The 2014 Coachella will be memorialized as the year of the cameo. If Saturday elicited surprise appearances from the likes of Jay Z, Puff Daddy, Beyonce, Gwen Stefani, Sunday’s guest list attempted to up the ante—with a no-RSVP-needed guest list that included Mary J. Blige, Justin Bieber, Drake, and Deborah Harry from Blondie. By the time nightfall descended on the Polo Grounds in Indio, A-list musicians were practically popping up out of the Port-A-Potties. READ FULL STORY
Tag: Music Festivals (1-10 of 96)
Lana Del Rey unveiled her new single “West Coast,” at Coachella last weekend — and in case you weren’t part of the desert masses this year, you can check it out below. The bluesy summer tune is off of her upcoming album Ultraviolence, which drops May 1st.
There’s a heavy influence from producer Dan Auerbach, The Black Keys frontman who has been working with her on the album. Can you catch the threads of The Beatles’ “And I Love Her“?
“I know it’s kind of weird… 20 years later.” Andre 3000’s last words from OutKast’s 90-minute performance summarized the nostalgia, bizarre ambivalence, adrenal brilliance, and unadulterated joy that surrounded the duo’s much-trumpeted reunion at the 2014 Coachella Music Festival.
You didn’t need to guess at the level of anticipation; you merely had to listen to the squeals on the Indio field. From the smoke machines and fog to the humid red lights and scarred American flag backdrop, to their magnetic charisma and take-it-or-leave-it attitude, the moment felt closer to a big-tent revival than a reunion.
If you wanted the greatest-hits set, you got it: from first song ”B.O.B. (Bombs Over Baghdad)” to the finale, an aloof rendition of “Hey Ya.” There were guest spots from Janelle Monae, Future, and long-time Dungeon Family hook guru, Sleepy Brown (even if the majority of the young Indio crowd inevitably mistook him for the late Isaac Hayes). But if you expected the OutKast Super Fun-Fun Happy Hour, you might have been gravely disappointed. READ FULL STORY
What do you get when you mix 808s and Heartbreak with the Heartbreakers? This year’s Outside Lands lineup.
Bad jokes aside, the annual San Francisco event — taking place Aug 8-10 at Golden Gate Park — has announced the slate of artists scheduled to play this year, and the bill runs from Yeezy and Tom Petty and the Heartbreakers to the Killers, Arctic Monkeys, Death Cab for Cutie, and Macklemore and Ryan Lewis, Disclosure, and the Flaming Lips — with undercard slots filled out by the likes of Dear Tick, Christopher Owens, and Chvrches.
Take a look at the full lineup below:
Eminem and Outkast will headline a diverse lineup of more than 130 acts at this year’s three-day Lollapalooza music festival in Chicago, Jane’s Addiction lead singer and Lollapalooza founder Perry Farrell announced Wednesday.
The lineup also includes recent Grammy darling Lorde, rockers Kings of Leon and Arctic Monkeys and electronic dance music stars Calvin Harris and Skrillex.
“Every year you’re shooting to have just an incredible bill that people will look at and say, `I’m there,’” Farrell said in an interview. “The music is going to entertain them and do wonders for their heart and so is the city.”
This year marks the festival’s 10-year anniversary in Chicago’s lakefront Grant Park. This year acts will perform on eight stages from Aug. 1-3. The full lineup is available on Lollapalooza’s website.
The Syracuse hardcore band Perfect Pussy won the lion’s share of SXSW’s cool-kid attention. Destruction Unit put on some of the week’s most raucous shows. Bigger bands (well, relatively) like Speedy Ortiz, Cloud Nothings, Parquet Courts, and F—ed Up went above and beyond to put on a slew of killer parties.
But who cares about that crap, because Rick Ross has the No. 1 album in the country!!!! Did you know that Rick Ross has the No. 1 album in the country? If you didn’t, he and his hype man at the Fader Fort last night made sure to remind everyone over and over. And over.
As has been the trend for a few years now, Big Rap turned SXSW into its own game. The festival’s closing night drove that point home: Ross celebrated his chart-topping new record Mastermind by headlining Fader, A$AP Mob and Mobb Deep capped their own busy weeks at 1100 Warehouse, and 2 Chainz took over a showcase at Brazos Hall.
Clearly, it was a rap-heavy schedule, and that’s not even counting Jay And Kanye’s Samsung event Wednesday night or the shows by Future, Pusha T, Kendrick Lamar, Big Sean, B.o.B., Nas, and, um, Ludacris.
After Mother Monster was vomited on at Stubbs BBQ last night — for the show guys, it was all part of the show — she came to the SXSW keynote address wearing a full body tarp and dreadlocks that gave her a distinct Twins from The Matrix vibe.
The address wasn’t actually speech, but a Q&A session hosted by John Norris, the former MTV VJ who is now a producer for Fuse. Norris couldn’t help himself and dove right in with a barf joke: “You could’ve used that outfit last night, huh?” Thank you for saying what we were all thinking. (Although, I have to question his John Galliano armband. Pourquoi?) Lady Gaga seemed subdued, which is probably because she was feeling a little wrung out from all the mechanical bull/pig riding that she did last night. That really takes it out of you.
There were two overarching ideas that she kept circling back to in her answers and they might not be what you expected: 1) The music industry machine is ruining lives, but corporate sponsorships are, surprisingly, not. 2) Twitter is ruining lives. (This from a woman with 41 million followers.) The first point was a reaction to the flack that she’s gotten for showing up to SXSW–once upon a time, a festival for unknown artists–and playing under the massive corporate logo of Doritos, which underwrote her performance. The second point, well, let’s just say Gaga is competing with Anne Hathaway for the most cyber-haters.
So here are seven things we learned from Gaga’s keynote address: READ FULL STORY
Thursday night at SXSW, scores of badge-less festivalgoers could be seen lingering on the curb outside of Stubb’s, craning their necks to catch a mere glimpse of Lady Gaga, the ARTPOP diva who was playing the (ahem) Doritos Bold Stage. Which is a shame, because for a just few dollars those fans could’ve walked 20 feet up the street to Cheerup Charlie’s and seen Future Islands, the Baltimore trio that’s been making waves with their own brand of synthy, deliriously fun art-pop.
Without a doubt, Future Islands was the name I heard most often when I asked people what they wanted to see this week. And it’s no wonder: The group’s hypnotic performance on Letterman last week quickly propelled them to famous-on-the-internet status, just in time for their big week in Austin. The level of excitement at their 4AD showcase last night was appropriately high.
Here’s the most important thing you have to know about Lady Gaga’s performance at SXSW on Thursday night: At one point, while performing the ARTPOP track “Swine,” Gaga climbed aboard a mechanical bull that had a pig’s head. A second woman, a performance artists from London who Gaga introduced as Millie, climbed onto the bull with her and proceeded to vomit directly onto the bright white apron that gaga was wearing.
It was certainly a new brand of visual, and one that Gaga designed specifically for this special show that was originally supposed to be staged inside the giant Doritos vending machine but was later moved to the faux-amphitheater at Stubb’s. That smaller stage was converted into “Lady Gaga’s Haus of Swine,” according to a light up sign on stage right. The mechanical pig wasn’t the only attraction; she opened the show by singing “Aura” while rotating on a barbecue spit (this was after six solid minutes of her eating ribs on stage in silence). You can’t accuse her of not knowing how to work a crowd, as she also re-arranged “Bad Romance” into a country-blues hybrid that featured some pretty mean fiddling.
It was hard to imagine what Lady Gaga would do on such a small stage, but she made it work. READ FULL STORY
Since its inception, MTV’s Woodies Festival has acted as one of SXSW’s great clearinghouses of acts who are poised to break. Though the 1975, Childish Gambino, and Iggy Azalea held the headlining slots, the afternoon fest seemed built around only the second live performance for Jack Antonoff’s new band Bleachers.
The fun. guitarist’s side group dropped its first single “I Wanna Get Better” about a month ago, and it has been searching for a momentum push. Perhaps Antonoff should have chosen a better single — the borderline strident “I Wanna Get Better” appeared to be the outlier during Bleachers’ brief set, with the rest of the material made up of the sort of dark, slippery guitar pop that could score the best kind of John Hughes movie. As a band leader, Antonoff’s croon and cadence eerily match those of the Killers’ Brandon Flowers’, though considering Flowers is one of the great frontmen of this generation, that should probably be considered a compliment. Of the songs introduced, the ominous “Shadow” and the anthemic “Wild Heart” both sound like potential breakout hits, though if all else fails, they have a perfectly fine future as a Tom Petty cover band, since their run through “Don’t Come Around Here No More” was the highlight of the entire afternoon.
The other big breakout was Vic Mensa, the Chicago-based rapper who is a member of the Save Money crew alongside Chance the Rapper (among others). READ FULL STORY
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