Taylor Swift dropped some big news yesterday—her forthcoming album 1989, inspired by the sounds of “late ’80s pop,” will debut on October 27. The singer also released the album’s first single and music video. EW writers Kyle Anderson (who knows a lot about music) and Marc Snetiker (who really, really likes music) debate the merits of Swift’s latest song—and whether it’s a hit or a miss.
MARC: Do you know what it feels like when Kermit the Frog dances? When he waves his hands in the air and lets his head wobble freely, as if little more than fabric and stitching is holding it together? That, perhaps, is how to best describe the dance I haven’t been able to stop doing—alone, in my office, with or without the lights on—since Taylor Swift’s “Shake It Off” dropped.
KYLE: I should begin by saying I don’t have any fundamental problem with Taylor Swift. She’s made a lot of songs that I like, and she’s made a lot of songs I don’t particularly care for. I’ve enjoyed work that she has done both in a pure country form (“The Best Day” is a tremendous acoustic story-song) and when she’s gone totally pop (“We Are Never Ever Getting Back Together” remains my jam). But I find “Shake It Off” pretty repulsive for a number of reasons. I’ll start with the one that has always driven me nuts about Taylor Swift: Her inexplicable persecution complex. Sure, her personal life gets written about in tabloids, and she’s had to put up with her share of paparazzi, but she isn’t affected any more than any other famous person, and she’s spun the prurient interest in her paramours into radio gold time and time again. The whole “Haters gonna hate” refrain rings so unbelievably false to me. READ FULL STORY