Multiple Grammy-winning solo artist and former Band drummer Levon Helm is in “the final stages” of his battle with cancer, according to a statement on Helm’s official website written by his daughter Amy and wife Sandy.
Tag: Musics (41-50 of 616)
Bruce Springsteen concert review: Dedicates 'American Skin' to Trayvon Martin, collapses into triumph
Bruce Springsteen played the first of two nights in Philadelphia on Wednesday. If the news headline is that he pointedly directed his audience to hear his 2000 song “American Skin (41 Bullets)” now as a parable for the fate of Trayvon Martin, the music story of this show is that Springsteen has broken through to a new level of interest in beats, rhythms, and ways to keep his old music fresh, for himself and for his fans. READ FULL STORY »
The upbeat, girl-groupish”Rumour Has It” will be the next song from 21 to join the radio rotation, Ryan Tedder (who produced and co-wrote the track) told Billboard on the Grammy red carpet. The single will head to stations in mid-March, following previous chart-toppers “Set Fire to the Rain,” ”Someone Like You,” and “Rolling in the Deep.”
Given her ongoing domination, it’s almost hard to believe that the British songstress has so far dropped only three singles from 21, which saw its Stateside release nearly a year ago. Compared with the likes of Beyoncé and Rihanna, who seem to unleash new singles weekly, Adele’s strategy seems downright restrained.
Give “Rumour Has It” a spin below:
Whatever you thought of M.I.A.’s Super Bowl outing, one thing is for certain: it could’ve gotten weirder.
The web’s premier celebrity-shamer The Smoking Gun has dug up a copy of what it claims is M.I.A.’s tour rider, and it’s a bit of a doozy, even by M.I.A.’s high-doozy standards.
On the list? Let’s see, we’ve got some bottles of Vitamin Water, a few trays of European cheese and “quality chocolates,” a high-speed internet connection.
Hmm, anything else? Oh yeah, we almost forgot about the three women between the ages of 20 and 25 to dance on stage wearing full-body burkas. And the burkas should be provided by the venue, naturally.
More than a decade after topping the charts with “The Boy Is Mine,” Brandy and Monica reunite to deliver their highly anticipated follow-up “It All Belongs To Me,” which has leaked online. No longer fighting over the same man, they’ve matured and are finally ready to kick him to the curb, both broke and naked. Good for them!
When I first heard the announcement of the collaboration, I confess the little girl in me who spent many nights belting “It’s not hard to see / the boy is mine” over my hairbrush was thrilled. Expectations were high.
The pair have reportedly been friends for years, so it’s actually surprising they haven’t laid down a track much sooner. Unfortunately, unlike their ’98 hit, this sleeper isn’t likely to make a major dent in your Most Played list — while it seems to have the right ingredients, strong vocals, and an empowering message, it suffers from watered-down couplets about Facebook and Macbooks and a beat that isn’t quite catchy enough.
In a sense, the duet is Beyonce’s “Irreplacable” with two leads and more juvenile lyrics. This little girl of yesteryear will just keep hoping a better follow-up is in the works. Listen here: READ FULL STORY »
Hear 'On Your Way Up,' a new song from Showtime's 'Shameless' theme song band High Strung -- EXCLUSIVE
There are several reasons you might be familiar with the Detroit band the High Strung.
Perhaps you know them from their bouncy garage ditty “The Luck You Got” (taken off their 2006 album Moxie Bravo), which soundtracks the theme song to the Showtime series Shameless. Or maybe from the shows they played at Guantanamo Bay, which they described to Vanity Fair as “like Detroit or L.A.”
There’s also a chance you remember them for their library tours, which This American Life chronicled in a segment titled “The Dewey Decibel System.”
Now you’ll know them from their catchy, Kinks-y new song “On Your Way Up,” taken from their upcoming album ?Posible o’ Imposible? (out April 17). The track, bowing exclusively on EW.com, tells the story of a man who, unlike the William H. Macy patriarch of Shameless, is riding the crest. Give it a spin below:
Hey, remember Nicki Minaj’s performance with Madonna at the Super Bowl last night? It was pretty good — great, even.
Of course, no one wants to talk about that, thanks to M.I.A. So congrats, Maya! And since she wants us to, let’s talk about it.
M.I.A.’s decision to flip the bird during her short time in the Super Bowl spotlight was a lot of things. It was juvenile, and maybe even bratty. It was a lazy bit of shock imagery from the woman who gave the Grammys a very pregnant, very awesome, middle-finger-free performance back in 2009. And it was, according to some sources, “a case of adrenaline.”
It was also the game’s biggest fumble: The singer was riding a steady stream of positive buzz from both her performance in the “Gimme All Your Luvin’” video and her own “Bad Girls” video, which was released the same day and is, at least to this viewer, a better, more inventive clip.
M.I.A. has already proven to us that she can put on an engrossing show without resorting to cheap tricks.
Organized online and executed on Broadway in the heart of Manhattan, the Soul Train flash mob emulated the show’s trademark setup for a good 45 minutes among a gaggle of surprised tourists.
The event was a (literally) moving tribute to honor the show’s late founder and host Cornelius, who was found dead in his Sherman Oaks home last Wednesday.
“Don Cornelius was a big influence in my life, and I just wanted to pay tribute,” said disc jockey Jon Quick, who was holding up speakers at the event. “He was playing the music that nobody else wanted to play. He was an amazing man.”
Watch a convention of flash mobbers bring love, peace, and soul to Times Square in the video below:
What goes into the making of a good Drake song? Lots of things. Confessional lyrics, for example, a good beat, and probably an ample supply of cardigan sweaters.
Oh, and in the case of “Marvin’s Room,” an ex-girlfriend’s voicemail message.
That ex is now revealing herself to be Ericka Lee, and she’s suing the rapper to a bid to get partial songwriting credit (read: royalties).
According to the suit, Drizzy and Lee were creative partners, often co-writing songs and poems. “Plaintiff’s contribution is highly significant to the overall work,” the official complaint, filed in California, reads. One contribution they view as significant is her voice; the suit alleges that Drake in fact gave Lee vocal credit in the form of “Syren Lyric Muse.” The audio is now registered by the parties in the U.S. Copyright Office.
The suit also claims that Drake sent Lee texts saying things like ”U basically made that song” and “It’s s–t without you.” And in another one of these messages, Drake apparently said he’d give the ex 2% of the publishing royalties? Which sounds like a pretty weird thing to discuss via text, but Drake’s a weird dude, so who knows.
It’s a strange situation all around, and it’ll be interesting to see how it develops. Really, though, it was a long time coming; given how often the guy calls out his exes by name on his albums, you’d imagine at least a few of them would be pretty peeved.
Anyway, until all of this gets sorted out, give the track another listen to hear exactly what Lee’s demanding compensation for: