The latest single from Sam Smith’s debut album, The Lonely Hour, is “I’m Not The Only One,” a song about exactly what it sounds like: Infidelity. Fittingly, in the newly released video for the single, directed by Luke Monaghan, The Mindy Project‘s Chris Messina plays the cheating husband to Dianna Agron’s heartbroken wife. There’s sex, there’s alcohol, and there’s Smith’s killer vocals; what more could you ask for? READ FULL STORY
Tag: Music Videos (41-50 of 709)
Wednesday night in a Greenpoint apartment, the air was thick with weed smoke. All of the furniture in the living room was shoved into one corner, while in the kitchen, a group of partially undressed young people milled around with drinks in their hands. Rap songs played out of a small guitar amp on the floor. It looked like a house party, aside from the lighting rigs and the large camera dolly in the middle of the room.
In actuality, it was the video shoot for Detroit rapper Danny Brown’s A-Trak-produced “Smokin’ & Drinkin'” off last year’s album, Old. “The way I’ve been explaining it to people,” says director Alan Del Rio Ortiz, “is like a house party, but in a dream. So there’s a lot of strange lighting and strange camera movements going on. We have Froot Loops everywhere. The hardest thing was really the logistics of getting a really crazy party going with people who’ve never met each other.” READ FULL STORY
In a new Rolling Stone interview, Katy Perry complains about being accused of cultural appropriation—thanks to the big-bootied mummy dancers on her recent tour and the geisha outfit she wore at the American Music Awards. From now on, she says (presumably no small amount of sarcasm), “I guess I’ll just stick to baseball and hot dogs, and that’s it.”
Neither baseball nor hot dogs appear in the video she just dropped for her YOLO anthem “This Is How We Do.” There are, however, plenty of vivid colors and retro styling that references the early days of pop art, not to mention pizza and watermelon. She also rocks a “ratchet” getup with cornrows and a friend listed in her phone as a “thot…” so those cultural appropriation charges will probably keep rolling in. READ FULL STORY
The scene in Macy Gray’s latest music video for “Bang Bang” starts out innocent enough: There’s drinking, some dancing, poker. Then things quickly escalate until two people are dead. Oops?
Getting your friends together in one place can be hard, so Janelle Monáe took the easy route and had her famous friends—Kimbra, Esperanza Spalding, Monica, Estelle, and TLC’s T-Boz—video chat in to her latest music video to join the party.
Lana Del Rey’s debut album, Born to Die, proved to be something of a feminist ink blot: To some observers, the aspects of traditional American ideals of feminine subservience she’d woven deeply into her personal aesthetic, as well as her frequent use of Kennedy-era cultural signifiers, were a postmodern statement about her independence as an artist and a person. Others took it all at face value and simply saw a woman embracing dangerously retrograde ideas about how a woman should act, appear, and express herself.
If nothing else, Ultraviolence has doubled down on this ambiguity with its running theme of submissive relationships with men, and nowhere else on the album does that come through as strongly as on the title song, with its lyrical juxtaposition of a woman who’s “blessed with beauty and rage” and a lover who she calls her “cult leader,” not to mention its prominent but ambiguous reference to the Crystal’s “He Hit Me and It Felt Like a Kiss.”
Its video pushes things even further, with Super 8 footage of Del Rey in a postwar wedding dress sucking on the cameraman’s thumb and kneeling at the altar of a seemingly abandoned chapel. Is it a commentary on outdated gender roles? Is she just playing nuptial dress-up? Is she maybe just trolling us at this point?
There’s a lot going on in the just-released music video for Ice Cube’s “Drop Girl,” the latest single from his forthcoming album Everythang’s Corrupt: The giant heads of Cube and his collaborators RedFoo and 2 Chainz, more than a few female derrieres, and… Wait, is that Neal from Freaks and Geeks?
That is in fact Samm Levine as the lead scientist handling research on ladies’ behinds. “The truth of the matter is that anyone who knows me in my personal life knows that finding the perfect booty is something I’m deeply concerned with and have been for years,” Levine tells EW. “I actually run a lab out of my basement. Everyone there is a volunteer, they come on their own volition. When they asked if they could shoot the music video there, I had no problem with it. It was really more of a documentary than anything else.” READ FULL STORY
Danny Trejo is an American treasure. At age 70, the star of Machete and Machete Kills (and possibly a third installment entitled Machete Kills Again… in Space) still projects the same inimitable badass vibes he’s been bringing to the screen since he broke into the business with 1985’s Runaway Train.
Which keeps him in high demand. Along with his usual packed schedule of projects, he recently starred in the video for “Angel in Blue Jeans,” the folk-pop-inflected lead single from Train’s upcoming album, Bulletproof Picasso, which includes a truly uncanny moment where he lip-syncs lead singer Pat Monahan’s part.
Trejo, who’s as affable offscreen as he is intimidating when he’s in character, talked to EW about the experience.
Pharrell’s new video for “Come Get It Bae” brings up a lot of questions: Why does the video start out by stating “beauty has no expiration date,” only for the multiple dancers in the video to all look to be in their thirties or younger? Why is Pharrell filming the dancers? Shouldn’t he be singing?
For the first video from her forthcoming sophomore album, The Other Person Is You, singer-songwriter Lara Meyerratken, aka El May, took to the streets of New York City with director Yaara Sumeruk. The Australian musician brought along a pair of headphones and an iPhone loaded with her bouncy, dancehall-infused single “I Played a Role” and captured the reactions of people on the street hearing the track for the first time. Like Meyerratken, the song and the video’s conceit are fun and more than a little cutesy without crossing over into full-blown twee quirkiness.
“The train scene was our dream come true,” Meyerratken, who resides in L.A., writes in an email. “We had imagined a best-case scenario, where our journey around the city over the two days coincided with some amazing subway dancers. At the end of the day, headed to our final locations, exhausted on the J train, we heard the famous call: ‘SHOW TIME!’ So we approached them… it turned out to be a real highlight!”
The Other Person Is You, which features contributions from indie rock royalty like the Vaselines’ Eugene Kelly and Britta Phillips and Dean Wareham from Luna, is out Aug. 26.
Latest Videos in Music
- 'Sleepy Hollow' sneak peek: Ichabod Crane meets a naked Ben Franklin
- 'Once Upon a Time' boss on 'Frozen' references: 'We want it to feel organic'
- 'Vampire Diaries,' 'Once Upon a Time,' 'Castle,' more fresh TV spoilers
- Jennifer Love Hewitt joins the BAU in new 'Criminal Minds' art
- J.Lo and Iggy Azalea extend the Summer of Butts with 'Booty' remix video
- 'The Knick' recap: 'Start Calling Me Dad'
- 'Super Smash Bros.': The best/worst thing ever to happen to Nintendo
- 'Grey's Anatomy': Shonda Rhimes puts Callie-Arizona odds at 50/50
Top 5 Most Read
- 'Into the Woods' character names not getting Disney makeover (Updated)
- 'Big Bang Theory' star Kaley Cuoco explains why she chopped off her long locks
- 'Once Upon a Time': Will Elsa 'Let It Go'? Or build a snowman?
- Spoiler Room: Scoop on 'Vampire Diaries,' 'Once Upon a Time,' 'Castle' and more
- Jennifer Love Hewitt joins the BAU in new 'Criminal Minds' art