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Tag: New Stuff (61-70 of 1134)

Busta Rhymes and Eminem drop 'Calm Down'

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Earlier today, Busta Rhymes dropped a new single, “Calm Down,” which finds the head-banging hip-hop iconoclast facing off against fellow veteran MC Eminem over the span of nearly six minutes atop a clangorous beat by Scoop DeVille that’s based around a sample of Bob & Earl’s “Harlem Shuffle,” better known as the horn part from House of Pain’s “Jump Around.” As you might expect from two of the most verbose rappers in the game, the song is a relentlessly dense torrent of lyric-spitting that reaffirms some of the classic battle-rap values that have fallen out of fashion in recent years while avoiding getting bogged down in any “get off my lawn” old-man attitude.

Busa Bus talked to EW today in an exclusive interview about “Calm Down.” Below, hear the track and read what he has to say about the song and about the first time he heard Eminem rap.

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Listen to Grimes' new R&B-meets-EDM banger 'Go'

Synth-loving art-pop faerie Grimes has been on the verge of a major breakthrough ever since she released her 2012 album Visions, which refined the experimental electronic approach of her first two LPs and infused her sound with big, undeniable hooks that can stand up next to anything on the Top 40. It has stealthily become one of the most influential records of the past few years, and you can hear ideas borrowed from it all over the radio, including pretty much every synth-heavy pop song by a female performer that’s broken big in the past year.

Grimes herself has been patiently setting up her next move, signing to Jay Z’s Roc Nation for management and apparently fielding some songwriting gigs from major stars. Earlier this month at the Governor’s Ball festival in New York City she played a handful of new songs, including one that she claimed was written for, and rejected by, Rihanna. Today, she posted the finished recording of that track, entitled “Go,” on her SoundCloud. Produced with her longtime musical partner Blood Diamonds, it’s her most ambitiously accessible song yet, with an R&B-heavy vocal melody and arena-sized EDM synths that sound like they could have been lifted off of a Diplo track. It strongly hints that her next album (which she’s still working on) will be aimed straight at pop radio.

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Pink Mountaintops unveil fiery new video for 'Second Summer of Love'

The Second Summer of Love was a period in the late ’80s where MDMA, Chicago acid house, and British youth culture collided explosively to create what came to be called “raving.” It’s also the title of a ripping new song from the new album, Get Back, by Canada’s greatest extant rock band Pink Mountaintops.

The song is a vaguely apocalyptic portrait of subultural youth, and the video takes it a step further with a bunch of grunge kids wielding baseball bats, riding flaming skateboards, and looking existential in front of pyrotechnic displays. You’re not likely to see this much ennui and fire in one place all day.

Hit the jump to check it out. READ FULL STORY

Karen O will release her home-recorded debut solo album in September

The last Yeah Yeah Yeahs album, Mosquito, was their most elaborate recording to date, complete with the gospel choir that’s pretty much de rigueur for overproduced rock records. For her upcoming debut solo album, frontwoman Karen O is going hard in the opposite direction. Crush Songs, which will be released on Strokes singer Julian Casablancas’s Cult Records on September 9, is a collection of stripped-down, lo-fi home recordings along the lines of “The Moon Song,” her Oscar-nominated contribution to the soundtrack for Spike Jonze’s Her.

The material on Crush Songs was recorded in 2006 and 2007, during the peak of the Yeah Yeah Yeahs post-Fever to Tell popularity. Karen O was 27 at the time, and according to a quote in her press release, she “crushed a lot” during that time.

Crush Songs will be available on CD, digitally, and in a special limited edition that includes a sunburst-colored vinyl album and a set of personal drawings with handwritten lyrics, which is available for pre-order now.

Hear the Weeknd's latest sex jam 'Often'

 Let’s see: pitch-black synth tones, cavernous reverb, warped vocal samples, explicit lyrical references to kinky sex stuff, explicit lyrical references to doing brain-melting amounts of drugs–yep, “Often” is definitely a Weeknd song. And if you’re filling out your Weeknd bingo card, you can also mark the box that says “released with no warning or commentary” for the win.

If there’s one thing that sets the track, which the perpetually enigmatic singer dropped on SoundCloud last night, apart from his usual work, it’s the atypically aggressive edge that comes through in the stuttering kick drums and a vocal part that crowds the beat in a compellingly claustrophobic way. It’s hard to hear it and not wish he’d brought more of that energy to last fall’s underperforming Kiss Land.

Find a stereo that can handle its insanely deep bass, put on your official Weeknd fashion sweats, and hit the jump to stream it.

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AraabMuzik remixes Lana Del Rey's 'Summertime Sadness': Listen

NYC producer AraabMuzik is a virtuoso of the MPC whose freakish talent for making beats and remixing tracks on the fly has made him a jaw-dropping live performer in a field that often seems dominated by antisocial studio rats. In between blowing minds on stage he produces remixes that combine EDM’s electronic bombast with the sonic aggression of old-school NYC street rap, and just in time for both summer and the release of Lana Del Rey’s brand-new Ultraviolence, he’s dropped an arena-ready version of “Summertime Sadness” from her 2012 album Born to Die. It’ll appear on his upcoming mixtape For Professional Use Only 2, out July 15.

Stream it below: READ FULL STORY

FKA Twigs debuts a dreamy new video for 'Two Weeks'

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This August, FKA Twigs—a British singer who’s been steadily building up a cult following since she released her EP2 last fall—will release her first full-length album LP1. And with luxuriously dark beats, Twigs’ effortlessly commanding vocal presence (which deserves every Aaliyah comparison it gets), and a careful balance between sonic experimentation and pop accessibility, it should be the avant-R&B record of the year.

Twigs just dropped the video for LP1‘s psychedelic slow jam “Two Weeks.” Shot by Australian director Nabil Elderkin, it’s like a mashup of Michael Jackson’s “Remember the Time,” Kanye’s “Power,” Alejandro Jodorowsky’s failed attempt at adapting Dune, and Daenerys Targaryen’s current storyline on Game of Thrones, with a little nod to Aaliyah’s role in Queen of the Damned thrown in for good measure. Get your mind blown below.

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Veruca Salt's fan-assisted 'It's Holy' video -- EXCLUSIVE PREMIERE

Record Store Day 2014 marked the official recorded return of Veruca Salt, the Chicago-born quartet whose albums American Thighs and Eight Arms To Hold You are definitive entries in any ’90s alt-rock fan’s collection. The band’s original lineup—Louise Post, Nina Gordon, Steve Lack, and Jim Shapiro—hadn’t played together since 1998, but they have stormed back  with a pair of tracks on a limited-edition 10-inch piece of vinyl that ended up being one of the big gets of RSD.  READ FULL STORY

Exclusive: Orenda Fink's dreamy new single 'You Can Be Loved'

Orenda Fink first made her name as the vocalist for the Bright Eyes-approved dream indie rock duo Azure Ray. But over the course of a few solo albums she’s made an identity for herself that’s part dream pop and part dusty Americana. Her latest, Blue Dream (out August 19 on the Saddle Creek label), is a meditation on death inspired by the passing of a dog she had for 16 years and a quote by the artist Laurie Anderson that a friend sent to help her get over it. Despite the dark subject matter, it’s not a heavy record—instead, it floats in a state of meditative weightlessness suspended by plentiful pop hooks. Fans of Kate Bush should be pleased by the results.

The track “You Can Be Loved,” with its chiming guitar figures and ethereal multitracked vocals, puts all of Blue Dream‘s best qualities in one place. Hear the exclusive premiere after the jump.

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Anamanaguchi releases a mysterious (but catchy) new single

Anamanaguchi, the self-described “boy band” from New York City, is dedicated to hacking pop music the way other geeks hack video game consoles.

Today they released a new single called “Pop It,” which features vocals by an “unknown singer” whose name they won’t reveal and who may or may not be the person depicted in the cover art, pictured above (although they’re willing to say that whoever it is, it’s their first recording gig). That fact just adds a slightly weirder edge to a song that’s already pretty strange—with its glitchy electronic flourishes and relentlessly bubble gummy vibe, it bears more than a passing resemblance to Japanese superstar Kyary Pamyu Pamyu’s neon-drenched anime acid trip. But like Kyary, Anamanaguchi works enough hooks into the mix to make the digital chaos worthy of putting on repeat.

So far, Anamanaguchi’s biggest claim to fame is providing the 8-bit pop-punk soundtrack for the video game adaptation of Scott Pilgrim vs. the WorldBut the band has a burgeoning cult following, and as mainstream pop culture grows increasingly similar to the Internet culture they inhabit, it doesn’t seem unrealistic to think they might break through with a bigger crowd soon.

Listen to “Pop It” below, or visit Anamanaguchi’s website to stream the song from a page full of interactive lo-res balloons that help to heighten the already-pretty-strong sensation of being stuck inside a game of “Katamary Damacy.”

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