Usually it’s Lady Gaga’s modernist tendencies that grab headlines, but the pop singer is back in the news today thanks to a studio recording of “Anything Goes” with Grammy-winning jazz singer Tony Bennett.
Tag: Lady Gaga (1-10 of 344)
Last October, Lady Gaga’s duet with R. Kelly, “Do What U Want,” was released as Artpop‘s second single. The track began receiving the full promotional push, including a live performance alongside Kelly on Saturday Night Live. But in mid-December, the Village Voice published an interview with veteran Chicago music journalist Jim DeRogatis that assembled 15 years of research into allegations of Kelly’s history of assaulting young women into a damning portrait of a sexual predator.
Wisely, Gaga and Interscope stopped the single campaign almost immediately, and a video for the song that had already been shot was shelved. But on Thursday, TMZ posted a 33-second clip of the “Do What U Want” video, and it’s clear why Gaga’s camp wanted to keep it under wraps.
Riffing on Gaga’s hip surgery last year, the video opens with her on an operating table being felt up by Kelly, who then sedates her and messes around with her unconscious body with help from a team of scantily clad nurses. In another sequence Richardson’s shown taking photos of a nude Gaga simulating sexual acts on a pile of tabloids. A source who spoke to Page Six about the video calls it “literally an ad for rape.”
This week, the video’s director, Terry Richardson, has been in the news for his own history of alleged sexual assault. Rumors that Richardson routinely made unwanted advances toward his models, along with accusations from models who claim that he pressured them into sexual activity, have been swirling around the fashion world and blogosphere for years, and a profile in the current issue of New York magazine, while largely sympathetic to Richardson, has brought them to the attention of a much larger audience.
Gaga distanced herself from Kelly immediately following the Village Voice piece, and has kept away in the months since. Richardson has been a closer collaborator with her than Kelly was—he’s become something like her official photographer, and he’s published an entire book of photos he’s taken of her. Gaga was allegedly unaware of the claims that have been made against Richardson in the past.
In 2011, Chicago-based singer-songwriter Rebecca Francescatti sued Lady Gaga, alleging that Gaga’s hit “Judas” had ripped off her 1999 song “Juda.” Three years later, Judge Marvin E. Aspen found time to listen to the two songs and has tossed out the case.
“We conclude as a matter of law that the two songs are not substantially similar,” Aspen wrote in his ruling. “No reasonable trier of fact could find that Defendants copied protected expression in Francescatti’s song. The songs do not ‘share enough unique features to give rise to a breach of the duty not to copy another’s work.'”
The judge noted that the two songs have “four similar 16th notes” and similar names, but wrote that those similarities were not substantial enough to capture “the total concept and feel of the Francescatti song.” (Here’s a video comparing a part of “Juda” with “Judas.”)
Song copyright cases are usually settled out of court, as in the case of Avril Lavigne’s 2007 “Girlfriend.” Lavigne was sued for ripping off the 1979 song “I Wanna Be Your Boyfriend,” but the case was settled in 2008 for an undisclosed amount. When these types of cases do make it to court, judges usually side with the party accused of plagiarism, according to Rolling Stone.
Lady Gaga delivered some sad news to little monsters in Seattle and Vancouver, Canada on Wednesday when the singer announced that she would have to postpone both tour stops on her artRAVE: The Artpop Ball tour due to bronchitis. Gaga took to Twitter to spread the news where she made light of the situation in the form of a Little Mermaid reference.
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Lily Allen’s at it again. In her new video for Sheezus, the never-not-opinionated Brit takes aim at reigning pop queens: Beyoncé, Katy Perry, Rihanna, Lady Gaga and even sweet little Lorde. (Surprisingly she leaves T-Swift out of it.) READ FULL STORY
“Can you believe this place is 95 years old?” Lady Gaga asked the Sunday night crowd at New York City’s Roseland Ballroom, prompting — what else? — shrieks of adoration from her devoted fans. “What an old bitch.”
A half-naked bird-woman, a resurrected Michael Jackson, synchronized swimmers, an open-heart LEGO Goatse, a pack of deified Bravolebrities — it’s official: We’ve got a Gaga video on our hands.
“G.U.Y. – An ARTPOP Film” debuted tonight on the singer’s VEVO channel, and it’s a whopper even by Gaga’s standards: 11 minutes and 46 seconds of unfettered camp-pop delirium that falls somewhere between a Cocteau movie and an episode of Watch What Happens Live, complete with (we couldn’t make this up if we tried) Andy Cohen as Zeus and the cast of The Real Housewives of Beverly Hills as a Greek chorus. READ FULL STORY
After Mother Monster was vomited on at Stubbs BBQ last night — for the show guys, it was all part of the show — she came to the SXSW keynote address wearing a full body tarp and dreadlocks that gave her a distinct Twins from The Matrix vibe.
The address wasn’t actually speech, but a Q&A session hosted by John Norris, the former MTV VJ who is now a producer for Fuse. Norris couldn’t help himself and dove right in with a barf joke: “You could’ve used that outfit last night, huh?” Thank you for saying what we were all thinking. (Although, I have to question his John Galliano armband. Pourquoi?) Lady Gaga seemed subdued, which is probably because she was feeling a little wrung out from all the mechanical bull/pig riding that she did last night. That really takes it out of you.
There were two overarching ideas that she kept circling back to in her answers and they might not be what you expected: 1) The music industry machine is ruining lives, but corporate sponsorships are, surprisingly, not. 2) Twitter is ruining lives. (This from a woman with 41 million followers.) The first point was a reaction to the flack that she’s gotten for showing up to SXSW–once upon a time, a festival for unknown artists–and playing under the massive corporate logo of Doritos, which underwrote her performance. The second point, well, let’s just say Gaga is competing with Anne Hathaway for the most cyber-haters.
So here are seven things we learned from Gaga’s keynote address: READ FULL STORY
Here’s the most important thing you have to know about Lady Gaga’s performance at SXSW on Thursday night: At one point, while performing the ARTPOP track “Swine,” Gaga climbed aboard a mechanical bull that had a pig’s head. A second woman, a performance artists from London who Gaga introduced as Millie, climbed onto the bull with her and proceeded to vomit directly onto the bright white apron that gaga was wearing.
It was certainly a new brand of visual, and one that Gaga designed specifically for this special show that was originally supposed to be staged inside the giant Doritos vending machine but was later moved to the faux-amphitheater at Stubb’s. That smaller stage was converted into “Lady Gaga’s Haus of Swine,” according to a light up sign on stage right. The mechanical pig wasn’t the only attraction; she opened the show by singing “Aura” while rotating on a barbecue spit (this was after six solid minutes of her eating ribs on stage in silence). You can’t accuse her of not knowing how to work a crowd, as she also re-arranged “Bad Romance” into a country-blues hybrid that featured some pretty mean fiddling.
It was hard to imagine what Lady Gaga would do on such a small stage, but she made it work. READ FULL STORY
Lady Gaga's mom defends charges that Born This Way charity spent millions on overhead and donated only $5,000
Cynthia Germanotta has gone on the record about reports that daughter Lady Gaga’s foundation has spent millions on expenses like its website and publicity instead of charity grants, insisting that the Born This Way Foundation “carries out its work directly.”
“It is important for us to set the record straight regarding Born This Way Foundation’s mission and how the organization allocates its funds. … First and foremost, we are an organization that conducts our charitable activity directly, and we fund our own work,” wrote foundation co-founder and president Germanotta in an op-ed published March 12 by the Huffington Post. “We are not a grant-maker that funds the work of other charities, and were never intended to be.”
The defensive op-ed comes just days after ShowBiz411.com wrote a scathing article about the foundation’s spending, revealing that the foundation spent just $5,000 of its $2.1 million in net assets. READ FULL STORY
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