around, as they’re used to playing for broodier types. Still, they did dedicate “England” to Mumford & Sons.)

It all led up to a triumphant turn by Mumford & Sons, who drew a massive throng of folk-hungry youth to sing along with Marcus Mumford’s every bellow and wail. There wasn’t a single tune across Mumford’s nearly two-hour set that wasn’t greeted as a massive hit, though the gathering masses reserved extra glee for “Little Lion Man,” “I Will Wait,” and “Lover of the Light.”

Mumford & Sons are not showmen, and their performance was free of both bells and whistles, but their songs clearly resonate across a wide spectrum, and they’re savvy enough to get out of the way of their trainload of sing-alongs.

READ FULL STORY

Godsmack tops Billboard albums chart

GodsmackImage Credit: Paul BrownHard rock rocked Billboard‘s albums chart this week. Godsmack‘s latest effort, Oracle, debuts at No. 1. with 117,000 copies sold. It’s their third album to top the chart. Lady Antebellum‘s Need You Now holds strong at No. 2 with 97,000 units moved. MercyMe’s The Generous Mr. Lovewell debuts  at No. 3 with 88,000.

Working legends Carole King and James Taylor’s duets album, Live at the Troubadour, premiers at No. 4 with 78,000. This means that Taylor has had one album in the top 10 in each decade since the 1970s. Behind them is Justin Bieber‘s My World 2.0, which drops one slot to No. 5 with 64,000. Next is the Deftones’ Diamond Eyes” with 62,000 copies sold.

New Dixie Chicks side project Court Yard Hounds debuts at No. 7 with their self-titled set, moving 61,000 copies. And AC/DC’s Iron Man 2 soundtrack falls three places to No. 8 with 55,000 sold.

Toni Braxton’s Pulse is the last debut to appear in the top 10. She comes in at No. 9 with 54,000 copies sold. Usher’s Raymond v. Raymond closes out the top 10, falling four spots with 51,000. B.o.B’s The Adventures of Bobby Ray was last week’s chart king, but fell to No. 12 this time around with 36,000 sold.

Surprised B.o.B fell out of the top 10 so fast? Did you buy the Godsmack album? Talk to us.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com’s Music Mix:
Jay-Z on Saturday Night Live: Big highs and a low
Tim McGraw, Faith Hill organize “Nashville Rising” flood benefit show
Bassist Carlos Dengler leaves Interpol
Katy Perry’s “California Gurls”: The first mega-smash of the summer?
Muse announced as first artists on upcoming ‘Twilight: Eclipse’ soundtrack; more to come

Dixie Chicks side project Court Yard Hounds debut at SXSW: Music Mix was on the scene!

court-yard-hounds“It was mellow until about 5 minutes ago,” said a man to my left, mid-jostle, as the wide floor of Antone’s became a no-moving zone late last night. The spectacular Americana Music Association SXSW showcase had been rolling since 8 p.m., with expert sets from Jim Lauderdale, Elizabeth Cook, and Hayes Carll, plus special guests Patty Griffin and Buddy Miller — all of whom deserve posts of their own. But when the clock struck 11, the walls began to split at their seams as half of Austin packed in to see the debut of the Court Yard Hounds, a.k.a. Emily Robison and Martie Maguire of the Dixie Chicks.

It’s the most anyone’s really seen of the sisters since Taking the Long Way swept the Grammys in 2007; the pair said they’ve embarked on the project after getting restless waiting for third Chick Natalie Maines to be ready to run again. Their self-titled debut doesn’t hit stores until May 4, but when Robison and Maguire took the stage in front of a five-piece band, flashed calm, confident smiles, and began the harmony-soaked “Delight (Something New Under the Sun)” without ceremony, their music already felt broken in, and the room swelled with attentive joy. “We only have an hour, so we’re going to try and get as much music in as we can,” said Robison. Besides a quick San Antonio joke later on, it was almost all the talking she’d do. READ FULL STORY

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