In addition to being a platinum rapper and former Canadian child star, Drake is also a huge sports fan. He was all over the NBA All-Star Game, and he once coached against Kentucky men’s basketball coach John Calipari during a scrimmage. Now he’s back with a new track called “Draft Day,” which shouts out Texas A&M quarterback Johnny Manziel and Kansas superstar freshman hoopster Andrew Wiggins (both of whom expect to be drafted during the upcoming NFL and NBA drafts).
Tag: New Stuff (91-100 of 1113)
Alicia Keys spins a web with Kendrick Lamar and Pharrell for 'Amazing Spider-Man 2' song 'It's On Again': Hear it here!
Andrew Garfield is about to swing back into cinemas clad in the blue and red spandex in The Amazing Spider-Man 2, which opens on May 2. But before that, the soundtrack to the movie will arrive in stores — and now we have its first official single.
The Bleachers video for “I Wanna Get Better” feels a lot like an episode of Girls: emotional discord and screwed-up relationships set against a backdrop of real-world apartments and therapists’ offices — and of course, random celebrity cameos.
The clip opens with lead singer Jack Antonoff (also the bassist of fun., and the real-life boyfriend of Ms. Dunham) chasing after his girlfriend as she storms out of the house, leaving him for good. “This is crazy; we’re, like, not even awake yet,” he whines. “Come back inside and I’ll make you an espresso.” But she’s not going to be placated, and his day is downhill from there.
Antonoff arrives at his psychiatric practice with coffee on his crotch and a bevy of disgruntled clients to see — played by actors like Retta from Parks & Rec and Mary Kay Place from Big Love. Everyone’s screaming “I Wanna Get Better,” (which should definitely be the theme song for GIRLS):
Anyway, watch the clip here:
For years, the members of Fleetwood Mac have been touring as Fleetwood Mac, but hardcore fans have been missing one thing: Keyboardist Christine McVie, who hasn’t been with the group since 1998.
But now she’s back, and the classic Mac lineup—McVie, Stevie Nicks, Lindsay Buckingham, John McVie, and Mick Fleetwood—has new music and is headed out on the road again. Dates are still coming together, but the first show will be September 29 in Minneapolis.
McVie and Buckingham are working on new songs for an album, which would be the first recording with the classic Fleetwood Mac lineup since Tango In The Night, which came out all the way back in 1987.
Hot off the heels of re-christening himself Puff Daddy, the man born Sean Combs (also known as Diddy, P. Diddy, Puffy, Shiny Suit Man, One of Dave Chappelle’s Best Impressions, and that guy who is always on top of the Forbes Richest Musicians List despite not making very much music) has a new single called “Big Homie.” It was supposed to drop on Monday, but the streets couldn’t wait, as they say.
“Big Homie” features French Montana and Rick Ross, and the latter is clearly the biggest influence on Puff’s current sound: It’s big, it’s badass-sounding, and it leans into that signature monster plod. But while Ross’ penchant for rapping just behind the beat always sounds like a conscious decision (not even the power of rhythm can move the Bawse), Puff just sounds slightly inept (which is a pretty accurate description of his career-long rhyme style). Everybody is going hard, but by surrounding himself with high-impact blasters in Montana and Ross, Puff highlights the oomph his rapping has always lacked.
Still, “Big Homie” is a reasonable enough return to form for Puff Daddy that it should spark plenty of curiosity for his upcoming album MMM. And props to him for that line “The only one that’s topping Forbes/I’m getting lonely.” Listen to “Big Homie” below.
A few weeks ago, a dude named Frederick Scott tickled Nine Inch Nails fans with “This Is A Trent Reznor Song,” a loving tribute to the NIN frontman’s songwriting and performance tics. It was awesome, and one of the better musical parodies on the entirety of the Internet.
Now comes the next stage: Scott’s video for “This Is A Trent Reznor Song,” which borrows elements from the clips for Nine Inch Nails’ “Closer” and “The Hand That Feeds.” Once again Scott nails it, with the same kind of video effects from “The Hand That Feeds” and the commitment to spooky photography and weird lighting from the classic “Closer.”
It’s a little more outwardly funny than the song itself—the reaction shot Scott gives to the bottle of milk is particularly fantastic—but it still retains the same kind of reverence for Reznor’s work as the track.
Check out the video below. And while you’re at it, check out some of the clips from Nine Inch Nails’ Tension tour, one of the better live music experiences from last year.
In the clip for the song, which comes from her just-released self-titled album, Shakira is dressed as a ballerina bride at a lovely-looking country wedding. But before she walks down the aisle, she gets cold feet, and the only cure for cold feet is to light yourself on fire.
With her veil torched, she splits the rest of her time in a cartoon-pretty field (perhaps a vineyard?) and dressing in black so she can do back bends in a tower, all the while inviting us to observe when “the stars make love to the universe.”
It’s twice as nutty as that sounds, so you should probably just set aside four minutes for crazy and watch it below:
With Lady Gaga and her bucking vomitron in my rearview, my personal goal for Friday at SXSW was to find some good old-fashioned, turned-to-11 rawk. I had already seen a lot of about-to-break indie, a handful of promising rappers, and one gigantic intergalactic pop star. Now it was time to find some volume.
Anybody who has read my tweets or been forced to sit outside my office for months at a time under the auspices of “work experience” (sorry, interns!) knows that I like things fast and loud, which often means in extreme metal. But punk, garage rock, prog — these are all things that will satisfy my jones, and I was determined to seek out as many opportunities to permanently damage my hearing as I could find.
The day opened at Stubb’s at the Spin magazine party, a tradition that stretches back more than a decade. This year’s bill featured a fine cross-section of indie rock and fringe rap, with a lineup that included Future, Cloud Nothings, Against Me!, and Schoolboy Q. But my main concern was Radkey, a group made up of three brothers (ages 16, 18, and 20) who grind out delightfully unhinged punk tunes that also owe a healthy bit to Reagan-era thrash. It’s grim-sounding but well-executed, and as soon as their songwriting evolves even a tiny bit, they are going to be dangerous. READ FULL STORY
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