The Music Mix Music news, reviews, albums, concerts, and downloads

Tag: Hip-Hop/Rap (71-80 of 888)

The stellar new mixtape from Mike Will Made It, rap's hottest producer -- featuring Future, Miley, Ciara, and more

Rap producer Mike Will, who made the beat for “We Can’t Stop” and executive produced Bangerz, got Miley Cyrus revving her motorbooty in 2013.

But he’s no Svengali. To Miley, at least, he acted more like a consigliere: the close advisor whose gravitas balanced out her wilder impulses. (“We Can’t Stop” makes for such a transfixing party anthem because of its wistful undercurrent.) Of course, any decent consigliere helps plot chaos as much as they counsel discretion. Will’s latest mixtape, #MikeWiLLBeenTriLL, showcases the stormy impulses that draw artists to him, making for a dark but ridiculously entertaining tour through the back rooms of today’s rap. (You can download it free from DatPiff.)

READ FULL STORY

Judge nixes 50 Cent's bid to toss video lawsuit

50 Cent has lost a bid to end a Florida woman’s lawsuit over a sex video posted online with him edited into it as a wig-wearing narrator.

A New York judge rebuffed the rapper’s request to dismiss Lastonia Leviston’s claim in a ruling made public Thursday. Lawyers for both sides haven’t returned calls seeking comment. READ FULL STORY

Lord Infamous, rapper with Three 6 Mafia, has died

Groundbreaking rapper Ricky Dunigan, who rhymed under the name Lord Infamous, passed away on Friday night at his mother’s home in Memphis. He was 40 years old. The cause of death is currently unknown.

Dunigan helped form the Memphis-based rap collective Three 6 Mafia in 1991 alongside DJ Paul (Paul Beauregard) and Juicy J (Jordan Houston). Infamous drifted in and out of the group since its inception, and his most recent recording was a 2013 mixtape as a part of the group Da Mafia 6ix, which consisted of several members of Three 6 Mafia.

“R.I.P. lord infamous,” Juicy J wrote on Twitter on Saturday. Fellow Mafia member Gangsta Boo also tweeted out condolences. “Rest in Peace Lord Infamous please respect the family and dear friends during this tragedy. I will never forget the shows we rocked together . My heart is in pieces.”

Infamous had suffered a heart attack and a stroke in 2010, though a statement from Infamous’ publicist indicated that it was unclear whether or not his health issues played into his passing.

Da Mafia 6ix were scheduled to release their proper debut album in 2014.

Best and Worst 2013: The Worst Albums of the Year, starring Lil Wayne, Five Finger Death Punch, and John Fogerty

Let’s face it: Outside of a few exceptions, the bulk of the music that came out this year (or any given year) falls into the “pretty much okay” category. It takes a remarkable feat to cross the bridge from “merely disappointing” or “aggressively sub par” over to “truly, remarkably heinous.”

Which is to say: The five albums listed below aren’t merely boring or trite or annoying (though they are in fact all of those things). Each of the five long-players below had to go the extra mile. As many have taught us in the past, it takes quite a bit of work to be this terrible.

So here are EW’s picks for the five worst albums of 2013. They are all terrible. Let us never speak of them again. READ FULL STORY

Jay Z addresses Barneys controversy on new Rick Ross collab 'The Devil Is a Lie'

You can press pause on Beyoncé now—and be grateful Bey hasn’t convinced everyone to quit releasing teaser tracks off upcoming albums.

This one’s from Rick Ross, whose Mastermind will arrive early next year, and Jay Z, and it is so wonderfully good: Equal parts Rozay roll and blaring Blueprint soul—a jubilant celebration of two rappers who at this point can only really have fun with tales of crack dealing.

Although Jay Z also addresses the recent, quite real issue of his continued partnership with Barneys after “shop-and-frisk” lawsuits were brought against the department store: “See what I did to the stop and frisk?/Brooklyn on the Barneys like we own the bitch/Give the money to the hood, now we all win/Got that Barneys floor lookin’ like a V.I.M.”

READ FULL STORY

Daft Punk, Pink, Kendrick Lamar among first announced Grammy performers

The fans have asked “Just Give Me A Reason” to watch the Grammys, and the producers (and Pink) have answered.

Believe it or not, we’re only about a month away from the 56th Annual Grammy Awards, which will take place Sunday, January 26 at the Staples Center in Los Angeles. While plenty of people are invested in the nominees, the real stars of that particular show are the performers, and the bookers have begun to roll out the docket.

First up is Pink and Nate Ruess, who will be performing “Just Give Me A Reason,” the Billboard Hot 100 chart-topper that the fun. frontman co-wrote with Pink for her excellent 2012 album The Truth About Love. It will mark the first time the pair have been on network television together, though hardly the first Grammy appearances for either artist: Pink last showed up at the 2010 awards to perform a stunning rendition of “Glitter in the Air,” and fun. showed up on last year’s show to blast out “Carry On.” READ FULL STORY

Eminem gets therapy from Rihanna in 'The Monster' video: Watch it here

The-Monster.jpg

If this whole pop star thing doesn’t work out for Rihanna, she certainly has a future as a terrifying psychiatrist.

RiRi serves as Eminem’s unusual shrink in the new video for “The Monster,” the fourth single from Em’s phenomenally successful The Marshall Mathers LP 2. In the clip, which was directed by frequent Eminem collaborator Rich Lee (he also helmed “Rap God,” “Not Afraid,” and “Lighters”), Slim Shady sits on a couch while Rihanna watches him watch clips of old music videos and news footage, including his Grammy performance with Elton John.

Then Em splits off and finds himself trapped in an elevator, forced to observe his image from his very first music video for “My Name Is” (complete with 15-year-old Dr. Dre cameo). He also observes himself in the “Lose Yourself” clip, his computer-generated freefall in “The Way I Am,” and finally some sort of post-apocalyptic wasteland where he finds yet another version of himself locked in a cage.

It’s a pretty compelling clip and a fun trip through Em’s video past. Check out “The Monster” below.  READ FULL STORY

R. Kelly live at SiriusXM: On the scene

What’s R. Kelly really like? Or at least, what’s he like when he’s enclosed in a glass booth with a handful of fans, a small entourage, and a SiriusXM host lobbing softball questions and gently ribbing him?

He’s deceptively normal. Normal because he’s very present without seeming too “on.” Which is deceptive because he’s still R. Kelly: As liable to recite an original poem so sexually explicit you can’t make eye contact with anyone else in the room while he’s speaking as he is to giving you goose pimples with a few a cappella bars of “Bump N’ Grind.”

READ FULL STORY

Kanye West promises even fewer songs on his next album

Here’s a smidgin of uncertain information: Kanye West—who was, as you would expect, speaking on a panel at Art Basel—said last week, “I think my next album is going to be eight songs.”

Yeezus, which the famously minimal-minded Rick Rubin executive produced, included just 10 songs. This preoccupation with compression notwithstanding, Kanye did elaborate on his his goals at last Wednesday’s event, for Surface Magazine’s Design Dialogues series: “It’s just reducing down the amount of information that you need. People say a design is the point where you can’t take anything else away. [Yeezus] was very, very designed. I took a departure from radio and popular music in order to get this seat here. If I hadn’t made Yeezus, I wouldn’t be sitting here with this cool font at Basel right here.”

So far, so good. But eight songs does seem a bit scant. Does this mean that if he makes another Yeezus, he’ll need to cut the equivalent of “Guilt Trip” and “Send It Up”? Or even worse, “I’m In It” and “Hold My Liquor”? That would be sad indeed.

Grammy nomination snubs and surprises: Justin Timberlake, Sara Bareilles, Lorde and more

The nominations for the Grammy Awards always seem to lead to more arguments than any other music awards shows’ choices do. That’s inevitable, since the Grammys’ list of categories is so vast and sometimes confusing, and the criteria by which the nominating committee settles on its selections is often inexplicable.

The announcement of the list of potential Grammy winners last night was no different, and it starts at the top: Jay Z lead all artists with nine total nominations, even though his 2013 release Magna Carta…Holy Grail was considered tepid at best (an adjudication Jigga himself seems to share). What’s even stranger is that none of those nine nominations are in the Big Three categories: Song of the Year, Album of the Year, and Record of the Year. He also shares a couple of those nominations with Justin Timberlake for “Suit & Tie.” So Jay taking home the most nominations is a little deceptive — it’s not like the year Adele scored a boatload of nods and then dominated the proceedings.

That’s only the beginning. Here are nine more confusing snubs and pleasant surprises embedded within the Grammy nominations.

Surprise: Justin Timberlake
Weep not for JT; he picked up seven nominations across a multitude of categories, including Best Pop Duo/Group Performance.

READ FULL STORY

Latest Videos in Music

Advertisement

TV Recaps

Powered by WordPress.com VIP