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Tag: Metallica (11-20 of 31)

Dave Grohl to host limited-run show on SiriusXM

Image Credit: Emmanuel Dunand/AFP/GettyImages

Dave Grohl’s ready to pay tribute to the recording studio that helped launch his career.

Starting on Thursday, the Foo Fighters frontman will host “Dave Grohl Presents Sound City,” a series of shows on SiriusXM that celebrate the output of California’s Sound City Studios. There are nine shows in total, each focusing on a different epoch in the studio’s history from 1970 to 2011.

“I’m grateful to SiriusXM for giving me the opportunity to share all this great music and to let people know what got me excited about Sound City in the first place,” Grohl said in a press release.

READ FULL STORY

Green Day cancel more tour dates, move up 'Tre!' release date

Fall 2012 was supposed to be the beginning of an extended victory lap for Green Day. With one album already out and a second on the way, they were meant to be in the midst of a club tour that would lead directly into a massive arena tour.

But frontman Billie Joe Armstrong’s rehab stint has derailed much of that. Having already called off a bunch of appearances, the band announced this morning that they have canceled the remainder of their 2012 appearances and are postponing a total of 21 dates in January and February.

“Obviously the timing for this isn’t ideal, but Billie Joe’s well-being is our main concern,” Green Day bassist Mike Dirnt said in a statement sent out by the band’s publicist this morning. READ FULL STORY

Metallica, the Kills, Sigur Ros and more at Outside Lands Festival in San Francisco -- Day Two on the scene

Alabama Shakes were solid, drawing a main-stage crowd to a second-stage show, and the Kills nailed it.  Explosions in the Sky were entertaining, and, by all accounts, Passion Pit and Sigur Ros were stunning.  But there was only one real story on Day 2 of the Outside Lands Festival, and the story was Metallica.

Golden Gate Park was their final San Francisco frontier  — Metallica have played virtually every Bay Area club, arena and stadium over the course of their 30-year history – and they were pumped:  of the 65,000 people in attendance, the four members of Metallica may have been the most excited of all.

“The whole vibe there is so f—ing next level that you know, all we’ve got to do is just show up and make sure we’re firing on all 24 cylinders,” drummer Lars Ulrich said last week, and, to invoke Nigel Tufnel,  last night Metallica were firing on all 25.  If there was ever a better concert in Golden Gate Park, it was only because there weren’t thousands of people hoisting their iPhones overhead in annoying attempts to document it.

The show was vintage Metallica; it started with “Hit the Lights” and ended with “Seek and Destroy,” both from their 1983 debut Kill Em All.  They played only one song during their two-hour set from their most recent release, 2008’s Death Magnetic, and (no huge surprise), nothing from Lulu, their 2011 collaboration with Lou Reed. Amongst the highlights:  “Master of Puppets,” “Fade To Black,” “Nothing Else Matters” and, of course, “Enter Sandman.”

There were fireworks and flame pots.  There were lasers and pyrotechnics, and 24 guitars were used over the course of an 18-song show. And while the bells and whistles may have taken the show over the top, it was Metallica’s music that provided the spectacle.

–by Julie Farman

More on EW.com:
Outside Lands Day One: Neil Young, Foo Fighters, Beck and more
Beastie Boy Adam Yauch’s will bars use of his work in ads
Hear four unreleased Lana Del Rey songs here

Record Store Day 2012 preview: The best vinyl, the coolest stores

RECORD-STORE-DAY

Today, thousands of fastidious collectors are waking up way too early for a Saturday, standing  in silly lines with their brethren, and diving deep into crates to pay premium bank for the privilege of owning a handful of the dozens of exclusive vinyl releases being put out as part of the sixth annual Record Store Day.

And I couldn’t be happier.

Launched in 2007, Record Store Day celebrates the independent music shop, an institution that has been under attack since well before the Internet threatened to dismantle the music business. Really, it’s a day to celebrate the relative resilience of these little shingles that could. After all, they survived the format wars, outlived massive chains like Tower Records and Virgin Megastore, and stuck out the first wave of file sharing (Napster, Gnutella, and the like).

With vinyl sales surging and interest in sprawling music discovery zones like Amoeba Records steadily growing, it’s a good time to be a fan of black discs that go around and around and around. This year’s exclusive Record Store Day features the release of several dozen exclusive pieces of vinyl, which may or may not be available at your local emporium (it pays to hit up more than one spot, if only to observe the crowds at each location). READ FULL STORY

New vinyl album releases from Katy Perry, Flaming Lips give record stores a kick

Think Katy Perry and vinyl, and a hip-hugging dress might come to mind.

The 27-year-old pop artist is among musicians going old school — releasing music on pressed vinyl records to help celebrate Record Store Day.

Perry, who’s too young to have thumbed through 45-rpm singles when she was a girl, joins an eclectic mix that includes David Bowie, Paul McCartney, the Misfits, White Stripes, the late James Brown and The Flaming Lips and Heady Fwends with special vinyl releases to celebrate the hometown record store on Saturday.

All of that vinyl — more than 300 offerings — represents a bright spot for the roughly 2,000 indie music retailers facing stiff competition from online music sales and streaming music services.

“There would be fewer stores, if it wasn’t for the resurgence of vinyl,” said Chris Brown from Bull Moose, a chain of 10 stores in Maine and New Hampshire, who hatched the idea for Record Store Day. READ FULL STORY

TV Jukebox: 'Californication,' 'The Game,' 'CSI' and more music-on-TV moments this week

The latest spate of first-run episodes certainly kicked off 2012 with a bang, and boy have we got a supersized Jukebox for you this week, music fans.

Despite how messy things were on screens, the music underpinning them all ended up falling into fairly neat categories. We’ll start with the juiciest hook-ups from The Vampire Diaries and Body of Proof; unfortunately, every relationship must end, and that’s where Jersey Shore and Californication enter the fray.

Somewhere between all that making out and breaking up, fights raged across the networks on Suburgatory, CSI: NY, Mob Wives, The Game, and Once Upon a Time. Peace was made on How I Met Your Mother, Nikita, Grey’s Anatomy, and CSI: Miami. That leaves only Queen V — Victoria Grayson.

The deliciously diabolical Revenge puppet-master belongs in a category all her own. How did music ranging from indie rock to rap figure into all this coming together and falling apart?  Keep reading… (Warning for those still catching up on DVR: SPOILERS ahead!) READ FULL STORY

Metallica and Lou Reed's 'Lulu': Listen to the preview here!

Throughout their respective careers, both Lou Reed and Metallica have spent a healthy amount of their creative energy challenging their audiences.

Enthusiasts of both have sometimes had to embrace extreme sounds and ideas that are both deeply noncommercial and passionately counterintuitive. But people keep tuning in because the personalities behind the music are so strong and compelling that they dare you to look away.

So it’s no surprise that a chance collaboration during a Rock and Roll Hall of Fame anniversary concert has now resulted in a full-length album featuring both entities. Lulu hits store shelves on November 1, but there are previews of each one of the songs below.

They’re a strange marriage of Metallica’s turned-to-11 thump, Reed’s catty delivery, and lyrics that tell the story of a dancer who rises through society only to end up a poor prostitute (a tale originally told in a pair of plays written by German playwright Frank Wedekind). Give the tracks a spin below. READ FULL STORY

On the scene at Yankee Stadium: Metallica, Slayer, Megadeth, and Anthrax crank and shred

Over the course of his band’s two-hour set to close out the Big 4 show at Yankee Stadium on Wednesday night, Metallica frontman James Hetfield repeatedly asked the assembled crowd of over 41,000 headbangers, “Can you feel it?”

He didn’t have to worry; the collective had no trouble feeling it. Or hearing it. In perhaps a grandiose feat of overcompensation for the outdoor venue and the noise from the adjacent subway line, everything was cranked up to 11 from the first note to the last bellow.

Of course, this is metal, which means the louder the better, and while everybody brought their best noise, Metallica reigned supreme above them all. The bands populating the under-card all fared well, with Anthrax picking up points for sheer enthusiasm — most of the members are from New York, they were celebrating the release of their new album, and there was a spry joie de vivre that infiltrated even their thrashiest material, especially on the set-closing “I Am the Law.”

Megadeth primed the crowd for the headliner with some early shout-alongs (the one-two punch of “Symphony of Destruction” and “Peace Sells” was surprisingly anthemic), and Slayer bowling over everybody with a solid hour of ritual eardrum destruction (“Mandatory Suicide” was especially savage).

But then Metallica emerged, and everybody was reminded exactly why they remain one of the biggest bands in the world. Aided by some well-orchestrated pyrotechnics, a healthy dose of theatricality, and a bucketload of massive songs, the members of Metallica spryly navigated the huge stage parked in the outfield and held heavy court. READ FULL STORY

Anthrax's Scott Ian on playing Yankee Stadium, getting inspiration from 'Lost,' and facial hair

As any devil-horn devotee will tell you, metal is forever.

There will always be a cadre of kids looking to bang their heads, which is why hard and loud music has endured the ups and downs of the musical marketplace in the 21st century.

Case in point: The biggest concert event of the fall concerns a quartet of bands who were all founded in or before 1983. After a well-received weekend in Indio, California, earlier this year, Metallica, Slayer, Megadeth, and Anthrax have come east and will take the stage at Yankee Stadium on Wednesday night, September 14. It will be a huge, loud spectacle, the kind that only metal veterans can deliver.

It’s an extra-busy week for Anthrax, who not only have the hometown show to look forward to (the founding members of the band are all from New York) but also their tenth album to promote (it’s called Worship Music, hits stores today and features the first recordings with singer Joey Belladonna in two decades).

EW caught up with guitarist Scott Ian to talk about the new album, the Big Four, and why he no longer buys Rolling Stone.

ENTERTAINMENT WEEKLY: With the Yankee Stadium show and the new album out, is this the busiest week in Anthrax history?
SCOTT IAN:
It very well could be. It started last Tuesday, and now it’s really ramping up.

How did Worship Music come together?
We spent most of the time working on this record last fall. Joey rejoined the band in the beginning of 2010 and we spent most of the year on the road doing Big Four shows and then another tour with Slayer and Megadeth, which we called the Almost Big Four. We spent pretty much every day in the dressing room working on that record. We had something like 14 tracks, and it was just a case of listening to them and nitpicking the hell out of them. Once we finished that tour, we were ready to go back in and re-record stuff and let Joey go in and sing everything.

The song that really stands out to me is “The Constant.” Can you tell me where that came from?
That was one of the first songs that came together, at least musically. It went through a couple of different rewrites. The idea initially came from an episode of Lost called “The Constant.” READ FULL STORY

Metallica and Lou Reed reveal secret collaboration on full-length album

You read that right: Modern metal’s founding fathers Metallica (left) have recorded an album with alt-rock godfather Lou Reed (not pictured due to shyness).

Although it seems like a curious combination at first—Stephanie Says Kill ‘Em All? Master of Taking a Walk on the Wild Side? Romeo Had Juliette After Entering Sandman?—Reed was the first major rocker to release an album of uncompromising (and almost unlistenable) noise rock with 1975′s Metal Machine Music. So maybe this combination was inevitable. Plus, the Velvet Underground had an album called Loaded: Was it a spiritual precursor to Metallica’s ’90s albums Load and ReLoad? (Answer: no.)

According to a statement on Metallica’s website, Lou and the boys have been “kicking around the idea of making a record together” since they shared the stage for the 25th Anniversary of the Rock and Roll Hall of Fame a couple years ago. Here’s the full statement: READ FULL STORY

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