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Tag: Indie Rock (71-80 of 629)

Metallica's Lars Ulrich on Lou Reed: 'He's the most direct, pure person I've ever met'

After Lou Reed passed away last Sunday at the age of 71, we reached out to one of his friends and collaborators, Metallica drummer Lars Ulrich, who worked with him on his last major recording project, the 2011joint album LuluHe spoke to us about his first introduction to the Velvet Underground as a kid growing up in Denmark, their first meeting at an amusement park years later, and what working with Reed was like.

“My dad had a music room across from my room in the house I grew up in in Copenhagen, Denmark. There would be all kinds of crazy stuff coming out of there from the late ‘60s and early ‘70s: Hendrix, the Doors, Miles Davis, Janis Joplin, John Coltrane, all that kind of stuff. Among the things that came out of that room at that time was the Velvet Underground. I maybe wasn’t super aware of that when I was six years old, but a few years later we moved to America and [my Dad and I] started exchanging music that we were passionate about. I would sit there and play Iron Maiden or Motorhead, and he would play me some crazy stuff. And I remember we had some pretty next-level sessions with ‘Heroin’ and ‘Sweet Jane,’ and with Rock ‘n’ Roll Animal, some of that stuff. This was the first time I sat and got into it on a different level, probably around 1980 or 1981.

So obviously that type of stuff had a tremendous impact. I wasn’t quite in tune with the cultural impact of the New York scene and what it all meant, but as a musical relationship, it was very rich, and I loved what I was hearing and I connected with what I was hearing. Some people will talk about ‘the forefather of punk music’ and all that type of stuff. I wasn’t able to put it together in that type of context at that time because I was only 16, but those were the first couple of times I experienced Lou. READ FULL STORY

'Dallas Buyers Club' soundtrack: Hear new songs from Tegan and Sara, Neon Trees, My Morning Jacket and more - EXCLUSIVE PREMIERE

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One of this fall’s most anticipated movies, The Dallas Buyers Club, tells the true story of Texas native Ron Woodroof (Matthew McConaughey), whose 1986 HIV diagnosis, received in an era before treatment was readily available, spurred him to start his own prescription drug-smuggling ring.

The movie, which also stars Jared Leto, Steve Zahn, and Jennifer Garner, doesn’t open until this Friday, November 1, but you can stream the soundtrack exclusively here today. The album features brand new compositions by the likes of Tegan and Sara, My Morning Jacket, Fitz and the Tantrums, Neon Trees, Cold War Kids, and Leto’s own band Thirty Seconds to Mars. The album kicks off with Shuggie Otis’ stoned-soul anthem “Sweet Thang,” and also includes two classic T. Rex songs.

If you buy the album on iTunes (where it goes on sale today), 40 cents of every sale will go to the AIDS relief charity Project (RED)‘s Global Fund.  Jared Leto will be taking over Project (RED)’s Twitter account today at 11:30 AM Eastern/8:30 AM Pacific to answer questions about the movie, the soundtrack, and AIDS awareness.

Listen to the full album below: READ FULL STORY

Lou Reed and John Cale's 'Songs For Drella': Art's beating heart

Rock history is littered with band leaders who made game-changing contributions within the context of their groups, but struggled to make an impact on their own. For all the mind-blowing tunes he dealt out with the Rolling Stones, Mick Jagger’s solo output is pretty embarrassing, and though some of his post-Talking Heads music has been legitimately wonderful, David Byrne has never been able to replicate the Heads’ collective magic.

Not Lou Reed. His work with the Velvet Underground is rightfully heralded as legendary, but his solo career was just as powerful and inspiring. Throughout his solo run, Reed felt free to explore all sides of his personality, from the theatrical glam of Transformer to the sweet subversive pop of Coney Island Baby to the brutal drone of Berlin. Not all of his dalliances were successful—not even contrarian hipsters cop to liking the notoriously unlistenable Metal Machine Music, and his Metallica tag-team Lulu is problematic at best—but he took bold chances and hit more than he missed. READ FULL STORY

Velvet Underground's John Cale on Lou Reed: 'I've lost my school-yard buddy'

Though they founded the Velvet Underground together and collaborated on and off for nearly half a century, Lou Reed and John Cale had a relatively contentious relationship over the course of their intertwined careers. (As recently as earlier this year, Cale expressed consternation over Reed reviving their Andy Warhol tribute project Songs For Drella.)

But that was put aside following the news of Reed’s passing. Cale took to his Facebook page yesterday to express his thoughts on his former bandmate in the wake of his death. “The world has lost a fine songwriter and poet,” Cale wrote. “I’ve lost my ‘school-yard buddy.’”

Reed, Cale, Sterling Morrison and drummer Maureen Tucker launched the Velvet Underground in the mid 1960s and produced two albums together—1967′s The Velvet Underground and Nico and 1968′s White Light/White Heat—before Cale was replaced by Doug Yule for the band’s 1969 self-titled album. Cale and Reed clashed over control of the band and its direction, with Cale always trying to pull more and more into the droning sounds of tracks like “Venus In Furs.”

Since leaving the Velvet Underground, Cale had a moderately successful solo career (his signature album, 1973′s Paris 1919, is a classic of the genre) and has also done well as a producer, primarily for late former VU chanteuse Nico.

In 1989, Reed and Cale came together following the death of mutual friend and mentor Andy Warhol. The pair had not spoken to one another for years before Warhol’s memorial service in 1987, and they reunited in 1990 to write a song cycle about Warhol called Songs For Drella. Though they didn’t tour, they did make a concert film shot by ace cinematographer Ed Lachman, which is hard to find but well worth seeing. Cale and Reed last worked together on the Velvet Underground reunion tour in 1993.

Reed passed away yesterday, October 27. The cause of death has still yet to be announced, though he had recently undergone surgery for a liver transplant.

Down with '00s nostalgia! Up with the Dismemberment Plan!

It’s a columnist’s cliche to say so, but when it comes to unpleasant inevitabilities, nostalgia’s right up there with death and taxes: We know it lies in wait, poised to deny the whatever’s good right about life right now—age and maturity, cool new shit, the Present. But lately it feeds another perspective-sapping distraction: Microtargeted online lists meant to light up little networks of people who share largely meaningless past experiences, like what massive university they attended or chain store they shopped at in high school. That’s what really grinds my gears. Surely there exists a list of Signs You Listened to Emo. And surely we’re fine as a culture having moved on from emo’s heyday, whatever you might think of Fall Out Boy’s punky new album or that song Haley Williams made with Zedd (or the current output of Dischord Records, for that matter). And I say this as an unreconstructed emo boy. READ FULL STORY

Hear a new song from Canadian indie band Reuben and the Dark -- EXCLUSIVE

It’s time to shed some light on Reuben and the Dark. (Sorry, we couldn’t help it.)

The Calgary-based group is the newest signee to Canada’s Arts & Crafts, the label that gave us such Canadian delights as Broken Social Scene and Feist. The band, led by singer-songwriter Reuben Bullock, is currently working on their 2014 debut, coproduced by Florence and the Machine drummer Chris Hayden.

Get an early exclusive listen here with the single “Rolling Stone”:

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Death Cab For Cutie's 'Transatlanticism' turns 10 -- looking back at a classic indie-rock album

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Earlier this year, the Postal Service celebrated the 10-year anniversary of its landmark one-off album Give Up

That album still holds up remarkably well, but it’s unfair to talk about Give Up without discussing frontman Ben Gibbard’s other landmark accomplishment from 2003: Death Cab For Cutie’s Transatlanticism, which came out a decade ago today.

The creation of Transatlanticism is not as romantic as the long-distance construction of the Postal Service’s Give Up, but Gibbard was working on both albums simultaneously, and it’s fair to think of the two as bookends; though there are thematic and tonal crossovers, they come from two very different places.

“Strangely, I don’t think the two records have much to do with each other as far as the emotional tone,” Gibbard told EW earlier this year. “I felt like I could shift pretty seamlessly between working on Postal Service and then turning around and writing a Death Cab song.” Gibbard allowed the tracks that Postal Service collaborator Jimmy Tamborello was sending him to dictate the emotional tone of the songs themselves, while Transatlanticism is the product of Death Cab’s collective hive mind.

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Hear Cass McCombs' new song 'Angel Blood' -- EXCLUSIVE

Acclaimed singer-songwriter Cass McCombs’ upcoming seventh album Big Wheel and Others has a whole lot of songs to dig into — 22, to be exact — and you can preview it with one of the first listens exclusively here.

The song “Angel Blood,” finds the Californian exploring ’70s Kris Kristofferson vibes with slide guitar and intimate, evocative vocals.

Listen below:

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Hear Dean Wareham's new song 'Emancipated Hearts' -- EXCLUSIVE

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If you’re a devoted fan of Galaxie 500/Luna/Dean & Britta fan like we are, you’ve probably spent more than a few days of your nights pining for some new music from Dean Wareham.

The indie-rock stalwart is releasing his first solo work, the Emancipated Hearts EP, this month; last week he dropped “Love Is Colder Than Death,” and today he’s previewing another unreleased track, “Emancipated Hearts,” which you can hear exclusively here:

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Watch Arcade Fire's 'Here Comes The Night Time' concert special

In case you were lulled to sleep by the weekend’s tepid Saturday Night Live premiere and missed musical guest Arcade Fire’s neon-colored concert special that aired right after the SNL credits rolled, you’re in luck: The entirety of the 22-minute affair, which features a bunch of new tracks from the band’s forthcoming album Reflektor, is now online.

Produced in association with the Creators Project and directed by Roman Coppola, Here Comes The Night Time features Arcade Fire frontman Win Butler jacking both Wayne Coyne and the ’97 version of Marilyn Manson. There’s also James Franco auditioning for a role in the Bill & Ted remake, Michael Cera endorsing Shakira en Espanol (and then later lecturing about the coolness of rooks on a chess board), Bill Hader and Zach Galifianakis in space, and a lot of those suits that Mike Mills wore in the “What’s the Frequency, Kenneth?” video.

There will probably be some sort of Bingo board or drinking game surrounding this thing soon, so go ahead and get familiar below:

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