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Tag: Hip-Hop/Rap (21-30 of 926)

Hear 10 songs Joey Bada$$ is feeling right now

Bed-Stuy, Brooklyn’s Joey Bada$$ is only 19 years old, but he’s got a passion for old-school hip-hop—the kind you normally only find among fans who were buying rap tapes before he was even born.

Over the course of several increasingly popular mixtapes, he’s carved out a style rooted in what’s frequently referred to as the golden era of hip-hop, when a broad coalition of mostly East Coast acts like Gang Starr and A Tribe Called Quest were making seminal, boom-bap-heavy music that went a long way toward getting the genre taken seriously outside of the hip-hop community.

Right now, Joey’s prepping for the release of his debut solo album, B4.Da.$$. He took time out from his European tour to send EW a playlist of tracks that he has in heavy rotation right now. In true budding rap mogul style, about half the selections feature either him or a member of his Pro Era crew. That said, the left-field inclusion of Kiesza’s throwback club-pop burner “Hideaway”–and the hint that the two of them have a collaboration in the works–has us particularly excited.

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Charli XCX on her new album 'Sucker' and getting angry at pop music: An EW Q and A

At last night’s MTV Video Music Awards, Charli XCX was one of the evening’s stealth victors. Though she did not cash in on any of her five nominations (four for her turn on Iggy Azalea’s “Fancy,” one for Artist To Watch), her pre-show performance of “Boom Clap” ended up being one of the most compelling of the evening.

She also dropped some details about her forthcoming album Sucker, which will arrive on October 17, and unleashed the video for the album’s second single “Break the Rules.”

The clip, which features actress Rose McGowan, is a timely piece of back-to-school anarchy—one last summer tantrum before the leaves fall off the trees and beach jams start sounding passé.  READ FULL STORY

Surrealism meets avant-crunk in Shabazz Palaces' '#CAKE' video

Shabazz Palaces’ 2011 debut Black Up had a luxurious sleekness to its sound and a fiery political charge to its lyrics—qualities that it shared with Watch the Throne, which was released just a few weeks later—but with far less concern for pleasing a pop-oriented audience. For their new album, Lese Majesty, the duo has responded to Black Up‘s surprising success by pushing even further out with even more political intensity, even weirder beats, and much weirder promo photos.

Lese Majesty isn’t as easily accessible their first album, with song structures that consistently refuse to follow standard pop blueprints. But beat-maker Fly Guy ‘Dai and MC Palaceer Lazaro (aka former Digable Planets member Ishmael Butler) make sure to provide enough hooks to help listeners get on their deconstructionist level. A lot of them come on “#CAKE,” which is the closest thing to radio-friendly that the album gets, with a warped take on an old-school electro-rap beat and lyrics that walk a line between club-friendly sing-along and psychedelic chanting.

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Kanye and Kid Cudi unveil berserk signature shoe designs

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There’s little doubt that Kanye West is the most influential fashion icon in hip-hop right now. While he’s frequently, loudly, and lengthily detailed his struggle to earn respect in the fashion world, he’s succeeded in turning legions of fanboys into couture-loving goth ninjas and minting fortunes for labels like Hood by Air and Been Trill in the process. His shoe fixation has resulted in one of the few big successes he’s had in his pursuit of a career as a fashion designer: the Nike Air Yeezy, which has become the center of an entire cult of fervently devoted sneakerheads.

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Juicy J teams up with Nicki Minaj, Young Thug, and Lil Bibby for 'Low'

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One of the perks of being an artist who spent their youth pushing hard against every boundary you encountered is that years later, when the rest of the world catches up, you basically have a free pass to coast as much as you damn well please while you cash in on your hard-earned reputation. Few such artists take as much advantage of that unwritten rule as Juicy J, who’s spent most of his time since “Bandz A Make Her Dance” reignited his career recording guest verses that have given new meaning to the phrase “phoning it in” and often leave the listener under the impression that Juicy didn’t even listen to the rest of the song before jumping in the booth, dropping a quick 16, and grabbing a check on his way back out the door.

For all the uninspiring but presumably lucrative features he’s spat recently, Juicy possesses much of the skill that he displayed during his zeitgeist-rattling run with Three 6 Mafia, which he shows off a little more than usual on his new single “Low.” The reasons why aren’t hard to discern: by inviting Nicki Minaj, Young Thug, and Lil Bibby–three of the biggest talents in the game right now–on as guests he couldn’t take a chance trying to get by on cruise control.

Nicki Minaj vs. Taylor Swift: Who won this week's music-video showdown?

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On Monday, when Taylor Swift unveiled her new single in front of a select group of Swifties (and an untold number of viewers watching it on webstream), she did so with the casual confidence of someone with a large enough and devoted enough fan base to ensure it a No. 1 spot. And according to Billboard, “Shake It Off” very well may debut at the top of the Hot 100 next week, finally knocking Magic!’s strangely resilient “Rude” out of the place it’s held since mid-July. She’ll face some heavy competition when she gets there, though—much of it from female artists. Ariana Grande and Iggy Azalea have basically owned the chart for the entire summer. Between the two of them they currently have five out of the top 10 songs in the country, including their team-up “Problem.”

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Action Bronson is an acidhead outlaw biker in the 'Easy Rider' video

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 Action Bronson is apparently a B-movie fan as well as a rapper and professional food lover. The video for “The Symbol” from his 2012 mixtape Rare Chandeliers was a loving tribute to the lowest of low-budget ’70s grindhouse action cinema that featured Bronson rocking a truly memorable wig.

A couple weeks ago he dropped “Easy Rider,” the first single from his upcoming official debut album Mr. Wonderful, which boasts several references to dropping acid and some face-melting psych-rock guitar licks, and the accompanying video fittingly enough casts the rapper as an LSD-loving outlaw biker.  READ FULL STORY

Watch BLKHRTS party hard in their 'Porties' video

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Denver’s BLKHRTS are part of an insurgent movement that’s given hip-hop its own version of punk rock, overflowing with anarchic energy and intensely distorted sounds. They’re a little more gothed out than the other acts that fall under the umbrella of “noise rap,” like CLPPNG and the recently disbanded Death Grips. In an interview with their hometown alt-weekly, the Denver Westword, the group’s producer Yonnas Abraham–who makes the band’s beats on an outdated, not entirely functional, 20-year-old sampler–calls himself, “obsessed with romance, obsessed with death, and obsessed with the color black.”

BLKHRTS goth tendencies come through loud and clear on “Porties,” where they rap about romantic complications over a beat that samples Bauhaus’ “She’s In Parties.” The video, with its moody, high-contrast visuals and party-hardy action, sums up the group’s mission nicely.

Kelela and Le1f team up for the spacey slow jam 'OICU'

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Kelela and Le1f are two independent artists teetering on the verge of serious pop stardom. Kelela is part of a new wave of R&B artists forging connections with the leading edge of electronic dance music who’s made a fan of, among others, Solange Knowles, who put her on the avant-R&B compilation, Saint Heron, that she released on her Saint Records label last year. Le1f, meanwhile, is doing something similar with rap and the underground club scene, and the raw energy he brought to his Letterman performance earlier this year gave him an unexpected foothold in the mainstream.

Neither of the two are content to just wait around for their seemingly inevitable breaks to come through. Both are busy at work on their next big moves. But in the meantime, while those projects are coming together, they’ve paired up to record “OICU.” Produced by beat-maker P. Morris, the track showcases their mutual talents for creating a vibe that’s spacey, sexy, and effortlessly chill. It’s a match made in stoner-avant-pop heaven.

J. Cole releases Michael Brown tribute 'Be Free'

Rapper J. Cole is best known for writing songs about lightweight subjects like girls and how tough it is to be a popular and successful rapper, but he’s also proven himself capable of handling heavier topics. On Friday, he became the first major artist to release a song in response to the Michael Brown shooting. “Be Free,” which he posted to SoundCloud early this morning, is a solemn meditation on violence directed at young black men, driven by a looping electric piano figure and a compellingly raw vocal performance that weaves between melodic rapping and straight-up singing.

“Tired of seeing black boys killed,” he wrote in an email to his publicist that she included in her own email about the song. “Tired of seeing black men killed. No more being numb to it. Made this yesterday. Not gonna wait for the album to put it out. It’s now. peace[.]“


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