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Tag: New Stuff (21-30 of 1134)

Dawn Landes does karaoke 'Lost In Translation'-style in 'More Than This' video

Louisville-born singer-songwriter Dawn Landes has racked up an impressive number of accomplishments over the course of her still young career: recording with Will Oldham and Justin Townes Earle, touring with Feist and Andrew Bird, accompanying the New York City Ballet at the Lincoln Center, working at Philip Glass’ personal studio. Now she can add “coming up with the funniest riff on Lost in Translation‘s karaoke scene for a music video” to the list.

Sunday night Landes kicked off a tour as opening act for former Roxy Music frontman Bryan Ferry, and on Tuesday, she self-releases her Covers EP (recorded with her band the Kentuckians), which includes her lilting, countrified version of Roxy’s “More Than This,” alongside classics by the likes of Bruce Springsteen and Henry Mancini. For the video she created a shot-by-shot reproduction of Lost in Translation‘s most memorable moment, cleverly playing both Bill Murray and Scarlett Johansson’s roles. That’s what you call versatility.

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Chief Keef's 'Wait': Weirdest rap song of the week (or maybe the year)

Two years after blasting his way into the pop zeitgeist via Kanye’s remix of “I Don’t Like,” Chief Keef remains the poster boy for Chicago’s drill scene, despite the fact that he’s been moving away from that style’s blueprint for nearly as long. Earlier this year, he released the single “All I Care About” from his Bang 3 mixtape that split the difference between drill and the blues, mixing a twitchy beat made out of drill’s signature chattering hi-hats and funereal tolling bells with a yowling Auto-Tuned vocal part and a hypnotically circular melody, resulting in six minutes of heavy strangeness that doesn’t fit comfortably in any one established genre. (“Computerized gangster soul” might work.)

Last night he proved that his weird streak’s not only continuing, but intensifying when he posted a new single on YouTube. “Wait,” which Keef produced himself, is a strange mishmash of odd noises that shares some rhythmic qualities with rap but overall is more sonically similar to the experimental electronic music that back in the ’90s was called IDM, or “intelligent dance music”—in particular in its glitchy hi-hats and the unexpectedly gentle synth lead that sounds like something Aphex Twin might have made back in the Richard D. James Album era.

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Music supervisor for 'Revenge,' 'Arrow,' and 'The Fault In Our Stars' makes us a fall TV playlist

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The most important movie soundtrack this year was undoubtedly the top-shelf compilation put together by Season Kent for The Fault In Our Stars, and not just because it gave us Charli XCX’s inimitable “Boom Clap.” Kent has quickly become one of the go-to names in music supervision, and though she’s working on more and more film projects (she just got started working on the Magic Mike sequel), she has primarily made her bones on television.

This season, she returns to both Arrow and Revenge, and adds the brand new Arrow spin-off The Flash to her portfolio. In an effort to give our Shazam apps a rest during the forthcoming TV season, we asked Kent to make us a playlist of songs that we’ll eventually be hearing under our favorite dramatic moments and montages. Check out her picks and listen to the Spotify playlist below.

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Love it or loathe it? Two EW critics debate U2's new album 'Songs of Innocence'

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Yesterday, U2—easily the biggest rock band left on the planet—surprised everyone when they released their long-in-gestation new album for free.

Songs of Innocence was made available to everybody with an iTunes account, which allows most everybody who listens to digital music to hear it; a physical version will be out on October 14, at which point it will be eligible to chart.

After a solid 12 hours of digesting the record — their first since 2010’s generally disappointing No Line on the Horizon — EW music experts Kyle Anderson and Miles Raymer fired up their e-mail machines, and their critical judgment.  READ FULL STORY

Nick Cave talks to EW about his new movie '20,000 Days on Earth' and why he doesn't like meeting his heroes

Over the course of a nearly four-decade music career, Nick Cave has been one of music’s most reliably inscrutable rock stars. The forthcoming documentary 20,000 Days on Earth (in theaters September 19) does a bit to shed some light on Cave’s dark spirit, but it does it with a twist.

Although many of the day-in-the-life conversations aren’t scripted (or very loosely so), and everybody in Cave’s life—from bandmate Warren Ellis to former Bad Seed Blixa Bargeld to Kylie Minogue—plays him- or herself, a lot of the film is built on artifice. The office where Cave undergoes a therapy session, the “archive” where he goes to review old photographs—they’re all built sets and faked scenarios, and constructed to try to wring some truth out of something inherently fake.

20,000 Days on Earth splits its time between those scenes and in-the-studio footage from the sessions that led to Push the Sky Away, Cave’s 2013 record with the Bad Seeds. It’s a remarkable movie, existing in the unique dimension between fiction and reality straddled by filmmaking greats like Werner Herzog and Errol Morris: READ FULL STORY

Zulu Pearls hang with Swedish car freaks in their 'Lightweight' video

When some people think about Sweden and automobiles, they think of clean-cut blondes driving Volvos. But since the dawn of hot-rod culture in the U.S., there’s been a subculture in Sweden that’s been bound together by their mutual worship of tail-finned American steel, cheap beer, and rock ‘n’ roll. Known as “raggare,” they throw a hefty, fuel-inefficient monkey wrench in the popular preconception of Swedes as the neatest and most polite people in the world, and they seem like they have a blast doing it.

For the video for their new single “Lightweight,” Berlin-based rock group Zulu Pearls’ creative mastermind Zach Van Hoozer traveled to Sweden to hang out with the raggare gang Moonshine Cruisers and caught the experience on film. The result creates an interesting juxtaposition of sugary retro-rock sounds and pastoral images of grizzled hot rodders shotgunning beers.

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Hear Sirma's classical-influenced electronic pop on her EP 'Instincts'

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Turkish singer Sirma is only 24 years old, but she has already lived several different lives in music. She began her career early on as a classically trained pianist, transitioned into jazz singing in high school, recorded with Akon and Keri Hilson as the Turkish representative on the official 2010 World Cup theme, and joined an experimental rock band in Boston before finally striking out on her own. You can hear echoes of her former musical ventures here and there on her new EP Instincts, but its main focus is juxtaposing elegant pop hooks with aggressive electronics and an intriguing hint of Turkish classical music.

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Kendrick Lamar and Flying Lotus team up on 'Never Catch Me'

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Speaking of Cali hip-hop, two of the most important figures in the contemporary L.A. rap scene, Kendrick Lamar and Flying Lotus, just revealed a surprising new collaborative single. The pair embody two of the dominant themes that have been bouncing around it recently: on one hand, a nostalgia-tinged re-engagement with the city’s gangsta rap history, and on the other, a psychedelic deconstructionist movement, influenced by cosmic free jazz, that’s doing to the boom bap what Ornette Coleman did to bebop. They may seem like artists with very disparate goals, but “Never Catch Me” shows that they’re more compatible than they may seem on the surface.

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Garth Brooks returns to releasing new music with 'People Loving People'

Garth Brooks’ retirement from the stage didn’t last too long after he announced it in 2001, and he’s been playing more or less regularly for the better part of the past decade. But he hadn’t put out any new, original music aside from some odds-and-sods studio remnants since 2001’s Scarecrow until Wednesday morning, when he released a new track “People Loving People,” to country radio stations. READ FULL STORY

Watch hip-hop vets DJ Nu-Mark and Slimkid3's 'I Know, Didn't I' video

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From Kendrick Lamar to YG, the West Coast has been working steadily to reassert its status as one of the epicenters of hip-hop culture, and two veterans of the scene have stepped up to contribute to the effort. DJ Nu-Mark of Jurassic 5 and the Pharcyde’s Slimkid3 have teamed up for an album-length collaboration, Slimkid3 & DJ Nu-Mark, that comes out next Tuesday on old-school standard-bearer Delicious Vinyl.

The second single from the LP puts their classical aesthetic front and center by flipping Darondo’s cult soul classic “Didn’t I” into a laid-back jam perfectly tuned for aimlessly cruising around L.A. in a sweet vintage ride, complimented by a trippy video that should connect with Cali’s current crop of dispensary-frequenting hip-hop heads.

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