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Tag: Indie Rock (1-10 of 668)

Reviewing Thom Yorke's 'Tomorrow's Modern Boxes': A surprise delivery -- and a pretty great one

On Friday, Radiohead frontman and dance enthusiast Thom Yorke snuck up on the Internet and delivered another sonic sucker punch. Not only did he announce that he had completed a new solo album called Tomorrow’s Modern Boxes, but that said album was already available via BitTorrent.

For a nominal fee of $6, hardcore fans were entitled to download a bundle that included all eight of the album’s tracks plus the unnerving music video for the track “A Brain in a Bottle”: READ FULL STORY

Hear two new delicately chilled-out pop tunes from Icewater

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Icewater began as three guys playing around with self-penned country songs in a Brooklyn apartment, but after four years, the acquisition of a drummer and a bassist, and the tragic passing of member Grant Martin, the band has reinvented itself as purveyors of chiming, clean-toned indie pop built on a rootsy foundation with a glassy psychedelic sheen. Imagine Wilco if they’d abandoned their proggier tendencies and taken up residency as the house band for a very classy but chill drinking establishment, and you should be in the right neighborhood.

The group’s been splitting its time between performing its own material and serving as the backing band for Eleanor Friedberger. They have a followup to this year’s Collector’s Edition LP in the can but no solid plans yet for releasing it. While they plan their next move, they’re releasing a two-track EP, out Oct. 7, which they’ll celebrate with a release party at Williamsburg, Brooklyn’s Baby’s All Right on Oct. 15. You can hear it here right now.

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Purling Hiss conjure weird, gritty VHS vibes with a playlist

Singer-songwriter Mike Polizze occupies the weird zone where experimental art music and eccentric rock ‘n’ roll overlap: an odd but fruitful territory that’s been home to generations of Weird Rock heroes from Frank Zappa to Ariel Pink. Recently Polizze’s expanded his project Purling Hiss from a solo endeavor to a trio, upping the music’s pop quotient in the process, and in the process created his most accessible album. Weirdon, released today on Drag City, delivers classic rock tunefulness enveloped in a haze of freaky vibes that feels a bit like the group’s label mate Ty Segall but just a touch more tweaked out.

To celebrate Weirdon‘s release, Polizze compiled an exclusive playlist for EW that he says has “a gritty lo fi/VHS aesthetic.” If you like your rock music weird and obscure, you’re in luck.

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Hear a 'bountiful autumn' playlist from The Drums

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EW recently talked to Brooklyn indie heroes The Drums about their new album, Encyclopedia, and you can read the jumbo-sized Q&A with founders Jonny Pierce and Jacob Graham here. We also asked the pair for a playlist, and they gave us 10 tracks covering an impressive range of sounds and styles, from ambient goth to jittery postpunk funk to the Disney Robin Hood soundtrack.

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Indie pop goes digital on Cassorla's 'The Right Way'

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Every so often, a session musician will strike out from the backline to lead a group of his own. Much of the time, the resulting music is technically impressive but less than compelling—more or less underlining why he was playing backup rather than fronting a band in the first place.

But Ben Cassorla, who’s toured with bands like Washed Out and Edward Sharpe and the Magnetic Zeroes (and, interestingly, Slick Rick), has proven himself to be an exception to the rule with his group, Cassorla. Back in the spring, he released an EP called Amigosnamed for the group of buddies, including Aubrey Plaza and members of the Magnetic Zeroes and Blitzen Trapper, who played on it—that emphasized his nifty pop songwriting chops over any flashy guitar skills he possesses.

The band’s about to head out for a fall tour with Blitzen Trapper. In preparation, he’s recorded a new single. Co-produced by Mighty Mike, who’s previously worked with Carly Rae Jepsen and Kelly Clarkson, “The Right Way” expands Cassorla’s sonic pallette by combining his signature punchy, riffy rhythm guitar playing with glassy keyboard flourishes and trap music’s flickering hi-hats, resulting in an odd but very interesting hybrid of indie rock and digital pop.

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Nude Beach share a playlist of their inspirations, and it's kind of like a collage

Brooklyn trio Nude Beach have a rare talent for borrowing sounds and ideas from various high points in rock history without coming off like copycats. Part of the reason is that they tend to collage bits from different styles and periods within one single song  part of it’s the quality of material that they’re drawing from, and part of it’s just a gift for writing undeniable hooks. While they’re getting ready for the release of their third LP 77 and an accompanying fall tour, the band took a break to make EW a playlist of songs that inspired the album. Covering everything from modern jangle revivalists to classic country to psychedelic folk, it’s proof that when it comes to making records, the band’s working with top-shelf ingredients.

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Hear 'Edge of Space' from The Jazz June's first album in 12 years

The Jazz June was one of the biggest bands during emo’s creative heyday during the ’90s, distinguishing themselves through a combination of intense musical ambition and accessible pop songwriting. The Pennsylvania four-piece released their last album Better Off Without Air in 2002, shortly before disbanding, but they’ve reunited just in time to catch the current emo revival wave. On Nov. 11, Topshelf Records will release the band’s first full-length recording in 12 years.

After the Earthquake will include 10 new songs produced by emo revivalist Evan Weiss (aka Into It. Over It.), including “Edge of Space.” Frontman Andrew Low, who relocated to London after the group’s breakup, says that the song “is loosely based on the story of Felix Baumgartner, who broke the record for skydiving 25 miles from space.

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Music supervisor for 'Revenge,' 'Arrow,' and 'The Fault In Our Stars' makes us a fall TV playlist

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The most important movie soundtrack this year was undoubtedly the top-shelf compilation put together by Season Kent for The Fault In Our Stars, and not just because it gave us Charli XCX’s inimitable “Boom Clap.” Kent has quickly become one of the go-to names in music supervision, and though she’s working on more and more film projects (she just got started working on the Magic Mike sequel), she has primarily made her bones on television.

This season, she returns to both Arrow and Revenge, and adds the brand new Arrow spin-off The Flash to her portfolio. In an effort to give our Shazam apps a rest during the forthcoming TV season, we asked Kent to make us a playlist of songs that we’ll eventually be hearing under our favorite dramatic moments and montages. Check out her picks and listen to the Spotify playlist below.

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Listen to Ariel Pink's 'Put Your Number in My Phone,' off his upcoming double LP

Ariel Pink never stays away for long. On Nov. 18, he’ll release his first album since 2012’s Mature Themes, ending a hiatus that’s an especially long one for the prolific freak folkie .

The album, pom pom, will be a double LP, and Pink’s first record without his group, Ariel Pink’s Haunted Graffiti. “Although this is the first ‘solo’ record credited to my name, it is by far the least ‘solo’ record I have ever recorded,” he said in a statement. We’ll see what exactly Pink means by that in a couple months.

For now, he’s given us the album’s first single, “Put Your Number in My Phone,” which you can listen to below. The groovy cut picks up where 2012’s flowery “Only in My Dreams” left off, while spurning the mellow vibes of classic Ariel Pink songs like “Round and Round” and “Baby”

“Put Your Number in My Phone” will be one of 17 tracks spanning pom pom‘s 69 minutes and four sides—which are slyly labeled P-I-N-K rather than A-B-C-D.

Field Guides jangle on with 'Lisa Loeb Probably Never Pierced Her Ears'

Plenty of bands right now are tapping into the ’90s for inspiration, but few can provoke a full-on Clinton-era flashback like Brooklyn’s Field Guides. The first single off their upcoming debut LP Boo, Forever (out Nov. 11 on Muir Woods) not only nails the jumpy, jangle-heavy sound that about a million twee-pop bands took up in the wake of the influential C86 compilation, its title’s oblique reference to a mainstream-compatible alternative rock star perfectly nails the combination of snark and sublimated fame worship that indie rockers at the time were all about.

Along with sharing their new song with EW, they’ve also made us a playlist that shows off their ambitious and eclectic listening habits.

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