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Tag: New Stuff (31-40 of 1135)

Watch hip-hop vets DJ Nu-Mark and Slimkid3's 'I Know, Didn't I' video

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From Kendrick Lamar to YG, the West Coast has been working steadily to reassert its status as one of the epicenters of hip-hop culture, and two veterans of the scene have stepped up to contribute to the effort. DJ Nu-Mark of Jurassic 5 and the Pharcyde’s Slimkid3 have teamed up for an album-length collaboration, Slimkid3 & DJ Nu-Mark, that comes out next Tuesday on old-school standard-bearer Delicious Vinyl.

The second single from the LP puts their classical aesthetic front and center by flipping Darondo’s cult soul classic “Didn’t I” into a laid-back jam perfectly tuned for aimlessly cruising around L.A. in a sweet vintage ride, complimented by a trippy video that should connect with Cali’s current crop of dispensary-frequenting hip-hop heads.

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TV on the Radio release guitar-driven single 'Happy Idiot'

After a decade-plus of being called an indie rock band without ever really sounding like one, avant-rockers TV on the Radio have released “Happy Idiot,” a track that emphasizes clean-toned guitar and accessible pop hooks over the atmosphere and electronic textures the rest of their discography’s been built on. The latest single from their upcoming album Seeds is as lyrically direct as it is musically, with frontman Tunde Adebimpe musing on non-thinking as a strategy for coping with emotional pain, sort of a less substance-centric relative of Sia’s “Chandelier” and Tove Lo’s “Habits (Stay High).” Seeds drops Nov. 18, and the band will be touring beforehand starting in mid-October.

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Hear new songs from Prince's 2 upcoming albums

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Eccentric pop auteur Prince is set to release two new albums on Sept. 30, and he’s made a track from each available to hear now. One of the albums, Art Official Age, is a Prince solo album, the first in four years. It’ll feature “U Know,” a song that suggests the Purple One’s been keeping an eye on contemporary pop—with its libidinously throbbing beat, looping piano riff, and electronic flourishes, it serves as an excellent example of how to do a slow jam right in 2014, and Prince’s rhythmically focused vocal part suggests that he’s not quite as anti-rap as he used to be.

The other sneak peek comes from Plectrumelectrum, which is being billed as a collaboration with his latest band 3rdEyeGirl. “Whitecaps” proves how serious Prince is about sharing more than just the album credit, as he cedes lead vocal duties to drummer Hannah Ford on a tender ballad that harkens back to his Revolution days.

You can hear both tracks at The Hollywood Reporter.

Hear Kandace Springs' buoyant neosoul single 'West Coast'

Kandace Springs is a young musician, but she seems to have more in common with artists from before the Internet upended the music industry. Her break didn’t come through social media, but by blowing away music heavyweights like Prince and Don Was with virtuosic interpretations of songs by Bonnie Raitt and Sam Smith. And while her style is deeply indebted to ’70s soul music, she’s not a purely retro act—for her debut LP, out next spring, she’s put together a production and songwriting team whose members have previously worked with CeeLo Green, Alicia Keys, and Bruno Mars.

In the meantime, Springs is releasing a self-titled four-song EP on Sept. 30. Lead single “West Coast,” produced by the duo Pop and Oak—who’ve worked with Ariana Grande, Nicki Minaj, and Usher—is buoyant neosoul that combines a rollicking horn arrangement and a bumping rap beat. Springs makes her TV debut Oct. 3 on Letterman. READ FULL STORY

Charli XCX on her new album 'Sucker' and getting angry at pop music: An EW Q and A

At last night’s MTV Video Music Awards, Charli XCX was one of the evening’s stealth victors. Though she did not cash in on any of her five nominations (four for her turn on Iggy Azalea’s “Fancy,” one for Artist To Watch), her pre-show performance of “Boom Clap” ended up being one of the most compelling of the evening.

She also dropped some details about her forthcoming album Sucker, which will arrive on October 17, and unleashed the video for the album’s second single “Break the Rules.”

The clip, which features actress Rose McGowan, is a timely piece of back-to-school anarchy—one last summer tantrum before the leaves fall off the trees and beach jams start sounding passé.  READ FULL STORY

Juicy J teams up with Nicki Minaj, Young Thug, and Lil Bibby for 'Low'

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One of the perks of being an artist who spent their youth pushing hard against every boundary you encountered is that years later, when the rest of the world catches up, you basically have a free pass to coast as much as you damn well please while you cash in on your hard-earned reputation. Few such artists take as much advantage of that unwritten rule as Juicy J, who’s spent most of his time since “Bandz A Make Her Dance” reignited his career recording guest verses that have given new meaning to the phrase “phoning it in” and often leave the listener under the impression that Juicy didn’t even listen to the rest of the song before jumping in the booth, dropping a quick 16, and grabbing a check on his way back out the door.

For all the uninspiring but presumably lucrative features he’s spat recently, Juicy possesses much of the skill that he displayed during his zeitgeist-rattling run with Three 6 Mafia, which he shows off a little more than usual on his new single “Low.” The reasons why aren’t hard to discern: by inviting Nicki Minaj, Young Thug, and Lil Bibby–three of the biggest talents in the game right now–on as guests he couldn’t take a chance trying to get by on cruise control.

Hear The Clash's virtual reunion with EW's homemade Clash 'Black Album'

In one of the best and most talked-about sequences in Richard Linklater’s instant classic film Boyhood, Ethan Hawke gives Ellar Coltrane a homemade compilation he calls The Black Album. It consists of solo tracks from each of the four Beatles, sequenced in a way that captures the magic the band were able to make when they were still a cohesive unit. “Basically, I’ve put the band back together for you,” Hawke wrote in the liner notes.

It’s such a good idea that EW decided to steal it. There are countless bands who have broken up and never circled back around to a cash-grab reunion, and we’ve begun with one of my absolute favorites: The Clash. The group didn’t officially stick a fork in it until 1986, but the bloom was well off the rose by the time drummer Topper Headon left the group just prior to the release of 1982’s Combat Rock. The relationship between co-leads Mick Jones and Joe Strummer were hopelessly strained by the end, and by the time the group released the disastrous Cut the Crap in 1985, Jones was already deep into his second life as the frontman for Big Audio Dynamite.

Like the Beatles before them, the members of the Clash did make up and collaborate on an individual basis after they broke up, but they never got the band back together (and once Strummer suddenly passed away in 2002, that door was officially closed for good). Still, here are 19 tracks (the same number that appeared on the watershed London Calling) from the post-Clash lives of the core four that re-capture the spirit of what made them sonically and philosophically revolutionary.  READ FULL STORY

Kelela and Le1f team up for the spacey slow jam 'OICU'

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Kelela and Le1f are two independent artists teetering on the verge of serious pop stardom. Kelela is part of a new wave of R&B artists forging connections with the leading edge of electronic dance music who’s made a fan of, among others, Solange Knowles, who put her on the avant-R&B compilation, Saint Heron, that she released on her Saint Records label last year. Le1f, meanwhile, is doing something similar with rap and the underground club scene, and the raw energy he brought to his Letterman performance earlier this year gave him an unexpected foothold in the mainstream.

Neither of the two are content to just wait around for their seemingly inevitable breaks to come through. Both are busy at work on their next big moves. But in the meantime, while those projects are coming together, they’ve paired up to record “OICU.” Produced by beat-maker P. Morris, the track showcases their mutual talents for creating a vibe that’s spacey, sexy, and effortlessly chill. It’s a match made in stoner-avant-pop heaven.

Is this a leak from Kanye West's 'Yeezus' sequel?

Kanye West is famously as fastidious about security at his recording sessions as he is about bathroom arrangements at his wedding, so when a previously unheard song purporting to come from his follow-up to last year’s Yeezus hit the Internet last night it was a big deal. While West has remained uncharacteristically silent about it, the lo-fi two-minute clip seems legit. The voice on the recording sounds like him, and the lyrics match up with the excerpt from what he called his “new single” titled “All Day” that he teased in a recent GQ interview. It’s also hard to imagine any fakers coming up with anything as clever and Kanye West-ish as “middle finger longer than Dikembe” or the offhand reference to “Rico Suave.”

If this version of “All Day” really is intended for inclusion on the next Kanye West record it’ll probably sound radically different by the time it’s released. His past few albums have been heavy on psychedelically complex, prog-rock-influenced arrangements, and something about the straightforward loops of vaguely Timbaland-sounding drums and digitally harmonized vocals seems a little to basic to pass his strict standards.


Watch a clip of 'Garfunkel and Oates' guest-starring the actual Oates

Comedy folk duo Garfunkel and Oates recently followed in the footsteps of past comedy folk music duos like Flight of the Conchords and the Smothers Brothers by bringing their act to the small screen. Last week, IFC aired the first episode of Garfunkel and Oates, which follows the ups and downs of a lightly fictionalized version of the pair as they play uncomfortable corporate gigs, try to land TV appearances, deal with comedian boyfriends who use their sex lives as joke fodder, and face other challenges comedy folk music acts apparently encounter.

The pair have assembled an impressive lineup of guest stars for their first season, including Chris Parnell, Natasha Leggero, Anthony Jeselnik, Tig Notaro, Steve Agee, Chris Hardwick, and, most improbably, Sir Ben Kingsley. But in terms of metatextual humor, it’s hard to beat a cameo from the group’s partial namesake John Oates. He appears in an episode entitled “Rule 34″ (airing this Thursday, Aug. 14), in which Garfunkel and Oates encounter a porn version of themselves played by Abby Elliott and Sugar Lyn Beard.

We have an exclusive sneak peek at Oates’s scene, plus a Q&A with the soul-pop star about his acting debut.

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