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Tag: Pop (51-60 of 1144)

Use Ella Henderson's new song 'Glow' to discover her better song 'Ghost'

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Back in the spring, British artist Ella Henderson released her debut single “Ghost,” a catchy pop thumper co-written by OneRepublic’s Ryan Tedder, otherwise known as He Who Owns the Pop Hook. My great regret is that I didn’t write anything about it back then, since it quickly rose to the top of my summer playlist and became one of the mainstays in an otherwise meh season for pop. (No offense, “Bang Bang” and “I Will Never Let You Down.”)

On Tuesday, Henderson soft-released the video for her second single “Glow,” and it’s a solid follow-up track that shines some more light on her pop identity: There’s a little Ellie Goulding in the tone, some Leona Lewis in the upper range, and maybe just a little Cheryl Cole without all that boy band-busting choreography. Check it out below:

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Q&A: Ryn Weaver talks about Internet fame and letting her roots show

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When Ryn Weaver posted “OctaHate” on SoundCloud in late June she was a virtual unknown, but she had some important friends, including Passion Pit frontman Michael Angelakos and songwriter/producer Benny Blanco, who’s had a hand in a number of huge songs including “Moves Like Jagger” and “California Gurls.” After another friend, Jessie Ware, plugged the track on Twitter, it became a literal overnight sensation, racking up plays by the hundreds of thousands as it spread beyond Ware’s fan base and exploded all over the Internet.

Last Friday she released her debut EP, Promises, and its lead single is already beginning to repeat the success of “OctaHate.” In the lead-up to its release, Weaver spoke to EW on the phone about what it’s like to become a viral Internet pop star.

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CHVRCHES bring 'Mother We Share' to Guitar Center Sessions

The eighth season of the DirectTV-based concert series Guitar Center Sessions has leaned heavily on ’90s acts like Soundgarden, Alice in Chains, Damon Albarn, and Snoop Dogg, but for its penultimate episode they’ve brought in a group that’s only just started to bloom. This Sunday, Aug. 10, the show will feature Scottish trio CHVRCHES, whose debut LP, The Bones of What You Believe, has been steadily accumulating fans since it was released last fall, making them one of the more popular acts in the electropop revolution that’s leapt up from the indie underground and started taking over the pop charts.

Here’s a first look at their performance of “Mother We Share,” one of the standout songs from a catalog that’s full of exceptional pop hooks and delicious electronic production.

Dance-floor queen Kiesza goes acoustic to cover Nirvana

One of the most delightful singles of this summer is Kiesza’s “Hideaway,” which has been steadily climbing the charts off the strength of its very accurate emulation of the kind of club-pop that ruled radio in the early ’90s. It’s a great sound, and a great point in the retro revival cycle to specialize in it, but the Calgary-born singer appears to have more range than the average dance-floor diva.

For her installment of British music mag NME‘s Basement Sessions video series, Kiesza covers Nirvana’s “Heart-Shaped Box,” an unexpected choice made even more surprising by the sparse arrangement of bluesy vocals and flamenco-inflected fingerpicked guitar that she brings to it.

Maddie and Tae give Nashville a shakeup with 'Girl in a Country Song'

Ever notice how every country song on the radio kind of sounds the same? So did Maddie Marlow and Tae Dye, a teenage country duo who are currently storming up the charts with the single “Girl in a Country Song.” Built around the same drum-loop-kissed, honky-tonk hop that dominates the country airwaves, Maddie and Tae stick it to all the clichés that drive the problematic subset of the mainstream Nashville sound dubbed “bro country.”

“We were going into a songwriting session one day, and we had just been in the car listening to country radio like we do every single day, because we love these songs and we love these guys,” explains the 18-year-old Tae. “We were laughing, because all these lyrics were very similar, and there were a lot of clichés in them. So what we did was we made this checklist, and on the checklist it had bare feet, cutoffs, tanlines, tan legs, but the most important one is the girl.” READ FULL STORY

Get on Tkay Maidza's level with the gleefully noisy 'U-Huh'

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Eighteen-year-old Australian Tkay Maidza is the closest thing we have right now to a reincarnation of early M.I.A.—that is, M.I.A. as she was before the massive record deals and truffle fries and Madonna co-signs, when she was making a big racket out of sounds collected from around the world with the chaotic but innocent glee of a toddler smashing toy trucks together. Over the past year, she has released a string of singles that mix together glitchy electronic noise, hip-hop’s rolling rhythms (not to mention its unabashed swagger), and some truly uncanny natural pop instincts—and in the process, she has become a cult star in the increasingly influential antipodean EDM scene.

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Watch Charli XCX slay 'I Want Candy'

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Between her assists on massive singles by Iggy Azalea (“Fancy”) and Icona Pop (“I Love It”) and her own chart-scaling single “Boom Clap,” Charli XCX has earned herself a well-deserved reputation as a go-to performer of potently exuberant, candy-colored pop songs. There are few songs in the modern pop songbook that fit that same description as well as “I Want Candy,” originally performed by an ad hoc group called the Strangeloves in 1965, but thoroughly owned by Bow Wow Wow since they recorded a cover in 1982. So it’s not unexpected that Charli covering “I Want Candy” would work out pretty well.

What is surprising is how raw and–to use a shudderingly uncool word–rocking it is. Charli has been touring in front of a crack power trio, and “I Want Candy” is a much better showcase for their skills than acoustic versions of “Boom Clap.” Their version is just a little too fast and just a little too loud, and it’s pretty ragged around the edges, which is to say pretty much the ideal way of tackling this particular song. (Thanks in part to the usual lack of practice time before promotional duties like covering songs for internet TV shows, probably.) If Charli ever decides pop stardom isn’t for her, she and her girls could probably find a home making noise on the DIY punk circuit without much trouble. READ FULL STORY

Pop phenomenon Meghan Trainor talks her viral hit 'All About That Bass'

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With its throwback soul beat, its body-positive message couched in a cute metaphor, and its dance-filled, candy-colored video, Meghan Trainor’s “All About That Bass” couldn’t have been better designed to go viral. Two months after it was quietly released online, “Bass” has become a straight-up pop phenomenon—racking up YouTube views, inspiring an untold number of online tributes, and rocketing up the Hot 100, where it’s currently sitting at a respectable number 28.

The genre-mashing 20-year-old songwriter—an avowed fan of Caribbean music who’s written for country megastars Rascal Flatts—talked to EW about her overnight success, the inspiring responses she’s been receiving from fans, and where she’s going from here. READ FULL STORY

Hear Brooklynn's disco-fied new single 'Wild Game'

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Despite what her name might suggest, the pop singer Brooklynn is based out of Atlanta, where she’s been developing a musical identity that pulls from a respectably diverse range of influences—Johnny Cash, Madonna, Guns N’ Roses, and Howlin’ Wolf among them. Working with Lady Gaga’s former musical director, Nico Constantine, she’s recorded an EP that comes out later this fall. It features one song, “Wild Game,” that sounds like Emotional Rescue-era Stones fronted by Donna Summer, which is a pretty seriously great thing to sound like.

Watch Katy Perry's pop-art video for 'This Is How We Do'

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In a new Rolling Stone interview, Katy Perry complains about being accused of cultural appropriation—thanks to the big-bootied mummy dancers on her recent tour and the geisha outfit she wore at the American Music Awards. From now on, she says (presumably no small amount of sarcasm), “I guess I’ll just stick to baseball and hot dogs, and that’s it.”

Neither baseball nor hot dogs appear in the video she just dropped for her YOLO anthem “This Is How We Do.” There are, however, plenty of vivid colors and retro styling that references the early days of pop art, not to mention pizza and watermelon. She also rocks a “ratchet” getup with cornrows and a friend listed in her phone as a “thot…” so those cultural appropriation charges will probably keep rolling in. READ FULL STORY

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