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Tag: New Stuff (21-30 of 1035)

Shakira is a girl on fire in new video for 'Empire': Watch it here

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Shakira is no stranger to wacky visuals, and the new video for “Empire” lives up to the bar set by her past work.

In the clip for the song, which comes from her just-released self-titled album, Shakira is dressed as a ballerina bride at a lovely-looking country wedding. But before she walks down the aisle, she gets cold feet, and the only cure for cold feet is to light yourself on fire.

With her veil torched, she splits the rest of her time in a cartoon-pretty field (perhaps a vineyard?) and dressing in black so she can do back bends in a tower, all the while inviting us to observe when “the stars make love to the universe.”

It’s twice as nutty as that sounds, so you should probably just set aside four minutes for crazy and watch it below:

 

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SXSW Friday: Soundgarden, Green Day, and the search for something loud

With Lady Gaga and her bucking vomitron in my rearview, my personal goal for Friday at SXSW was to find some good old-fashioned, turned-to-11 rawk. I had already seen a lot of about-to-break indie, a handful of promising rappers, and one gigantic intergalactic pop star. Now it was time to find some volume.

Anybody who has read my tweets or been forced to sit outside my office for months at a time under the auspices of “work experience” (sorry, interns!) knows that I like things fast and loud, which often means in extreme metal. But punk, garage rock, prog — these are all things that will satisfy my jones, and I was determined to seek out as many opportunities to permanently damage my hearing as I could find.

The day opened at Stubb’s at the Spin magazine party, a tradition that stretches back more than a decade. This year’s bill featured a fine cross-section of indie rock and fringe rap, with a lineup that included Future, Cloud Nothings, Against Me!, and Schoolboy Q. But my main concern was Radkey, a group made up of three brothers (ages 16, 18, and 20) who grind out delightfully unhinged punk tunes that also owe a healthy bit to Reagan-era thrash. It’s grim-sounding but well-executed, and as soon as their songwriting evolves even a tiny bit, they are going to be dangerous.  READ FULL STORY

Kendrick Lamar, Schoolboy Q plant their flags at iTunes Festival at SXSW

It’s a testament to Kendrick Lamar’s industry power right now that Apple essentially gave him and his crew an entire evening to themselves on the second night of the inaugural iTunes Festival at SXSW.

Lamar’s crew/label conglomerate Top Dawg Entertainment filled ever nook of the evening’s festivities, from the three booked acts to the guest stars. Though not necessarily on the same scale, it conjured up memories of Kurt Cobain curating an entire main stage day at the 1992 Reading Festival—a huge cultural entity acknowledging the overwhelming impact of a single star.

Of course, Lamar wouldn’t have arrived at this point if he wasn’t a stellar live performer, and he brought the same kind of energy and execution in Austin that he brought during his run as one of the top festival stars of last summer. He did most of those shows with a band, but on Wednesday night he was backed only by a DJ, and the narrowing of the sound made his material feel more claustrophobic in some ways. He benefits from that kind of intensity though: READ FULL STORY

Least surprising news of the year: Taylor Swift is super rich

Taylor Swift is fantastically popular, a cultural juggernaut whose ubiquity has never seemed to quench the populace’s thirst for more. But as plenty of fame-soaked cautionary tales have taught us, that level of exposure doesn’t always equal financial solvency.

Of course, Swift doesn’t have that problem. At all. According to a list just published by Billboard, Swift was the top-earning musician in 2013, raking in $39,699,575.60 (specific!) based on album sales, touring revenue, publishing fees, and royalties from airplay, digital streaming and downloads.

That does not include any money Swift might have collected from sponsorship deals, corporate gigs, or whatever back end she still may be earning from Valentine’s Day. Also, because Billboard uses a standard methodology for all artists across the board (assuming, for example, a 20 percent artists’ take on album sales), it’s easy to believe that Swift’s intake was even higher, as she most likely has a better royalty rate than your average country-pop megastar. Another thing to note? She gives a lot of it awayREAD FULL STORY

SXSW Music 2014: 20 acts to see

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The annual South By Southwest festival/conference/conventio-con is underway, with the music getting started in earnest on Tuesday and rolling headlong through Saturday night.

This year’s event has its share of big name visitors: Lady Gaga will be delivering the keynote address and performing, and the likes of Coldplay, Kendrick Lamar, Soundgarden, and Pitbull will be headlining a series of shows as part of the iTunes Festival.

But SXSW was originally designed as a showcase for new music, a place where baby bands could get their first big taste of exposure and where those artists who were about to break finally actually broke. EW will be on the ground covering acts both big and small, including these 20 on-the-cusp artists we’re going out of our way to check out.

Temples: Throwback psychedelia is hard to do, but this British quartet blends just the right amount of crushing beauty and off-kilter left turns.

Angel Olsen: In the grand tradition of PJ Harvey, Olsen marries muscular guitar with her delicate warble for blow-away blasts of folk-rock and power blues.

Perfect Pussy: Despite their censor-baiting name (and what honestly seems like a pretty standard-issue fuzz-punk sound), there’s a lot of buzz on this Syracuse foursome.

Sleepy Kitty: For fans of Sleigh Bells — but sub in post-grunge jangle for noisecore.

Cloud Nothings: Noisy Cleveland-based anarchists nearly made it big with their exceptional 2012 album Attack on Memory. Could the bigger, badder, forthcoming Here and Nowhere Else put them over the top?

Vertical Scratchers: Ultra-fuzzy indie jangle care of a pair of blissed out Californians.

SKATERS: Four New Yorkers who split the difference between driving punk surges and carefully-curated sonic tapestries, all wrapped in a whatever-man sneer.

ScHoolboy Q: Sure, he topped the charts with his latest album OxyMoron, but the top lieutenant in Kendrick Lamar’s army is ready to take the next step into household name-ness.

Chet Faker: The Australian’s downtempo bedroom R&B that would swerve dangerously into the cheese lane were it not for bearded mastermind Nick Murphy’s convincingly syrupy baritone.

You Blew It!: Don’t look now, but an emo revival is about to kick into gear, and this Orlando-based combo are the finest purveyors of the new pollution.

Oh Honey: Nothing but positive jams for this strummy, soulful Brooklyn duo. Like Matt & Kim with better production values.

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Frank Ocean sued by Chipotle, releases song with Diplo and former Clash members [UPDATED]

Well, this might not be the Channel Orange followup we’ve been waiting for. On Friday, burrito emporium Chipotle sued Frank Ocean for backing out on a deal to deliver a song for an advertising campaign. The suit alleges that Chipotle paid Ocean $212,500 to record a new version of “Pure Imagination,” the song made famous in Willy Wonka and the Chocolate Factory, for an ad benefiting the restaurant chain’s sustainable farming program. (Several artists, including Willie Nelson, have contributed to the program in the past.) The track was due back in August, but on the day that Ocean was supposed to deliver the tune, he told Chipotle he would not be delivering. READ FULL STORY

Coldplay drop surprise 'Midnight' single and video: Watch it here!

Let’s get this out of the way first: When a big artist comes up with a surprise release seemingly out of nowhere, can we agree not to call it “Pulling a Beyoncé”? That sounds alternately dirty and painful.

From here on out, whenever a group like Coldplay drops a brand new single and music video on our doorstep—as they did today with the release of “Midnight”—let’s just call it a “Stealth Drop” or a “Surprise Party” or “Throwing the Old Barkley.” Anything but the creepy “Pulling a Beyoncé.”

Anyway, “Midnight” is a very moody piece of business that relies a lot on keyboard hums and electronic squiggles. It takes a few listens to set in, but one thing that really stands out is the vocal performance of Chris Martin, who has been gradually honing his instrument into quite a soulful thing (though it’s ironic that there’s also a ton of vocal effects on “Midnight”).

The video, directed by Mary Wigmore (who also directed the band’s clip for “The Hardest Part” and helmed the excellent documentary Birth Story: Ina May Gaskin and the Farm Midwives), matches the mood of the tune, with a lot of negative space and some ominous wolves. Enjoy its subtle spookiness below.  READ FULL STORY

'Divergent' soundtrack: Hear Ellie Goulding's brand-new 'Beating Heart' here -- EXCLUSIVE

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When Divergent hits theaters on March 21, it is poised to become one of the biggest movie events of the spring. One of the key elements that carries the flick is the soundtrack, with features a score by Hans Zimmer and Junkie XL as well as a series of songs that are weaved deep into the drama of the film.

Unlike many movie-accompanying soundtracks, the songs on Divergent: Original Motion Picture Soundtrack (out March 11) are woven into the action of the film. The cornerstone star is Ellie Goulding, who has a handful of tunes on the soundtrack album and also provided the “musical voice” for lead character Tris Prior (played by Shailene Woodley). “For me, the movie is about a young woman finding herself, transforming herself and becoming powerful on a societal stage,” explains director Neil Burger. “It’s an intimate, personal portrait, but on a grand scale. Ellie’s music has that very intimate quality. You are in the heart of her characters, in their souls, in their minds. When she sings her voice resonates inside you. Her music was a perfect way to do all that for Tris—to feel what she was feeling inside.”

Indeed, Goulding’s voice has been integrated into the score of the film, making her a constant part of the on-screen action. “I got to jam, like you would jam on a guitar, but just with my voice,” says Goulding of the process. “I really enjoyed it.”

Goulding lent three songs to the film but also crafted a brand new tune called “Beating Heart” specifically for Divergent. “In the last scene of the movie, Tris has just experienced multiple tragedies, even as she triumphs (for the moment) over her enemies,” says Burger. “Ellie wrote ‘Beating Heart’ and we knew it’d be perfect for the end of the movie. Her lyrics almost merge with Tris’ voice-over and her music lets the movie soar above the tragedy. The sadness is still there but so is the transcendence. It’s a fantastic song.”

You’ll have to wait until March 21 to see how that scene plays out, but for now, give a listen to the exclusive premiere of Ellie Goulding’s “Beating Heart” below.  READ FULL STORY

Justin Bieber releases first post-arrest music: Hear 'Broken' here!

Considering all the stories about hotboxing private planes and rejecting very reasonable plea deals for his DUI arrest, it’s easy to forget that Justin Bieber is primarily famous for creating music. His extra-curricular activities have eclipsed his work as of late, though he’s making attempts to shift the focus back on the tunes.

Thus, the arrival of “Broken,” Bieber’s first post-arrest song and a seemingly direct response to his latest tabloid turmoil. Over the weekend, Bieber’s DJ Tay James dropped a mixtape called We Know The DJ Radio 4which contains “Broken” and features a guest rap by Blake Kelly. On the track, Bieber repeatedly announces “I cannot be broken,” and opens the track with the line “I guess they want a reaction/ I ain’t gonna give it to ‘em.” (Don’t work too hard trying to resolve the logic of that line—just go with it.)

Listen to “Broken” below.  READ FULL STORY

Pussy Riot release Putin-bashing music video shot at Olympics

While the world’s attention is focused on Russia for the Olympics, protest collective/punk band/righteous agitators Pussy Riot are grabbing headlines again — this time for a music video that includes footage of the group being publicly beaten by the Russian militia.

“Putin Will Teach You How To Love” features the members of the group, in their trademark colorful balaclavas, storming through the streets of Sochi, dancing in front of the Olympic rings, interacting with a weird looking mascot, and getting pummeled by Russian militia forces. The protesters include Nadezhda Tolokonnikova and Maria Alyokhina, both of whom were recently released from a Russian prison.

“Under the banner Sochi 2014, to the sound of ‘Putin will teach us to love the homeland,’ Cossacks attacked Pussy Riot, beat us with whips and sprayed a lot of pepper gas at us,” Tolokonnikova tweeted.

Check out their good old-fashioned punk rock anarchy below.  READ FULL STORY

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