The Music Mix Music news, reviews, albums, concerts, and downloads

Tag: Pink (11-20 of 46)

Pink, Macklemore, Miguel, and others populate EW's November playlist

This week’s issue of EW marks the launch of a new tradition, wherein once a month the music staff selects its favorite tunes for a monthly mixtape. These range from current singles to deep cuts on blockbuster albums to hidden gems from the fringes of the indie world.

The month of November is a tough one, as it represents the transition into winter, the start of always-stressful holiday travel, and coma-inducing 6,000 calorie meals. You’ll need an extra bit of musical swagger to get through the next 30 days, which is why the playlist below features some extra-tough ladies (Pink, Solange), braggadocious rappers (The Coup, Macklemore), Fonz-level indie cool (Nude Beach, Django Django), and an extra-saucy candles-and-backrubs jam from Miguel.

Give the Spotify playlist a spin below, and stay tuned for more recommendations from your friends here at EW’s Music Mix. READ FULL STORY

Album Sales: Mumford & Sons' 'Babel' has the biggest debut of the year

mumford-album

Mumford & Sons are officially the biggest band on the planet.

The London lads scored the best debut sales week of 2012 with their sophomore album Babel, which moved 600,000 copies in its first week and easily topped the Billboard 200. Their last album, Sigh No More, which quietly sold 2.5 million copies over the course of two and a half years (and consequently jumped to No. 10 this week!) peaked at No. 2 during the week of the Grammys in 2011, when Mumford took the stage with Bob Dylan and the Avett Brothers.

Babel‘s amazing sales far outshine the next-best debut of the year, Justin Bieber’s Believe, which sold 374,000 copies in its first week. And the album marked the best debut since Drake’s Take Care moved 630,000 units in November. Still, Babel will have to settle for second place in terms of overall sales weeks in 2012 — Adele’s 21 sold 730,000 copies in the frame following the Grammys, her album’s 52nd(!) week.

Of the 600,000 copies that Babel sold, a whopping 420,000 (72 percent) of them were digital albums. That’s the second-biggest digital sales week ever behind Lady Gaga’s Born This Way, which sold 662,000 digital copies thanks, in part, to its controversial 99-cent deal on Amazon. READ FULL STORY

Album Sales: Pink scores her first No. 1, Kanye rides in second -- but Carly Rae Jepsen's 'Kiss' is a miss

A dozen years into her multiplatinum career, Pink has scored her first ever(!) number one album this week with her new disc The Truth About Love, which topped the Billboard 200 with sales of 280,000.

Driven by the success of her Top 5 single “Blow Me (One Last Kiss)” — and it’s lippy VMA performanceTruth became Pink’s sixth straight Top 10 debut. Still, until today, her previous chart high came with the 2008 set Funhouse, which debuted at No. 2.

Pink is that rare breed of pop star — the kind that can sell both singles and albums. Not so for everyone on this week’s list though: READ FULL STORY

On the Charts: Dave Matthews Band, Little Big Town, and The Avett Brothers start strong

The Dave Matthews Band’s new album Away from the World easily debuted atop the Billboard 200 this week, shifting 266,000 copies.

By debuting at No. 1, DMB became the first group in history to launch six straight albums in the top spot, though it should be noted that Away started substantially smaller than their 2009 set Big Whiskey and the GrooGrux King, which moved 424,000 units in its first week.

Still, the alt-rock jam band makes the bulk its money on the road — and they’ve clearly got loyal fans.

Time will tell how resilient the DMB record ends up being, but for now, let’s check out the week’s other chart winners and losers: READ FULL STORY

On the Charts: Matchbox Twenty earn first No. 1, Imagine Dragons take flight, Alicia Keys not yet 'On Fire'

MATCHBOX-20.jpg

Straight up, what did you hope to learn about here?

Oh, you wanted some chart news? Well, then you’re in the right place.

Sixteen years after the release of their debut album, Matchbox Twenty earned its first number one album on the Billboard 200 this week. Their latest set, North, sold 95,000 copies in its first seven days. The album’s success is a  testament to the rockers’ loyal fans, considering the disc’s lead single “Shes So Mean” peaked last week at No. 40 on the Hot 100.

The Rob Thomas-led crew formerly found massive success with their 1996 debut Yourself or Someone Like You, which peaked at No. 5 but was certified 12x platinum (oh, the how the music industry has changed…). North won’t likely reach those heights, but the No. 1 spot is still an impressive honor for the nostalgia-fueled act.

Time will tell whether fellow 1990s stalwarts Green Day and No Doubt can match Matchbox Twenty’s resilience, but for now, let’s check out the week’s other chart winners and losers: READ FULL STORY

On the Scene: What you didn't see on TV at the VMAs

With cameras strategically placed all around Staples Center at the Video Music Awards, MTV gives its viewers at home a pretty full view of the award show — from close-ups of the performers, to bird’s-eye views of the crowd, to cutaways to stars like Katy Perry and Olympic medalists in the VIP section. But there’s still more the camera didn’t pick up on. Lucky for you, EW was on the scene last night and has a few tidbits about what you didn’t see on TV.

Pink woos the crowd
Before Pink performed her show-stopping number, she ascended the platform in the middle of the audience at the beginning of the commercial break, giving her plenty of time to pump up the crowd with some beating on that electric snare drum. With the audience turned her way, many waving at her and snapping photos, she made sure to wave back with her drumstick and flash them all a big smile. What else did she have plenty of time to do? Test out that aerial rope. Wouldn’t you want to test it out a few more times, make sure you’ve got your form right, no matter how long you were in rehearsals the day before? But Pink only gave the rope one quick check, and then got back to charming the crowd. READ FULL STORY

Which live debut was the best of the VMAs? Take our poll!

While many awards show ceremonies focus on displaying nominated songs from the past year, this year’s MTV VMAs took another route: letting its top artists showcase their newest material.

Standout 2011-2012 singles like Gotye’s “Somebody That I Used to Know” and fun.’s “We Are Young” fell by the wayside in favor of cuts most people have yet to hear from albums that won’t be hitting the streets for a few weeks, if not months.

There was Alicia Keys performing her new smoking-chorus ballad “Girl on Fire,” which will be on her November-slated album of the same name. Before that, Pink vividly brought to life “Blow Me (One Last Kiss)”, taken from Sept. 18′s The Truth About Love.

Resilient punk trio Green Day gave fans a live whiff of the spiky “Let Yourself Go,” the third single from Sept. 24′s trilogy-starting album Uno! And, to close the show, Taylor Swift trotted (and hopped, and twirled) out her wildly catchy, chart-topping “We Are Never Ever Getting Back Together.” READ FULL STORY

Did Pink outdo herself with this year's VMAs performance? Watch it here

This year’s MTV VMAs brought us something special that, like a shooting star, people only get to see a handful of times in their life: a Pink awards-show performance.

We’ve seen Alecia Moore get into all sorts of onstage high jinks before, so she had a lot to live up to. Who could forget, for instance, her showing at the 2010 American Music Awards, where she ran through “Raise Your Glass” with a baby on board? Or when she defied Issac Newton with a gravity-spiting performance of “Glitter in the Air” at that same year’s Grammy ceremony? Nobody, that’s who.

So, how did her VMAs performance stack up against some of her best hits? Pretty well! Decked in suspenders, black shorts, and a badass pompodour, Pink brought back the flying act with some fine Spiderman: Turn Off the Dark acrobatics for “Blow Me (One Last Kiss)”, but she also added in an extra ingredient: sets of luscious, Rocky Horror Picture Show-style lips with dancing Rockettes legs.

Readers, check out Pink’s VMAs performance video below and let us know what you think.

READ FULL STORY

The 2012 MTV VMAs: Seven questions going into the show

About 20 years ago, everybody made the same joke: “How can MTV have a Video Music Awards when they don’t air videos anymore?” (And in our comments section, people still make that same joke every year.)

But think about it, has the show ever been about the actual Moonmen as much as it is about the zeitgeisty memes, outsized personalities, and general pageantry of the broadcast?

Think about last year’s show: While everybody remembers the Beyoncé baby-bump reveal, Lady Gaga’s drag show, and Adele’s tear-jerking triumph, does anybody recall what clip won Video of the Year? (It was Katy Perry’s “Firework.”) This year’s show, which beams live from Los Angeles’ massive Staples Center Thursday night at 8 PM Eastern, prides itself on first-run moments, including new tracks from Green Day and Alicia Keys and the first live performances of new singles by Taylor Swift and Pink.

But since there’s not a whole lot of investment in the winner of Best Male Video (unless you literally have invested something with your local bookie), here are the seven questions you should keep on your mind if you tune in. (And even if you don’t, you’re still invited to hang out with the Music Mix tomorrow evening, as we’ll have a live blog, photo galleries, and a full breakdown of the show’s best performances and biggest moments.)

How will host Kevin Hart do?
The VMAs have had some pretty big names host the show before, though there have really only been a handful of memorable ones (see: Eddie Murphy, Chris Rock, and pre-Fox News Dennis Miller). In the last few years, the role of host has been either ignored completely (neither the 2011 or 2007 shows had hosts) or given to people ill-suited for the job (Russell Brand, Chelsea Handler, and Jack Black all sort of punted it). READ FULL STORY

An EW interview with Pink: The star on her 'F-- You' account and why she'll never do a reality show

PINK.jpg

Watch your back, Suze Orman: There’s another tough-talking platinum blond dispensing sound financial advice.

In an interview in the latest issue of Entertainment Weekly (on stands today) the 32-year-old pop iconoclast reveals that, on the advice of her former label head (and current X Factor judge) L.A. Reid, she maintains a special “F— You” account where she deposits more than half of her earnings. “When I first started, L.A. Reid said, ‘Make sure you put money into your F- - - You account. That’s the account that, one day when people ask you to do things you don’t want to do, you say “F- - - you.” ’ I make sure that my F- - - You account is okay, so that you never have to make decisions based on money. I feel like that’s where people kill their careers.”

The “Blow Me (One Last Kiss)” singer says it’s one of the ways she measures whether her career is going well. “I’m never the kind of person who’s sitting at home reading the charts and basing how I feel about myself or even my career on stats. I’ve always based it on, Am I doing the best that I can do? And how’s my F- - - You account?” READ FULL STORY

Latest Videos in Music

Advertisement

From Our Partners

TV Recaps

Powered by WordPress.com VIP