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Tag: R&B (61-70 of 486)

Lady Gaga may regret telling R. Kelly 'Do What U Want' on new single: Hear it here

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When Lady Gaga announced the full track list for her upcoming album ARTPOP, the most intriguing entry for super freaks everywhere was the song titled “Do What U Want.” It wasn’t so much that it was a particularly provocative name for a song, but more because the phrase “featuring R. Kelly” came right after.

That song has been released, along with a photo of Gaga’s be-thonged buttocks that serves as the cover art. The song, built on a totally ’80s synth throb, finds Gaga encouraging listeners to “Do what you want with my body.” Duet partner R. Kelly takes her up on that, crooning about doing shots and flying on private jets before doing what he wants with her body (in the back of a club, of course, because all the best R. Kelly verses take place in the back of a club).

Honestly, the track doesn’t quite come together (Gaga’s vocal style clashes too much with both the track and Kelly’s smooth R&B pipes), but it’s an intriguing mind-meld nonetheless. Give it a listen below.  READ FULL STORY

Your weekend must-listen: TLC's career collection '20'

Weekends call for a special soundtrack: Something celebratory without being too hype, background-y when needed but also capable of sparking kaffeklatsch-type conversation, and of course, high quality enough that you don’t feel you’re squandering your precious free time listening it. TLC’s 20 retrospective, out this week, hits all those marks and more. Because nothing should be harder than it has to be on the weekend, read this now so you’re ready to listen this evening before you hit the town, or tomorrow morning when you’re mellowing with some coffee.

Background: TLC dominated ’90s R&B with three delightfully titled albums (Ooooooohhh… On the TLC Tip, 1992; CrazySexyCool, 1994; FanMail, 1999) that sold tens of millions of copies and threw off about 10 big hits, from “What About Your Friends” to “No Scrubs,” all of which you can hear on 20. Lisa “Left Eye” Lopes, the group’s flamboyant rapper, died in a 2002 car crash, after which the group broke up.

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Prince prefers dancing to pancakes in 'Breakfast Can Wait' video: Watch it here

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What is it about “Breakfast Can Wait” that Prince loves so much? Since the single dropped a few months back, His Purpleness has gone out of his way to give the track a totally amazing piece of cover art, and now he’s dropped what is probably his most high profile video in years.

In the Prince-free clip, directed by dancer Danielle Curiel, a couple plays out a most important meal of the day-eschewing fantasy before a sudden smash cut sends everyone to a dance studio and finally to a carefully-choreographed roundtable featuring a bunch of freaky masks and a whiff of Budweiser Black Crown.

Check it out below, and dig Prince’s cross-dressing doppelganger.  READ FULL STORY

TLC premieres new single 'Meant to Be': Hear it here

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TLC’s 20th anniversary this year is a bittersweet milestone considering founding member Lisa “Left Eye” Lopes passed away 11 years ago. Still, that isn’t stopping co-founders Rozonda “Chilli” Thomas and Tionne “T-Boz” Watkins from putting together a VH1-produced biopic about the evolution of the multiplatinum R&B trio CrazySexyCool: The TLC Story, which premieres October 21.

There’s also a new compilation from the group called 20 that features the new single “Meant to Be,” a sweet, breezy pop tune written by Ne-Yo. Give it a listen below.  READ FULL STORY

What's on 'New Girl' star Hannah Simone's iPod: Canadian classics and Compton covers

You probably know Hannah Simone best as Cece, best friend to Zooey Deschanel’s Jess on New Girl — but Simone got her first on-camera exposure as a host on Canada’s MuchMusic.

“The great thing about a job like that is you’re talking to people about their passion and about what they love, so I don’t think I ever had an interview that I didn’t really enjoy,” said Simone of her experience on the Canadian music network.

Not surprisingly, she has carried a lot of great Canadian artists around with her on her iPod, though there’s also room for Cat Stevens and a novelty cover of a Snoop Dogg song.

Leonard Cohen, “Bird On A Wire”
“I just spent the weekend with my family, and our whole conversation seemed to revolve around Leonard Cohen. I’m crazy about him, and I have been for a long time. I’ve bought every album he’s ever had and every book of his poetry. I went to Coachella once, and it was only to go see Leonard Cohen. I got in the car and sat through all the crazy traffic in L.A. to get there—instead of a two hour drive it takes like six hours. Then I watched his set and turned around and left. I just so wanted to see him perform in the desert.

The other time I saw him was when I was in Toronto, and a friend surprised me with tickets. I went on my own and sat by myself. It was like being at church. Everybody sat pin-drop silent. I love the song ‘Bird on a Wire’ — It’s an amazing lyric: ‘Like a drunk in a midnight choir.’ He’s so incredible, and a Canadian to boot.”

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R. Kelly drops another sex/food crossover single, 'Cookie': Hear it here

R. Kelly adores carnal pleasures. He also has a fondness for food. And he has never hesitated bringing the two together; look no further than classic tracks like “Sex In the Kitchen” (where he wanted to lay you down next to the buttered rolls) or “Sweet Tooth” (wherein he compared a part of the female anatomy to Skittles).

Now comes “Cookie,” the latest track from Kelly’s forthcoming Black Panties album. It contains a ton of shout-outs to Oreos (which, it should be noted, were not on his shopping list—hopefully his song about chicken nuggets shaped like dinosaurs will be coming soon), and he does in fact call himself “Cookie Monster” at one point (though the song somehow doesn’t sample this classic).

Give “Cookie” a spin below. And in case it’s unclear: This is not in any way about baked goods.

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Justin Bieber releases 'Heartbreaker,' his first #MusicMonday single: Hear it here

Last week, Justin Bieber announced Music Mondays –in which he’ll unveil a new single every Monday for the next ten weeks.

“Heartbreaker” premiered late last night, though versions of this song have been kicking around the dusty corners of the Internet for a while now. It’s an atmospheric slow jam that comes complete with a ’90s style spoken-word bit in the middle.

It really wouldn’t sound out of place on Justin Timberlake’s The 20/20 Experience, which bodes well for Bieber or says terrible things about Timberlake, depending on who you are.

The release of “Heartbreaker”  — and the nine more Mondays to come — will get Beliebers primed for a new 3D concert movie said to be coming soon. The new song is available on iTunes right now, though you can also give it a spin below.  READ FULL STORY

Justin Timberlake, Jay Z, and the long legacy of album sequels

This week saw the early streaming release of Justin Timberlake’s The 20/20 Experience — 2 of 2 – you can listen to the whole thing in its entirety over at iTunes right now (and then read the official EW review). 

2 of 2 is the sequel to March’s The 20/20 Experience, Timberlake’s long-awaited return to pop music. It’s also the latest in a relatively recent phenomenon: The album sequel. (Add Eminem’s The Marshall Mathers LP 2 coming in November, to the list.) If movies can do it, why can’t the music world?

With these releases in mind, it’s time to look back at the best examples of album sequels. They don’t all work (in fact, a lot of them do not—be wary of rappers returning to old titles that weren’t that good in the first place), but these are the 10 best, in no particular order.

Jay Z, Vol. 2: Hard Knock Life
Jigga has had two different sets of sequels, but his In My Lifetime series is consistently stronger than those albums that contain the title The Blueprint (the original Blueprint is a stone-cold classic, but its two follow-ups are bloated and inconsistent). Vol. 2 was the album that found Jay crossing over into pop territory, as the Annie-sampling single “Hard Knock Life (Ghetto Anthem)” gave Jay his first jolt of mainstream popularity—which he has ridden into his status as one of our premiere music stars.

Dr. Dre, 2001
The long-awaited, unofficial sequel to Dre’s landmark solo debut The Chronic (in some circles, it’s still called Chronic 2001, it’s long-rumored working title) hits just as hard as its predecessor and features a handful of tracks (including “What’s the Difference?” and especially “The Next Episode”) that sounded instantly timeless—and have remained so.  READ FULL STORY

Justin Timberlake boxes for your love on 'TKO': Hear it here

Pop stars, they love the boxing these days!

Katy Perry’s been putting on her best fighter face while promoting “Roar,” and Sleigh Bells (who, yes, are basically pop these days — this iPhone ad says so) have adopted the old sport as part of their regimen, and now Justin Timberlake has entered the ring with “TKO,” the second released single off his upcoming The 20/20 Experience 2 of 2.

The love-and-pugilism song comes behind “Take Back the Night” and, as expected, is a Timbaland-produced jam that runs around seven minutes. Give a listen below:

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Bruno Mars at the Super Bowl: Why choosing him makes good (business) sense

There are still nearly four months left in 2013, but we already know what the most-watched musical performance of next year is going to be.

Over the weekend, the NFL announced that the next Super Bowl Halftime Show performer will be Bruno Mars. He’ll take the stage midway through football’s championship game on February 2 inside MetLife Stadium in East Rutherford, New Jersey (home to both the New York Giants and the undefeated New York Jets).

There are a number of names that were tossed out as alternatives to Mars, the most popular being Bruce Springsteen, Bon Jovi, and Jay Z. But there are compelling reasons for all three of those to be avoided, if they were even considered: Springsteen did the halftime show too recently (remember when he crushed that camera with his crotch?), Bon Jovi seems to be in flux (who knows if the Richie Sambora situation will be resolved by February), and Jay Z is way too polarizing for an event of this size and scale (even with his nods to big business, he remains too risky a figure for this stage as far as the check writers are concerned).

Really, Mars is the biggest pop star to never have done the halftime show, save for maybe Taylor Swift (who seems like a lock to do this show some day). And his resumé is chock full of qualifications for one of music’s biggest gigs: He has two chart-topping albums, five Hot 100 number ones, has shifted over 115 million singles, and has already performed on the Grammys, the VMAs, and Saturday Night Live. He’s a bona fide superstar, and yet the overwhelming reaction to the announcement that he got the gig has been negative: He’s not a representative of New Jersey (or New York), he’s simultaneously too young and too old; he’s too short.

But really, the selection of Mars should not be surprising to anybody. The Super Bowl is, primarily, a massive business opportunity for advertisers, media outlets, corporate sponsors, and the NFL itself, and Mars represents a shrewd business solution: He’s famous and an excellent live performer, but most importantly, he sounds like someone your mom would like.

That last piece of criteria is the most important: Since the Super Bowl is the most-watched television event of the year (and many broadcasts have become the most-watched television event of all time, at the time), programmers have to assume that there are people watching who don’t normally watch football and don’t pay close attention to music.

That’s why the game itself is weighed down with non-sports-related tie-ins, why the commercials have been built into the entertainment, and why the halftime music tends to skew towards the broadest selections.  READ FULL STORY

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