Maintaining forward momentum in your life means finding ways to resolve problems that don’t always have easy solutions. Sometimes you have to force the issue closed, and sometimes that can require drastic measures. Recently, “collage-pop” artist Nick Zammuto struck upon a particularly novel method of working out your issues: by loading physical objects that represent them into an enormous catapult and flinging them to their doom.
Tag: Music Videos (61-70 of 750)
Action Bronson is apparently a B-movie fan as well as a rapper and professional food lover. The video for “The Symbol” from his 2012 mixtape Rare Chandeliers was a loving tribute to the lowest of low-budget ’70s grindhouse action cinema that featured Bronson rocking a truly memorable wig.
A couple weeks ago he dropped “Easy Rider,” the first single from his upcoming official debut album Mr. Wonderful, which boasts several references to dropping acid and some face-melting psych-rock guitar licks, and the accompanying video fittingly enough casts the rapper as an LSD-loving outlaw biker. READ FULL STORY
“Oh, my, gosh, look at her butt,” Nicki Minaj’s “Anaconda” instructs—and in the music video for the song, viewers have no choice but to do just that.
When Minaj isn’t jiggling, she’s dancing on a wildly impressed Drake, letting her dancers fawn over her, and playing around in the kitchen with whipped cream and bananas. Clearly, there is no suggestive imagery in this video. None at all. READ FULL STORY
Denver’s BLKHRTS are part of an insurgent movement that’s given hip-hop its own version of punk rock, overflowing with anarchic energy and intensely distorted sounds. They’re a little more gothed out than the other acts that fall under the umbrella of “noise rap,” like CLPPNG and the recently disbanded Death Grips. In an interview with their hometown alt-weekly, the Denver Westword, the group’s producer Yonnas Abraham–who makes the band’s beats on an outdated, not entirely functional, 20-year-old sampler–calls himself, “obsessed with romance, obsessed with death, and obsessed with the color black.”
BLKHRTS goth tendencies come through loud and clear on “Porties,” where they rap about romantic complications over a beat that samples Bauhaus’ “She’s In Parties.” The video, with its moody, high-contrast visuals and party-hardy action, sums up the group’s mission nicely.
Saturday Night Live star Vanessa Bayer already has a talk show, the web series Sound Advice where she gives hilariously bad advice to successful musicians. But in Haim’s latest music video for “My Song 5,” she has a whole new talk show: This one is Jerry Springer-style, featuring guests ranging from the cat-obsessed Kesha to the cotton ball-phobic Artemis Pebdani.
In 2010, boy band powerhouses New Kids on the Block and the Backstreet Boys paired up for a joint NKOTBSB tour. Now a spinoff group has evolved, with Backstreet Boy Nick Carter and New Kid Jordan Knight pairing for their own album and national tour.
The duo, now known as Nick & Knight, released their first single, “One More Time,” in July with their debut album scheduled for a September 2nd release. From there, Nick & Knight will head out on a two-month U.S. tour beginning in Nashville on September 15. Tickets are available now.
We’ve got an exclusive first look at the guys’ debut music video for “One More Time.”
Meshell Ndegeocello has had a remarkably long and successful career in the music industry for someone who’s steadfastly refused to fit in one of the easily recognizable categories that that usually entails. Since the late ’80s, she’s dabbled in pretty much every genre imaginable, from roots rock to techno. (Trivia tidbit: She got her start in the funk-heavy D.C. go-go scene.)
Her latest single, “Shopping for Jazz,” dabbles in several distinctly disparate styles at once, combining a bossa nova foundation with a country slide guitar and slinky soul vocals. It’s the first video from her new album, Comet, Come to Me, which features contributions from a fittingly broad range of guests including Amp Fiddler, Doyle Bramhall, and My Brightest Diamond.
Ndegeocello will start touring behind Comet in September. You can find her itinerary here.
Arcade Fire frontman Win Butler was too busy directing the music video for “You Already Know” to actually sing, so he got some help for his parts—from paintings with moving mouths and neon pink tape covering their eyes.
The ability to make and distribute music videos used to be limited to a relatively elite level of performers, but with cheap technology and free digital distribution, anyone with at least a song and a smartphone can make one. Consequently, there’s been a biblical-level deluge of them, forcing creators to take increasingly contrived routes to getting noticed—hence the numbing amount of NSFW clips trying desperately to shock viewers, or elaborate, Rube Golbergian ones like nearly all of OK Go’s videography, where the gimmick far overshadows the music itself.
Compared to its stunt-dependent competition, the video for indie-pop duo Amoureaux’s “Lost the Plot” is an elegantly understated breath of fresh air. It stars dancers Reshma Gajjar and Hunter Hamilton (who in the past have done work for Madonna and Sia), choreographed by Kitty McNamee and directed by Miles Crawford, with little to distract from their performance. Amoureux bassist Holiday J and drummer Nicole Turley are both former dancers, and the collaboration with McNamee and Crawford highlights how much they’re still focused on rhtyhm.
“I fell in love with the rawness of this song,” writes McNamee in an email. “It swept me in. I think it triggered a very personal response to the music.”
“I was intrigued by the idea of stalemate,” Crawford adds. “All the moves have been tried, and yet we aren’t ready to give up the game. In the repetition we lose our way, our purpose. We go at it again and again, finding the same result, until finally there is nothing, but to let it go. That, and I wanted to play with flour.”
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