Tag: John Legend (1-5 of 5)

Nov 12 2012 05:16 PM ET

On the Scene: Alicia Keys' VH1 Storytellers

Image Credit: Michelangelo Di Battista

Alicia Keys’ VH1 Storytellers set at 106 and Park is small but sumptuous with the air of an upscale jazz lounge, the stage adorned with carpets and candles, a stately grand piano at the center.

Keys emerges wearing silver tights and a chin-length bob, strutting about in stilettos. She carries herself onstage with cool and confidence – not showy or attention-seeking, merely comfortable – and speaks in a voice so smooth you could drape it over your shoulders. Everything about the woman – her physique, her demeanor, not to mention her talent as a musician – broadcasts the fame and success that she accepts so casually. Seated in a crowd of perhaps 100, less than ten yards from the singer herself, I am in awe.

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May 21 2012 05:27 AM ET

2012 Billboard Music Awards: 20 essential takeaways from the show

BILLBOARD-LMFAO

Image Credit: Ethan Miller/Getty Images

Like most music awards shows, the Billboard Music Awards are so not about the statuettes that are doled out. The show — which aired live last night on ABC from the MGM Grand Hotel, with hosts, Modern Family stars Julie Bowen and Ty Burrell — is typically more about everything but the awards: performances, tributes, collaborations, and other sundry craziness.

Hell, even the fashion — hello to Miley Cyrus’ barely-there suit jacket — is more important than the prizes! And that was no different this year. Just a handful of the 46 awards were actually given out during the show (LMFAO dominated), which was jolted to life with performances from Katy Perry, Cee Lo Green, and Linkin Park; tributes to Robin Gibb, Donna Summer, Whitney Houston, the Beastie Boys’ Adam Yauch, and Stevie Wonder; a collaboration between Stevie Wonder and Alicia Keys; and a heartfelt speech by Houston’s daughter Bobbi Kristina Brown.

Here are 20 essential takeaways from the evening:

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Mar 20 2011 09:33 PM ET

Kanye West at SXSW: Jay-Z, John Legend, Kid Cudi and more join all-star festival closeout

kanye-sxsw

Image Credit: WireImage/Getty

Maybe it’s true that no one man should have all that power. Or maybe Kanye West just needed his own power station—specifically, the city’s long-dormant nuclear-era Seaholm Power Plant—to host his bold-faced SXSW festival blowout on Saturday night.

The free show, announced via high-production-values promo video by sponsor Vevo only days before, attracted scads of hopefuls livin’ in the 21st century and very much hoping to do something mean to it. Though for nearly two agitated hours, the only aspirants allowed entry were the already-famous: a leather-jacketed Diddy (with three-car convoy), tennis star Andy Roddick and his swimsuit model/actress wife Brooklyn Decker (“YEAH, PETE SAMPRAS!” yelled one witty lineholder), and other assorted sunglasses-at-night types who rolled up in SUVs with full security details, not on foot or via ubiquitous pedicab. READ FULL STORY »

Sep 24 2010 02:35 PM ET

John Legend and the Roots bring soulful sounds, strong messages, and Jennifer Hudson to NYC's Terminal 5

JOHN-LEGEND-ROOTSLike that one cool teacher we all had way back when, John Legend and the Roots schooled a sold out crowd at New York City’s Terminal 5 last night. Promoting their collaborative release Wake Up!, comprised mostly of Civil Rights-fueled ‘60s and ‘70s covers, the soul crooner and hip-hop’s baddest band in the land ran through several tracks from the new set—as well as a few of Legend’s biggest hits. It was filmed by director Spike Lee and live streamed on Youtube and Vevo as the latest installment in American Express’ Unstaged concert series.

Parting the audience, Legend and the Roots entered like a New Orleans marching band and stepped up the stage to open with Curtis Mayfield’s “Hard Times,” their hard-hitting cut where John plays the part of a man surrounded neighbors who are quietly racist towards him. The song, like many others from their album embodied the evening’s lesson: Yeah, these songs were inspired from music created during the Civil Rights movement decades ago. But as much as things have changed, they’ve also stayed the same. As a U.S. flag waved in the background, Legend coolly sang Mike James Kirkland’s encouraging classic “Hang on in There.” The song’s breakdown, which included some spoken words about how Legend couldn’t turn his back on his friends or his country, did fall on some deaf ears, though.

“They better play some of their old stuff,” said one disgruntled man to his date. Presumably, he came for a more lighthearted show and not a Wake Up! call to action rally. Others also used some of the show’s most thoughtful moments to talk amongst themselves. It’s already tough to perform a record that came out two days before. Combine that with it being one rife with heavy messages and like a high school history lesson, the audience tuned out.

Eventually they got what they wanted. Legend dipped into his stash of R&B hits and pulled out his upbeat suggestive jam “Green Light.” Then the Roots brought out English siren Estelle for “You Got Me.” The crowd was alive and attentive again. From then on, there were no letdowns. In a white shirt, black vest, and matching sunglasses, Common joined songstress Melanie Fiona on stage for “Wake Up,” earning the night’s biggest applause.

As the lights dimmed, Legend followed with his biggest hit to date, “Ordinary People.” But just when people thought they got their money’s worth and were just about set to go, the encore brought the night’s biggest surprise guest. A slender Jennifer Hudson glided out to sing Walter Hawkins’ “Be Grateful” along with John.

Fans usually come to concerts to escape from the day’s harsh realities. Instead tonight John and the Roots smacked their audience with unabashed truth, still managing to make them groove. Racism’s still alive. Poverty exists within our boarders. And there is a war going on. I guess everything sounds better to Questlove’s beat.

Watch them perform “I Can’t Write Left Handed” and “Compared To What” after the jump.

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Apr 22 2010 12:43 PM ET

The Roots enlist Joanna Newsom, John Legend, Jim James for new album

Roots-Joanna-NewsomImage Credit: Bryan Bedder/Getty Images;Annabel MehranHere’s your random yet awesome music news of the day: A rep for the Roots confirms exclusively to the Music Mix that Joanna Newsom, John Legend, and My Morning Jacket/Monsters of Folk’s Jim James will all appear on the Roots’ upcoming album How I Got Over.

It’s been ten months since the Roots debuted that album’s excellent title track on Late Night With Jimmy Fallon, and the rest of the record has yet to appear. That’s okay — we fans are willing to wait, and we all know the Roots are busy with their day late night job. Still, the delay has made me, for one, desperate for any new information about How I Got Over. Last night, Roots drummer ?uestlove dropped just such a tantalizing crumb on Twitter: “yes indeed we are working hard on #HOWIGOTOVER (first look) mixing the Joanna Newsome Jawn.” Could that possibly mean what I thought it meant? Yep! Now we know it’s true: The brilliant indie harpist and the baddest hip-hop band in the land will be together on wax at last.

This combination is as cool as it is unexpected. Just imagine the possibilities: Newsom could sing a hook like no other, sure. Or she could pluck out a counter-melody to Captain Kirk’s guitar and Tuba Gooding Jr.’s Sousaphone on her harp. Or maybe, just maybe, she could get a verse to herself, or trade lines with Black Thought “Double Trouble”-style. After all, Newsom’s complex rhyme schemes often feel closer to hip-hop than anything in typical indie rock. (UPDATE: The Roots’ camp clarifies that the song in question samples one of Newsom’s old songs — from this in-studio teaser clip ?uesto just posted, it sounds like 2004′s “The Book of Right-On” — but that Newsom has also recorded new vocal over-dubs for this track.)

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