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Tag: Rick Ross (1-10 of 38)

Rick Ross on chanting 2 Live Crew on the playground -- and the first time he fell in love with a stripper

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Rick Ross has developed a musical signature built on louche bombast and cinematic drama. His latest album, the recently-released Hood Billionaire, maintains the high standards to which all bosses must aspire.

But what artists, songs, and albums helped form the Ross perspective? EW caught up with the Bawse for a conversation about his musical development, his rap obsessions, and his plan for the most badass funeral in hip-hop history. READ FULL STORY

Eat the Beat: The tastiest songs about food

With the release of her new album Food last week, singer and Le Cordon Bleu-certified chef Kelis has gone from “Milkshake” to full-on smorgasbord — tracks on the album include “Jerk Ribs,” “Cobbler” “Friday Fish Fry,” and “Biscuits n’ Gravy.”

But she’s hardly the first artist to find her muse on a menu. Place your order below—and stream our full food playlist (minus a few songs that weren’t available on Spotify; apologies to fans of both Pumpkins and egg-based condiments): READ FULL STORY

Puff Daddy returns with 'Big Homie': Hear it here!

Hot off the heels of re-christening himself Puff Daddy, the man born Sean Combs (also known as Diddy, P. Diddy, Puffy, Shiny Suit Man, One of Dave Chappelle’s Best Impressions, and that guy who is always on top of the Forbes Richest Musicians List despite not making very much music) has a new single called “Big Homie.” It was supposed to drop on Monday, but the streets couldn’t wait, as they say.

“Big Homie” features French Montana and Rick Ross, and the latter is clearly the biggest influence on Puff’s current sound: It’s big, it’s badass-sounding, and it leans into that signature monster plod. But while Ross’ penchant for rapping just behind the beat always sounds like a conscious decision (not even the power of rhythm can move the Bawse), Puff just sounds slightly inept (which is a pretty accurate description of his career-long rhyme style). Everybody is going hard, but by surrounding himself with high-impact blasters in Montana and Ross, Puff highlights the oomph his rapping has always lacked.

Still, “Big Homie” is a reasonable enough return to form for Puff Daddy that it should spark plenty of curiosity for his upcoming album MMM. And props to him for that line “The only one that’s topping Forbes/I’m getting lonely.” Listen to “Big Homie” below.

READ FULL STORY

P. Diddy is Puff Daddy again -- VIDEO

Just when we were finally getting used to calling Sean Combs “P. Diddy,” he goes and changes his name again. Typical.

Okay, so Combs has actually been known as P. Diddy, or occasionally just Diddy, since 2001, when he decided to shed Puff Daddy to make a statement about turning over a new leaf. (At the time, he was going through a weapons trial — a convenient opportunity to say “Ignore my past!”)

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SXSW: Rick Ross takes a victory lap, 2 Chainz closes out the weekend

The Syracuse hardcore band Perfect Pussy won the lion’s share of SXSW’s cool-kid attention. Destruction Unit put on some of the week’s most raucous shows. Bigger bands (well, relatively) like Speedy Ortiz, Cloud Nothings, Parquet Courts, and F—ed Up went above and beyond to put on a slew of killer parties.

But who cares about that crap, because Rick Ross has the No. 1 album in the country!!!! Did you know that Rick Ross has the No. 1 album in the country? If you didn’t, he and his hype man at the Fader Fort last night made sure to remind everyone over and over. And over.

As has been the trend for a few years now, Big Rap turned SXSW into its own game. The festival’s closing night drove that point home: Ross celebrated his chart-topping new record Mastermind by headlining Fader, A$AP Mob and Mobb Deep capped their own busy weeks at 1100 Warehouse, and 2 Chainz took over a showcase at Brazos Hall.

Clearly, it was a rap-heavy schedule, and that’s not even counting Jay And Kanye’s Samsung event Wednesday night or the shows by Future, Pusha T, Kendrick Lamar, Big Sean, B.o.B., Nas, and, um, Ludacris.

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Rick Ross tops the album chart, with Pharrell just behind him

Rick Ross might need to update that $92 million bank balance he advertises on Mastermind: His luxuriously dark sixth album sold 179,000 copies last week, earning the number one spot on the Billboard 200. That’s his fifth chart-topping album, which as Billboard points out, puts him in rarified company, trailing only Nas, Kanye West, Eminem, and Jay Z in terms of hip hop number ones. (Last week’s top album, ScHoolboy Q’s Oxymoron, dropped to number eight.)

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Jay Z addresses Barneys controversy on new Rick Ross collab 'The Devil Is a Lie'

You can press pause on Beyoncé now—and be grateful Bey hasn’t convinced everyone to quit releasing teaser tracks off upcoming albums.

This one’s from Rick Ross, whose Mastermind will arrive early next year, and Jay Z, and it is so wonderfully good: Equal parts Rozay roll and blaring Blueprint soul—a jubilant celebration of two rappers who at this point can only really have fun with tales of crack dealing.

Although Jay Z also addresses the recent, quite real issue of his continued partnership with Barneys after “shop-and-frisk” lawsuits were brought against the department store: “See what I did to the stop and frisk?/Brooklyn on the Barneys like we own the bitch/Give the money to the hood, now we all win/Got that Barneys floor lookin’ like a V.I.M.”

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The BE(s)T of the BET Hip Hop Awards 2013

The BET Hip Hop Awards, which aired last night on – you guessed it – BET, is not your average awards show. First, it’s not a live. The awards were filmed in Atlanta on September 28th and the full list of winners were announced in advance of the broadcast. Second, it’s really not about the winners’ reveal, it’s all about the performances and the cyphers.

Last night’s broadcast was a tightly packed two hours with a few standouts and one notable winner overall. Drake and Kendrick Lamar took home the most awards, but it was K.dot who left the most lasting impression. Let’s take a look at some of the BET Hip Hop Awards’ bests: READ FULL STORY

Pusha T, the Last Great Gangsta Rapper

How gangsta is Pusha T? So gangsta that on his first official solo album, the killer My Name Is My Name, the marvelously menacing Virginia rapper includes a soaring inspirational anthem, “Hold On”—and invites the profoundly unsentimental Rick Ross to join him on it. (Though “[you] couldn’t fathom my wealth/Build a school in Ethiopia/should enroll there myself” may be Ross’s most civic-minded statement yet.) He’s so gangsta that he calls a song that features Chris Brown “Sweet Serenade.” He’s so gangsta that he has Jeezy, a relic of the peak-thug era, rap on “No Regrets.”

Pusha—one half of the sadly dormant coke rap duo Clipse, prolific mixtape and guest rapper and member of Kanye West’s G.O.O.D. Music—sums himself up this way on “No Regrets”: “Nowadays I sell hope/what, you rather I sell dope?/What I sell is a lifestyle/naked bitches on sailboats.” That’s “hope” the way Rick Ross can understand it. Pusha remains a deadpan, do-it-to-death thug whose self-awareness never undermines his drug-dealer fairy tales.

Which makes him an exception among the great rappers with recent albums. Danny Brown, who just released the terrific Old, uses meanness as just another one of his masks. Drake surrenders to complexity—he’s tougher on Nothing Was the Same, but still like a boyfriend who’s needy at home and aloof around your friends. On Doris, Earl Sweatshirt is utterly—and engrossingly—cerebral. And then there are the A$APs: image jockey Rocky and the inspiringly weird Ferg. Pusha may be the last gangsta standing—not an anachronistic monolith, but a living, snarling monument to hardcore hip hop.

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Reebok dumps Rick Ross over rape lyrics UPDATE: Ross releases official statement

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Looks like the Boss has been fired.

In the wake of the controversy surrounding his date-rape-endorsing lyrics on the track “U.O.E.N.O.,” Reebok has acquiesced to the multiple women’s groups who called for Ross’ ouster as an endorser of its shoes.

In a statement made to TMZ, the shoe company said, “Reebok holds our partners to a high standard, and we expect them to live up to the values of our brand. Unfortunately, Rick Ross has failed to do so. While we do not believe that Rick Ross condones sexual assault, we are very disappointed he has yet to display an understanding of the seriousness of this issue or an appropriate level of remorse.” READ FULL STORY

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