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Tag: Nicki Minaj (1-10 of 118)

Nicki Minaj announces a release date for next album 'The Pinkprint'

Fans won’t have to wait much longer for the female version of Jay Z’s The Blueprint, apparently: Nicki Minaj announced Tuesday that her new album, The Pinkprint, is coming out Nov. 24.

“Jay had his Blueprint albums and that’s what I feel like this album’s gonna be,” Minaj told BBC Radio 1Xtra’s DJ Semtex. “I really feel like this album will be like a Blueprint for female rappers to come, so that alone should tell you how confident I am about the music.” READ FULL STORY

'Billboard' Hot 100 recap: Beyonce's 'Flawless' finally hits the chart

In the nine months since Beyoncé dropped her self-titled album on an unsuspecting world, the track “Flawless” has grown from one of the more enjoyable surprises in a thoroughly surprising album–a quasi-manifesto that synthesizes diva-level self-appreciation and blunt real talk about female existence in a patriarchal world, delivered with an instantly memorable hook–into a cultural behemoth. The word “flawless” (or, better yet, “#flawless”) condenses everything that Beyoncé and her featured guest, award-winning Nigerian author Chimamanda Ngozi Adichie, talks about in the song down into two syllables that somehow contain an entire philosophy of self-love and self-actualization. No wonder it’s been inescapable all year.

Despite the song’s popularity, Bey and her label haven’t released it as an official single. Or maybe it’s because of that popularity–when something grows so big in such an organic way, giving it a traditional professional marketing push could end up ruining a good thing. Either way, the song whose title is emblazoned on most Beyoncé merch is officially just an album cut.

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Hot 100 recap: Taylor Swift dethrones Magic!, weird new stuff debuts

As predicted, Taylor Swift’s “Shake It Off” debuted at number one on the Hot 100 this week after racking up over 500 thousand copies sold and 50 million YouTube plays since it dropped 10 days ago, not to mention the fact that it’s dominating pop radio. Swift’s also number one on Billboard‘s new Artist 100 chart, which combines performance across the Hot 100, the Billboard 200 album chart, and the Internet-centric Social 50 chart.

Also as expected, Nicki Minaj’s “Anaconda” is sitting right below it, having leapt from number 39 after the release of its thoroughly surreal and deeply salacious video. Despite the fact that “Anaconda”‘s visual has blasted “Shake” out of the water in terms of virality, Nicki’s only at number three on the Artist 100, right behind Wiz Khalifa.

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Nicki, Ariana, and Jessie J dance on a skyscraper in 'Bang Bang' video

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Right after Nicki Minaj, Jessie J, and Ariana Grande opened Sunday’s MTV Video Music Awards with a performance of “Bang Bang,” MTV premiered the trio’s wardrobe malfunction-free video for the song online.

The video begins with men ogling at Jessie J as she exits a car, but she pays it no mind and enlists female onlookers to join her in showing off their Cadillac-like booties. Meanwhile, Grande twirls around in a Miami-chic bedroom, applies makeup, and belts into a megaphone—A-plus on the multitasking, Grande.
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The VMAs opening number with Ariana Grande, Nicki Minaj, Jessie J and more: What did you think?

How many rhinestones were on Ariana Grande’s Barbarella-call-girl onesie?  How bouncy is her ponytail? How freaked out was the PA who had to man the censor button during Nicki Minaj’s NC-17 celebration of snakes and a special kind of salad?

These and many more questions came to us during an opening medley that featured Grande performing “Break Free” direct from space (kind of), Nicki Minaj not using her previously scheduled reptile muses during the Sir Mix-a-Lot-sampling “Anaconda,”  and Jessie J looking sane and moderately amused during “Bang Bang,” while Grande strutted in yet another future onesie and Minaj clutched at her decency when a wardrobe quick-change wasn’t quick enough.

But you tell us, readers, what did you think of the VMAs opener?

 

Juicy J teams up with Nicki Minaj, Young Thug, and Lil Bibby for 'Low'

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One of the perks of being an artist who spent their youth pushing hard against every boundary you encountered is that years later, when the rest of the world catches up, you basically have a free pass to coast as much as you damn well please while you cash in on your hard-earned reputation. Few such artists take as much advantage of that unwritten rule as Juicy J, who’s spent most of his time since “Bandz A Make Her Dance” reignited his career recording guest verses that have given new meaning to the phrase “phoning it in” and often leave the listener under the impression that Juicy didn’t even listen to the rest of the song before jumping in the booth, dropping a quick 16, and grabbing a check on his way back out the door.

For all the uninspiring but presumably lucrative features he’s spat recently, Juicy possesses much of the skill that he displayed during his zeitgeist-rattling run with Three 6 Mafia, which he shows off a little more than usual on his new single “Low.” The reasons why aren’t hard to discern: by inviting Nicki Minaj, Young Thug, and Lil Bibby–three of the biggest talents in the game right now–on as guests he couldn’t take a chance trying to get by on cruise control.

Nicki Minaj vs. Taylor Swift: Who won this week's music-video showdown?

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On Monday, when Taylor Swift unveiled her new single in front of a select group of Swifties (and an untold number of viewers watching it on webstream), she did so with the casual confidence of someone with a large enough and devoted enough fan base to ensure it a No. 1 spot. And according to Billboard, “Shake It Off” very well may debut at the top of the Hot 100 next week, finally knocking Magic!’s strangely resilient “Rude” out of the place it’s held since mid-July. She’ll face some heavy competition when she gets there, though—much of it from female artists. Ariana Grande and Iggy Azalea have basically owned the chart for the entire summer. Between the two of them they currently have five out of the top 10 songs in the country, including their team-up “Problem.”

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Ariana Grande, Jessie J, and Nicki Minaj to open VMAs with 'Bang Bang'

Bang Bang” is moving from your earbuds to the TV screen: Ariana Grande, Jessie J, and Nicki Minaj will open Sunday’s MTV Video Music Awards with a performance of the song.
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Nicki Minaj, Drake, and Nicki Minaj's butt star in 'Anaconda' video

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“Oh, my, gosh, look at her butt,” Nicki Minaj’s “Anaconda” instructs—and in the music video for the song, viewers have no choice but to do just that.

When Minaj isn’t jiggling, she’s dancing on a wildly impressed Drake, letting her dancers fawn over her, and playing around in the kitchen with whipped cream and bananas. Clearly, there is no suggestive imagery in this video. None at all. READ FULL STORY

'Billboard' Hot 100 recap: Internet rap freshens up the chart

At long last, the Hot 100, which has been jammed with just a handful of artists all summer—especially at the top—has started to break up. Like a breath of fresh air, a clutch of new songs debuted on the chart this week, including three that have benefitted greatly from the attention of obsessive internet rap fans.

The big news this week is the appearance of “Bang Bang” by Jessie J, Ariana Grande, and Nicki Minaj at number 6, the second-highest Hot 100 debut of the year. It’s not surprising that the single opened strongly—Grande’s Iggy Azalea-featuring “Problem” currently sits at number 5, while her track with EDM producer Zedd, “Break Free,” rose to number 18 (from 21) this week, and Minaj’s “Pills N Potions” climbed to number 41 (from 48). While Grande and Azalea have been sort of cooperatively battling to be the biggest star of the summer, Minaj has spent the past few months waging an internet-based viral campaign. While it incorporates official singles like “Pills N Potions” and her upcoming Sir Mix-a-Lot-sampling “Anaconda, she’s been generating more buzz–especially among her more rap-leaning base–with unofficial releases alongside rappers like Soulja Boy and Lil Herb, who qualify as stars in certain corners of the hip-hop world despite the fact that the mainstream doesn’t know (or in Soulja Boy’s case, has forgotten) that they exist.

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