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Tag: Pink (1-10 of 45)

Bon Jovi has year's top-grossing global tour

Bon Jovi not only has the year’s top tour, but the rock band has achieved a career high.

The New Jersey-based act’s worldwide tour grossed $259.5 million this year, topping Pollstar’s annual top 20 list and setting a record for the band itself.

Beyoncé is second with $188.6 million. She ended her tour last week in Brooklyn. Pink, Justin Bieber, and Bruce Springsteen round out the top five.

The global concert business scored a record year with the top 20 tours, earning $2.43 billion in primary ticket sales. It generated $1.96 billion last year.

The top 20 list also included Taylor Swift, Elton John, Rihanna, Depeche Mode and One Direction. The Rolling Stones’ comeback tour ranked twelfth, a notch under Paul McCartney.

Daft Punk, Pink, Kendrick Lamar among first announced Grammy performers

The fans have asked “Just Give Me A Reason” to watch the Grammys, and the producers (and Pink) have answered.

Believe it or not, we’re only about a month away from the 56th Annual Grammy Awards, which will take place Sunday, January 26 at the Staples Center in Los Angeles. While plenty of people are invested in the nominees, the real stars of that particular show are the performers, and the bookers have begun to roll out the docket.

First up is Pink and Nate Ruess, who will be performing “Just Give Me A Reason,” the Billboard Hot 100 chart-topper that the fun. frontman co-wrote with Pink for her excellent 2012 album The Truth About Love. It will mark the first time the pair have been on network television together, though hardly the first Grammy appearances for either artist: Pink last showed up at the 2010 awards to perform a stunning rendition of “Glitter in the Air,” and fun. showed up on last year’s show to blast out “Carry On.” READ FULL STORY

See Carrie Underwood's 'Sunday Night Football' theme -- VIDEO

NBC unveiled Carrie Underwood’s version of the Sunday Night Football theme tonight, marking the end of Faith Hill’s reign as the NFL’s musical queen.

Hill began singing “Waiting All Day for Sunday Night” (a reworking of Joan Jett’s “I Hate Myself for Loving You”) in 2007 and has appeared at the top of the broadcast for the past six years. Hill stepped down from the gig in April, and in May it was announced that Underwood would take over the high-profile opening number, which, interestingly, didn’t always belong to country gals — it was originally sung by Pink in 2006.

Underwood’s version features a whole lot of high notes and almost as many Verizon logos, but, remarkably fewer shots of her legs (which some have called the best gams in the biz) than Hill’s. Check it out below — along with the older versions for comparison:
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New video round-up: Pink finds 'True Love' with Lily Allen, Ciara and Nicki Minaj drop it low on 'I'm Out'

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A good rule for children at the pool is “always swim with a buddy.” Replace the word “swim” with “booty pop” and “violently cut carrots,” and you have the new videos from Ciara feat. Nicki Minaj and Pink feat. Lily Allen, respectively.

Pink’s “True Love” finds the singer cavorting about with husband Carey Hart and daughter Willow. There are also some flashy psychedelic colors, footage of her trapeze act from her last tour, and track collaborator Lily Allen whipping up a smoothie full of rage (and fiber!). Check out the flashy clip below.
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Pink spins out over Madison Square Garden: On the scene

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Reports of Pink’s acrobatics have not been greatly exaggerated.

Over the course of the pop star’s two-hour set in Madison Square Garden last night, she took flight on no less than three occasions — spinning, dangling, and twirling. Once, she crawled in, out, and over a giant metal sphere as it hovered in the air. I think it was meant to visualize her inner turmoil, or maybe her arm muscles.

Regardless, the scale of the setting suited her, with the audience as her echo chamber. It was so large in fact, with so much constant bigness, that everything small or smaller was swallowed. What remained had to boom.

The “Truth Above Love” tour is a lot of things (including game show and circus) but it is one thing above all: a showcase for the power-pop anthem, which Pink pulled and pushed on with a showboating snarl. (Look carefully and you’d have seen a high-kick or two in the choreography.)

The night opened with “Raise Your Glass” and essentially didn’t stop. Even the ballad-y ballads got the arena treatment — a good thing, because some of them are, like, not very good. (Example: “Just Give Me A Reason” with guest-via-video-screen Nate Ruess, or, a good song strangled by a bad one.) Nothing was under-produced, with a crew and set design that included, at minimum, a dozen screens, a dozen dancers, and a dozen singers and musicians.

While performing “How Come You’re Not Here,” off her latest album, Pink was backed by the moving images of a videogame nightmare come to life in which she was pixelized and chased by spiked missiles. Elsewhere, the muscular backs of her dancers offered as much spectacle as the high-wires that strung across the ceiling.

Do you have to be a Pink fan to enjoy the tour? It’s a ridiculous question: you’ll be blasted by almost two hours of music and end up a Pink fan, regardless. The wall-to-wall setlist had its interludes, in the form of spotlit one-offs (a guitar solo; an appearance by a man-in-the-moon straight out of a Méliès short; philosophy from our host of the game show-within-a-tour) and a late-in-the-night turn toward the acoustic. But the audience filled in around even the sound of a lone instrument. This was not the kind of crowd for stillness.

And why should it be? At 33, Alecia “Pink” Moore has become the grand dame for sloppy, self-actualizing feminism. She’s a dork! She’s a slut! (Reformed!) And she is, it must be said, the fount for some truly great music, if the definition of greatness has room for surround-sound choruses and sticky, bounce-back lyrics. (The songs spanned her decade-plus career, including a dance-heavy medley — “There You Go,” “You Make Me Sick” — covering her early 2000s R&B moment; more personal mid-career confessionals like “Family Portrait” and “Just Like a Pill”; a cover of Chris Isaak’s “Wicked Game”; and the requisite NSFW anthems “F—in’ Perfect,” “So What,” and “U + Ur Hand.”)

The night ended not at all as it began, with the show’s game show motif, and attendant faux-host, wrapped up and sent off before a second encore of “Glitter in the Air.”

Of course, Pink used it as a chance to fly — and, for the first time in the night, dip herself into the water. The audience stood cheering up to the credits, as if they hadn’t quite gotten over not being her loudest backing vocal. And what about Pink? She’s somewhere, I’m sure, still soaring.

Read more:
SXSW: The amazing, never-ending Prince show — a moment-by-moment report
Fun. deal with their baggage in ‘Why Am I The One’ video: Watch here!
Nicki Minaj before vs. Nicki Minaj after — POLL

Pink and Nate Ruess get wet, emotional in 'Just Give Me a Reason' video: Watch it here

Pink has debuted the music video for the Truth About Love cut “Just Give Me a Reason,” and, surprise, it’s surreally dramatic!

The main ingredients for the starry Diane Marte-helmed clip include a bed, a teddy bear with glowing eyes, a TV with rabbit ears, and so much water. And, of course, there’s also plenty of fun.’s Nate Ruess, the song’s featured vocalist — as well as Carey Hart, Pink’s featured real-life husband.

Let Pink’s imagination get the best of you with the video below:

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Grammy snubs and surprises: Pink, Miguel, Carly Rae Jepsen, and Frank Ocean

Last night, in between LL Cool J and Taylor Swift beatboxing “Mean” and Maroon 5 performing that 311 song that was somehow number one for nine weeks, the nominees for the Grammy Awards (or at least, selected categories of them) were delivered live.

And like always, they they didn’t disappoint the armchair critics with their surprises and, in some eyes, oversights.

Unlike last year – a.k.a. Adele-apalooza: Beyond Thunderdome —  no one artist was dominant; the most nominations scored by any one artist was six, and six separate artists hit that number: Mumford & Sons, Fun., Kanye West, Frank Ocean, Jay-Z, and Black Keys’ Dan Auerbach.

That’s a pretty eclectic list, but there’s more to dig into from the big list.

Surprise: Miguel
The critically lauded (and EW-beloved) R&B singer’s Prince-style opus Kaleidoscope Dream hasn’t made a huge impact yet commercially, but it still nailed down five well-deserved nominations, including a major nod for Song of the Year for the ultra-sexy “Adorn.” 

Snub: Carly Rae Jepsen
Sure, “Call Me Maybe” was nominated for some big prizes, including Song of the Year and Best Pop Solo Performance, but why was it left off the list for Record of the Year? And why didn’t Jepsen get a nod for Best New Artist? Grammy voters seemed to be implying that while they would honor her huge sales year, they may not be expecting her to stick around. READ FULL STORY

Pink on VH1 tonight: Sneak peek at 'Behind the Music' episode and 'Storytellers' performance -- EXCLUSIVE VIDEO

Looking for a fix of Pink? Look no further than VH1 tonight.

If you haven’t already OD’d on her latest album The Truth About Love, the singer is getting some royal treatment over on VH1 with an updated Behind the Music: Pink at 10 p.m. and her new episode of Storytellers airs at 11 p.m. EW has an exclusive clip from each show below.

The first clip details the changes in Pink’s life since she had her daughter, Willow Sage Hart, in June 2011. The second is a special treat — a stellar performance of Pink’s moving song “Who Knew,” which was taped in L.A. in August for her episode of Storytellers.

Enjoy the full episodes of Behind the Music and Storytellers at 10 p.m. and 11 p.m. tonight, respectively, and get prepped with these exclusive sneak peeks here on EW.com now:

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Pink, Macklemore, Miguel, and others populate EW's November playlist

This week’s issue of EW marks the launch of a new tradition, wherein once a month the music staff selects its favorite tunes for a monthly mixtape. These range from current singles to deep cuts on blockbuster albums to hidden gems from the fringes of the indie world.

The month of November is a tough one, as it represents the transition into winter, the start of always-stressful holiday travel, and coma-inducing 6,000 calorie meals. You’ll need an extra bit of musical swagger to get through the next 30 days, which is why the playlist below features some extra-tough ladies (Pink, Solange), braggadocious rappers (The Coup, Macklemore), Fonz-level indie cool (Nude Beach, Django Django), and an extra-saucy candles-and-backrubs jam from Miguel.

Give the Spotify playlist a spin below, and stay tuned for more recommendations from your friends here at EW’s Music Mix. READ FULL STORY

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